GPT connected to the invideo MCP can now build its own effects directly inside the editor. Mixed media, grid effects, and a whole lot more, all built through conversation, all on a real editing timeline.

Kling 4.0 is now live on invideo. 30 second clips in a single generation, up to 10 keyframes, 15 references, and 4K output.

We made a broadcast-quality Ford spec ad using Claude Opus 5.5 and the invideo MCP. 3D motion-tracked typography, technical blueprint transitions, cinematic automotive cuts, voiceover, foley, color grade, all orchestrated through text prompts on a real editing timeline.

Hybrid or fully synthetic, which film crosses 100 crore first? India’s leading filmmakers and studio heads get honest about AI, box office, and what it actually costs to make a film now. The Next Frame: India Edition is out now on YouTube.

This is the clone effect, and you can build it in 3 steps with the invideo editor. Stack your takes on separate tracks, ask the agent to rotoscope each one, then have it add flash transitions for the reveal. Here’s how it came together.

MiniMax H3 Max is live on invideo. Relight scenes, swap characters while keeping the same movement, convert 3D layouts into photorealistic shots, extend clips, and lip sync audio to any face. One model, a lot of range.

This is the object clone effect, built entirely with the invideo editor by chatting with the agent. Load your audio, ask the agent to beat-sync your clips and rotoscope the subjects, then have it duplicate and stack each clone across the beat. Here’s the breakdown.

We put India's leading filmmakers in a room with the studio heads who decide what gets made, and asked what AI filmmaking really costs and what it will never change about cinema. The Next Frame: India Edition. Full conversation, right here.