Preserving and extending the legacy of Roger Ebert, film critic since time immemorial. Read reviews, interviews, blog posts & more at https://xitter.cf/t.co/hJ8HMMuPEE

Chicago, IL
Joined June 2013
Roger Ebert famously said that movies are a machine that generates empathy. Here are 13 reviews chosen by our editors and readers that reflect this message. #Day4Empathy rogerebert.com/roger-ebert/1…
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"This dispatch may feature only two films, but it’s bursting with complexity." From the Chicago International Film Festival, @812filmreviews reviews LIZ HERE NOW & THREE COLORS: PAN-AFRICAN: rogerebert.com/festivals/cif…
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"Kat Sandler has transformed her own work for the better, breaking down her play and molding it into a story that not only translates well on screen, but gets even better in this entirely different medium." @kaiyashunyata reviews YAGA: rogerebert.com/streaming/yag…
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“We all bring our own perspectives, challenges, joys, pain, and sorrow to these experiences. If we can put them authentically into the stories, hopefully they’ll reach another person.” @EclecticHutch spoke with Travis Knight about WILDWOOD: rogerebert.com/interviews/an…
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"Colman and Skarsgård keep the film honest even when Fischer and Wilson wiggle out of their own conceit, conjuring deeply felt emotion out of the promise of love." @812filmreviews reviews WICKER: rogerebert.com/reviews/wicke…
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"This exceptionally thoughtful and often hilarious documentary about Bamford explores the way she uses humor to filter her experiences." @nminow reviews PARALYZED BY FEAR: THE MARIA BAMFORD STORY: rogerebert.com/reviews/paral…
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“What made Skerritt special was how easily his intertwined interests in learning, storytelling, and observing showed up in his work." @Brian_Tallerico offers tribute to the late Tom Skerritt: rogerebert.com/tributes/seek…
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"Despite tear-filled eyes, the beauty of [this film] blooms from the way love evolves after loss." @coolkidcort in her 4/4 star review, writes about MOUSE from the Chicago International Film Festival: rogerebert.com/reviews/mouse…
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For this year’s Chicago International Film Festival, @petersob13 reviews the documentaries worth checking out, including: A CITY IN THE FOREST, GOING FOR HOME, & WHILE WE ARE HERE: rogerebert.com/festivals/cif…
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So I wrote this @ebertvoices Like I wasn’t going to write something Marie Antoinette-adjacent on its 20th anniversary. . .
"It quietly, and at times movingly, offers observations ranging from the artistic process to the struggles female filmmakers still face even after theoretically proving themselves." @petersob13 reviews MAKING MARIE ANTOINETTE: rogerebert.com/reviews/makin…
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"It quietly, and at times movingly, offers observations ranging from the artistic process to the struggles female filmmakers still face even after theoretically proving themselves." @petersob13 reviews MAKING MARIE ANTOINETTE: rogerebert.com/reviews/makin…
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“[It] can’t quite figure out what movie it wants to be, which could be an ambitious homage to a writer that often blurred genre lines, or it could just be sloppy writing." @Brian_Tallerico reviews A TALENT FOR MURDER, in theaters now: rogerebert.com/reviews/a-tal…
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“[John] Turturro shines, offering a performance that not only gives justice to this honorable character—but also proves that he’s among the last of a certain type of professional actor ..." @812filmreviews reviews THE ONLY LIVING PICKPOCKET IN NEW YORK: rogerebert.com/reviews/the-o…
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