4Thangs Virtual Adventures 🤷‍♂️🤷‍♂️🤷‍♂️🤷‍♂️

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I feel for Steph Curry. It cannot be easy watching your wife become the punchline of so many lewd jokes. And while I understand his instinct to defend her, I wanted to address something that has bothered me about Ayesha Curry's public conduct over the past two years, and why I believe Steph, despite his admirable intentions, has fundamentally misunderstood the criticism. First, a few things worth establishing. I don't believe men should control their partners' career decisions, dictate their ambitions, or police their public speaking engagements. I'm also a film director who has directed 13 films, so I'm well aware that actors sometimes have to kiss other actors. It's part of the profession. Anyone scandalized by that fact probably doesn't understand the profession very well. But my criticism has very little to do with the kiss itself. It has to do with something considerably more troubling: the increasingly blurred distinction between autonomy and vanity, between ambition and envy, and between the pursuit of one's own greatness and the resentment of someone else's. And despite Steph's valiant efforts to defend his wife, I suspect he may look back on this period ten years from now and feel rather differently. Let's start with the film. Part of the reason people are mocking it is that it looks like AI slop in human form. A lazy script, dreadful lighting, uninspired cinematography, recycled plotlines, and acting that oscillates between bland and genuinely uncomfortable. Anyone insisting that Ayesha Curry deserves to be taken seriously as an actor on the strength of this performance needs to have their head examined. But the film itself is almost beside the point. To me, it represents a recurring theme in Ayesha Curry's public persona over the past two years: vanity masquerading as autonomy. And there's an important distinction between the two. On Red Table Talk, Ayesha spoke about wanting more male attention and validation, particularly in the context of the enormous attention her husband receives from women. Now, I don't pretend to know the inner workings of their marriage. But I do find the psychology of that admission revealing. Because beneath the desire for validation lies a potentially destructive belief: that the admiration your partner receives somehow diminishes your own worth. That love is a competition. That attention is a finite resource. That one person's ascent necessarily represents another person's descent. Nietzsche might have recognized in this the beginnings of ressentiment: the tendency to measure oneself against another person's success, and eventually to experience that success not as something to celebrate, but as an indictment of one's own inadequacy. And this is where I believe the distinction between genuine independence and performative independence becomes critical. On Call Her Daddy, Ayesha spoke about her ambitions to be a career woman and how marriage and motherhood altered the trajectory she had imagined for herself. There is nothing inherently wrong with that admission. Plenty of people struggle to reconcile the lives they imagined with the lives they ultimately chose. But when placed alongside her earlier comments, a recurring sentiment begins to emerge: "I'm more than just Steph Curry's wife." And of course she is. But here's the question: Why does being Steph Curry's wife need to be framed as something to overcome? Why must proximity to greatness become a burden rather than a blessing? Why must an identity be established in opposition to the very person one has chosen to love? There is something profoundly unhealthy about treating your partner's extraordinary achievements as an obstacle to your own self-realization. And I suspect this is why so many people, including those in the so-called manosphere, have rallied to Steph's defense. Continued below ⬇️⬇️⬇️

Before Hawkins, there was Marion. Other Worlds: A Stranger Things Adventure. A new series only on Netflix. 2028.

Caitlin Schneiderhan, one of the writers for Stranger Things, talks about Other Worlds: “To YOU its a UFO. I know what it is.”

Mfer I've seen a "spaceship" before and so have you and there's nothing there that identifies that as a spaceship other than its in the clouds with some lights .. ohhhh big deal lol This is ST world, you cant assume this type of shit, that's how they get you!

Caitlin Schneiderhan, one of the writers for Stranger Things, talks about Other Worlds: “To YOU its a UFO. I know what it is.”

Caitlin Schneiderhan, one of the writers for Stranger Things, talks about Other Worlds: “To YOU its a UFO. I know what it is.”

Never seen this in my life…

A moment he will never forget 🙌 This @okcthunder fan traveled all the way from Australia to see the “CaruShow” and was HYPED to meet Alex Caruso pregame!

there are no more dice on google when you search for stranger things. november 11 is will byers’ funeral day, and the dice disappeared on this very day. anniversary effect? #lwg

Can someone check the Stranger Things page on Google? Is the D&D dice animation still working for you? It’s not playing for me anymore. #lovewinsgate #lwg #conformitygate

I've been saying that the opening scene with Will has more to do with things than people are giving credit for Everything agree the title screen in S5Ep1 is bs. That scene is probably I the most important scene in S5 and nobody's done a full breakdown from what I've seen 🤷‍♂️