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NB

@Noahbolanowski

Reveling at the Intersection of Art & Technology.

 Boca Raton, FL | New York, NY
Joined July 2010
  • Tweets85.8K
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  • Followers19.1K
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Photo by NB (@Noahbolanowski)Photo by NB (@Noahbolanowski)Photo by NB (@Noahbolanowski)Photo by NB (@Noahbolanowski)Photo by NB (@Noahbolanowski)Photo by NB (@Noahbolanowski)Photo by NB (@Noahbolanowski)
Correcting the historical record behind one of Salvador Dali's most iconic paintings, popularly known as Lincoln in Dalivision. Read the Essay: linkedin.com/pulse/salvador-…
Image from NB (@Noahbolanowski)
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I discovered the work of Paul Rickards and it is stunning. Inspired by 70s pioneers like Molnár, Nees, and Noll, he writes Python code to drive vintage pen plotters—turning algorithmic precision into one-of-a-kind physical pieces with subtle, human-like ink variations.
Image from michael spalter (@michaelspalter)
Image from michael spalter (@michaelspalter)
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bre
@bre17h
Replying to @Noahbolanowski
@Noahbolanowski is on a roll with Dali research! I’m a fan of Leon Harmon’s work.
NB (@Noahbolanowski) profile pictureNB
@Noahbolanowski20h
Correcting the historical record behind one of Salvador Dali's most iconic paintings, popularly known as Lincoln in Dalivision. Read the Essay: linkedin.com/pulse/salvador-…
Image from NB (@Noahbolanowski)
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cha@twt_cha_18h
🫶🎨🌈💻🌐🖌️
NB (@Noahbolanowski) profile pictureNB
@Noahbolanowski20h
Correcting the historical record behind one of Salvador Dali's most iconic paintings, popularly known as Lincoln in Dalivision. Read the Essay: linkedin.com/pulse/salvador-…
Image from NB (@Noahbolanowski)
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How awesome! In thesee magazines are also topics like art and literature included. I'll look them for you up.
DigitalMonaLisa (@thedigitalmona) profile pictureDigitalMonaLisa
@thedigitalmonaNov 10
Issues of "Computers and Automation" and including it's next iteration, "Computers and People" starting in 1954 on Bit Savers. bitsavers.trailing-edge.com/…
Image from DigitalMonaLisa (@thedigitalmona)
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Featuring several computer-generated artworks I recently discovered within Salvador Dali's oeuvre.
Image from NB (@Noahbolanowski)
Image from NB (@Noahbolanowski)
Image from NB (@Noahbolanowski)
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I published an interview with Canadian grandfather of digital art Leslei Mezei on @RtClick_Save rightclicksave.com/article/c…
Computer Art Pioneer Holds First Solo Show at 95 | Leslie Mezei - Right Click Save

Computer Art Pioneer Holds First Solo Show at 95 | Leslie Mezei - Right Click Save

He made plotter drawings in 1967, and showed at the main art and technology shows of the day, before leaving the field in 1978. A Paris gallery spent ten years tracking him down to show everything...

rightclicksave.com
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bre
@breNov 13
Frieder Nake is the featured pioneer in the latest issue of Machine Arts Magazine. machinearts.org/ Superstar artist, professor, and living legend!
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My video "Meet Me in the Sun" (2018) featuring the artist, curator, and muse Natalie White is now projected onto the tower of the Palazzo del Governatore as part of UNICHE. Dodici artiste internazionali tra codice e intelligenza artificiale, curated by Serena Tabacchi @SerenaTabacchi and Cesare Biasini Selvaggi. The piece uses NASA's solar archives and custom kaleidoscopic software. The Sun is one thing we all share. I'm honored to be shown alongside this truly amazing group of fellow women: Sasha Stiles @sashastiles, Krista Kim @Krista_Kim , Sofia Crespo @soficrespo91 , Sarah Zucker @thesarahshow , Sara Ludy @sara_ludy , Linda Dounia @LindaDouniaR , Ivona Tau @ivonatau , Rosa Menkman @_menkman , Chiara Passa @ChiaraPassa1 , Kamilia Kard @kamiliakard and Jenni Pasanen @JenniPasanen Twelve women working with code and AI, lighting up a historic façade in a public square. 📍 Piazza Garibaldi, Parma 🗓 Through January 31, 2027 🕓 Every day, 4 pm to midnight Grazie to the curators and to the Comune di Parma. #UNICHE #Parma #MeetMeInTheSun #VideoMapping#ProjectionMapping #DigitalArt #NewMediaArt #AIArt#WomenInDigitalArt #PalazzoDelGovernatore #AnneSpalter
🤖 Made with AI
Image from Anne Spalter (@annespalter)
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NORI (@NORIWTS) profile picture
NORI
@NORIWTSNov 13
Computer History Museum with great archive @ComputerHistory with Michael Knoll, Harold Cohen, Alto, Xerox PARC
Image from NORI (@NORIWTS)
Image from NORI (@NORIWTS)
Image from NORI (@NORIWTS)
Image from NORI (@NORIWTS)
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原宿キデイランドの裏辺りに出来たアートスペース「seeen Harajuku」柿落とし名和晃平さんの個展「At Random」を観た。 建築も名和晃平さんと氏が主宰するクリエイティブ・プラットフォーム「Sandwich」が設計を手がける。曲面を積み重ねた黒いルーバー状の外観が特徴。決して広いスペースでは無いので平日などすいていそうな時間に行かれるのがおすすめかな。 個展「At Random」は11月28日まで。なんと無料です。
Image from 萩原幸也 ®️ (@onipro)
Image from 萩原幸也 ®️ (@onipro)
Image from 萩原幸也 ®️ (@onipro)
Image from 萩原幸也 ®️ (@onipro)
Image from 萩原幸也 ®️ (@onipro)
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Frieder Nake—Will Computers Ever Have Feelings? with Peter Bauman youtu.be/fz7dmq4Cp-I?is=t27x… via @YouTube Extraordinary to listen to Peter interview the legendary Frieder Nake, widely considered one of the three “N”s - Nake, Noll and Nees - the first to use a computer in art… 🫶🏻
Frieder Nake—Will Computers Ever Have Feelings? with Peter Bauman

