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Laboratorio A\V * Productora Indi * Colectivo Creativo

Joined April 2011
Photo by ARTEGON (@ARTEGONFilms)Photo by ARTEGON (@ARTEGONFilms)Photo by ARTEGON (@ARTEGONFilms)Photo by ARTEGON (@ARTEGONFilms)Photo by ARTEGON (@ARTEGONFilms)Photo by ARTEGON (@ARTEGONFilms)Photo by ARTEGON (@ARTEGONFilms)Photo by ARTEGON (@ARTEGONFilms)Photo by ARTEGON (@ARTEGONFilms)
Mañana sábado 7 de noviembre es la última función del Carnicero, una casa de terror inmersivo que tuve la oportunidad de crear junto al colectivo Horror Rolo Voy a rifar una entrada doble a los que le den RP y respondan este post con su corte de carne favorito.
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Dos mentes brillantes que nos dejaron este 2026 🖤 Gracias por tanto Sebastián Lelio (1974-2026) & Patricio Guzmán (1941-2026).
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Instant bonté pour les cinéphiles bien zelés : je dispose d'un nombre assez conséquent d'anciens numéros des Cahiers du Cinéma. Je peux envoyer gratuitement un ou plusieurs anciens numéros par mail, si la demande m'est faite gentiment par DM, et que la personne s'abonne au passage. Mes archives vont de 1957 à 2023.
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Chilean filmmaker Sebastián Lelio, who directed the Oscar-winning “A Fantastic Woman,” has died at 52 “due to health reasons.” His partner, actress Amalia Kassai said in a statement: “We are going through a very painful time, and his memory will remain with us forever. He was a wonderful person who contributed to Chilean culture during important moments in its history." variety.com/2026/film/news/s…
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Sebastián Lelio mira hacia quienes suelen quedar en segundo plano y encuentra ahí una vida inmensa. Su sensibilidad convierte las pequeñas batallas cotidianas en una fuerza vital que conmueve y se niega a rendirse. #Cine #SebastiánLelio
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"El cine siempre está entre lo soñado y lo posible" En recuerdo de Sebastián Lelio, recuperamos una de nuestras últimas entrevistas. Fue un placer siempre charlar con él ❤️‍🩹 cadenaser.com/nacional/2026/…
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CinemaChile lamenta profundamente el fallecimiento del director Sebastián Lelio. Su obra deja una huella significativa en nuestro cine y en su proyección internacional. Expresa nuestraa sinceras condolencias a su familia, amigos, colaboradores y a la comunidad cinematográfica.
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Desde Cien años de soledad se vienen denunciando presuntos abusos contra el crew y los equipos de arte y producción por parte de Dynamo. En lugar de aprender de los errores y corregir estas prácticas, las denuncias apuntan a que la situación se habría agravado durante la producción de la serie En diciembre llegaban las brisas. En Colombia existen sindicatos de técnicos y artistas que trabajan para proteger los derechos de quienes hacen parte de la industria audiovisual. Ya están al tanto de lo sucedido. Que el glamour no les de el poder de normalizar el maltrato.
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Falleció Tinto Brass , amigo de todos , videocentro arrendaba sus VHS , imagínate encontrar esta carátula cuando ibas a arrendar.
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Solaris (1972 dir. Andrei Tarkovsky) (Cinematography by Vadim Yusov)
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The man who had Tit, Bra & Ass in his name is no more. He lived true to his name through his movies. Farewell, Tinto Brass (1933-2026)!
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Ha muerto Tinto Brass a los 93 años. Siempre defendió que erotismo y pornografía no eran lo mismo. Quedarse solo con lo de “maestro del erotismo italiano” es contar la mitad. Antes fue archivista en la Cinémathèque française de Henri Langlois y ayudante de Rossellini y Joris Ivens. En los 60 hizo cine pop, experimental y político. Una de esas películas, "Col cuore in gola" (1967), abrió la Mostra de Venezia. Luego llegaron "Salon Kitty" (1976) y "Calígula", el rodaje maldito de Penthouse del que acabó renegando cuando Bob Guccione metió escenas porno sin su permiso. Con "La chiave" (1983) y "Stefania Sandrelli" encontró su territorio, y desde ahí lanzó a actrices como Serena Grandi, Debora Caprioglio o Claudia Koll. Un gran incomprendido que, a pesar de fumar puros sin parar, ha estado a punto de llegar al siglo de vida.
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Maybe you’ve never heard of ROBOCOP IN VEGAS. Or maybe you have.
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"Mi independencia, que es mi fuerza, implica mi soledad, que es mi debilidad". Pier Paolo Pasolini
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SIR PATRICK STEWART (1940-2026) Before everything else, Patrick was defined by being born and bred in Yorkshire, the proud county in the north of England which he loved to the end. You could hear it in his accented voice and in the stern honesty with which he told you what he thought and felt. Yorkshiremen have no truck with half-truths or avoidance of big issues. He wore his heart on his sleeve, which made him a man to rely on, to admire and in my case, love. We first met as ambitious young actors with the Royal Shakespeare Company half a century ago but we weren’t in the same productions. My first strong memory was a few years later, meeting him in the street in central London when he told me about an offer to take over a leading part in 'Star Trek'. “But Patrick think of your stage career in the UK. Do you really want to risk—getting lost in Hollywood for years and years?”. Well, he took the risk and thank goodness for us all that he did for not just his devoted Trekkies but film and theatre audiences, who marvelled at his using international celebrity to star in a string of cinema successes ('X-Men' of course) and in great classical plays by Shakespeare, Ibsen, Arthur Miller, Peter Shaffer, Pinter and Beckett at Stratford-upon-Avon, in London’s West End and on Broadway. America was his adopted home, where he met his adored Sunny who has cared for him through sickness and health, through thick and thin. But he never forsook his origins: and the proudest achievement of the most respected and beloved actor of his generation on either side of the Atlantic, was his appointment as Chancellor of Huddersfield University in Yorkshire. His farewell performance in 'Avengers: Doomsday' is yet to be seen. Ian McKellen 29 October 2026 Photo: University of Huddersfield
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Tom Skerritt, who starred in the TV series “Picket Fences” and appeared in movies ranging from “MASH” to “Alien,” “Top Gun,” “A River Runs Through It” and “Ted,” has died of natural causes at 93. variety.com/2026/film/news/t…
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Werner Herzog says he wrote the screenplay for his new film Bucking Fastard in just five days. “I never spent more than a week writing a screenplay. The screenplay for the film I shot here, Bucking Fastard, was written in 5 days.” He added that his wife was his witness. Herzog also has a strict NO STORYBOARDS and NO VIDEO VILLAGE rule. “Storyboards are for cowards,” he told the Directors Guild, “for those who lack imagination.” He has never allowed a video village on his sets and says he has never once done a reshoot. “It is not even in my dictionary.” And Herzog does NOT discuss motivation with his actors. “I do not like to have long conversations with actors about motivation and what their childhood traumas might have been.” He calls it “Actors Studio nonsense.” And if a scene fails five times? He rewrites the dialogue on the spot in about twenty seconds.
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chungking express, 1994
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