Frieder Nake—Will Computers Ever Have Feelings? with Peter Bauman

Episode page and full transcript: https://www.lerandom.art/episodes...

youtube.com
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The Telegarden by @Ken_Goldberg and @Eojsant went online in June 1995 and was an art installation that allowed web users to view and interact with a remote garden filled with living plants. Anyone online could plant, water, and monitor the progress of seedlings via the tender movements of an industrial robot arm.
Image from Lukas Amacher (@scrptdfntsy)
Image from Lukas Amacher (@scrptdfntsy)
Image from Lukas Amacher (@scrptdfntsy)
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NB retweeted
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cha@twt_cha_Nov 12
🫶🎨🌈💻📜🖌️
NB (@Noahbolanowski) profile pictureNB
@NoahbolanowskiNov 11
Manfred Mohr in 1977: "For me, works of art are answers to precise, possibly even intelligent questions... That's why I chose the computer. The computer, not as a machine I am faced with, but flowing between, as a projection of myself."
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Manfred Mohr in 1977: "For me, works of art are answers to precise, possibly even intelligent questions... That's why I chose the computer. The computer, not as a machine I am faced with, but flowing between, as a projection of myself."
michael spalter (@michaelspalter) profile picturemichael spalter@michaelspalterNov 11
Few artists have explored the line between intuition and structure as rigorously as Manfred Mohr. Over nearly seventy years he moved from tachist expressionism to hard-edge geometry, then helped found generative art. He didn’t just use the computer. He questioned it.
Image from michael spalter (@michaelspalter)
Image from michael spalter (@michaelspalter)
Image from michael spalter (@michaelspalter)
Image from michael spalter (@michaelspalter)
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Snakable by Samuel Bianchini, 2020
PIV (@piv_piv) profile picturePIV
@piv_pivNov 10
Cornelis Norbertus Gijsbrechts, The Reverse of a Framed Painting ca. 1670
Image from PIV (@piv_piv)
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Few more sculptural installations from the morning run. - Picasso’s Muses by Bill Barrett, 1995. - Marty’s Cube by Tony Rosenthal, 1983. - Donut with Balls and Half Moon by Fletcher Benton, 2004.
Image from NB (@Noahbolanowski)
Image from NB (@Noahbolanowski)
NB (@Noahbolanowski) profile pictureNB
@NoahbolanowskiNov 5
Caught a new sculptural install on my morning run — Untitled by Bill Barrett, 1975-76. "It took a while for me to figure out a way to truly control the metal. It evolved." Bill Barrett, quoted in Philip F. Palmedo's Bill Barrett: Evolution of a Sculptor (2003), pp. 10–11.
Image from NB (@Noahbolanowski)
Image from NB (@Noahbolanowski)
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cha@twt_cha_Nov 10
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NB (@Noahbolanowski) profile pictureNB
@NoahbolanowskiNov 9
1968: "The rhythmic heartbeats are electronically transmitted to a special membrane, which then propels the dust particles into the light cone within a transparent glass enclosure." Heart Beats Dust (1968) by Jean Dupuy, seen in MoMA’s The Machine exhibition (dubbed).
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Figma
@figmaSep 7
This week on Source Material: Zach Lieberman (@zachlieberman), MIT Professor, computational artist and creative coder. 00:00 Intro 00:17 Maeda @ Media — John Maeda, 2000 01:25 The Visual Diaries 1973–1982 — Lance Wyman, 2017 02:09 Design by Numbers — John Maeda, 1999 03:01 Making Things — Issey Miyake, 1999 03:45 An Arbitrary Point P — Masahiko Sato & Euphrates, 2007 04:14 Midnight Animations — Masahiko Sato & Euphrates, 2007 04:53 Visual Music — Kerry Brougher, Jeremy Strick, Ari Wiseman & Judith Zilczer, 2005 05:24 Drawing is Thinking — Milton Glaser & Judith Thurman, 2008 05:49 Arm in Arm — Remy Charlip, 1969 06:22 Siteless: 1001 Building Forms — François Blanciak, 2008 06:51 Cool Tools: A Catalogue OF Possibilities — Kevin Kelly, 2013 07:19 Conditional Design Workbook — Laura Maurer, Jonathan Puckey, Roel Wouters & Edo Paulus, 2013 08:03 Design Writing Research: Writing on Graphic Design — Ellen Lupton & Abbott Miller, 1996 09:45 Figma Config 2026 — Zach Lieberman, Ten Years of Daily Sketching 09:59 Outro
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ハンス・ハーケのアジア初となる大規模回顧展が東京都現代美術館で開催。政治・経済・美術制度を問う60年以上の軌跡 bijutsutecho.com/magazine/ne…
ハンス・ハーケのアジア初となる大規模回顧展が東京都現代美術館で開催。政治・経済・美術制度を問う60年以上の軌跡

ハンス・ハーケのアジア初となる大規模回顧展が東京都現代美術館で開催。政治・経済・美術制度を問う60年以上の軌跡

東京・清澄白河の東京都現代美術館で、ハンス・ハーケのアジア初となる大規模回顧展「ハンス・ハーケ：インフォメーション・フロー」が開催される。会期は2027年2月6日〜5月16日。自然…

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