Adi Toch retweeted
In Motion Whispering Vessel by Adi Toch has been acquired for Birmingham’s collection. When rotated it makes a sound from the loose pieces of quartz inside it. It was donated to the museum by the @ContempArtSoc through their Omega Fund.
birminghammuseums.org.uk/sto…
Adi Toch retweeted
Excited about this new piece of metalwork acquired by @BM_AG. It inspired me to look at the website of the artist Adi Toch - if you like it, you should do the same!
aditoch.com/
In Motion Whispering Vessel by Adi Toch has been acquired for Birmingham’s collection. When rotated it makes a sound from the loose pieces of quartz inside it. It was donated to the museum by the @ContempArtSoc through their Omega Fund.
birminghammuseums.org.uk/sto…
Adi Toch retweeted
History in the Making opens tomorrow! Explore outstanding examples of craft throughout history from Woburn Abbey, Compton Verney and the @craftscounciluk
Find out more: ow.ly/TEl250PRNZ2
📸'The Landseer Dish' Woburn Abbey; Adi Toch Precious Disposables (photographic print)
Adi Toch retweeted
Bit.ly/3gRkXhW
Check out this article I wrote for Goldsmiths Review, P17 on Adi Toch’s Place to Place commission for the Gilbert Collection at the V&A
Place to Place: A vessel for all time, by Corrine Julius: stories.thegoldsmiths.co.uk/…
Adi Toch retweeted
.@abostrom2 finished the event with a quote from Edmund de Waal whose incredibly thoughtful piece about the return of the ewer & @AT_Metalsmith’s work I have included below:
Adi Toch retweeted
Spent a splendid afternoon at @GoldsmithsCo Fair at the magnificent Goldsmiths’ Hall. There is so much creativity & mastery to see here
- plus a great discussion with @AT_Metalsmith and @abostrom2 about Adi’s practice and response to restitution.
Adi Toch retweeted
At Goldsmith’s Fair, @AT_Metalsmith will be in conversation with the V&A’s Director of Collections, @abostrom2, whose visit to Adi’s studio set in motion a remarkable chain of events that led to the creation of an incredibly thoughtful and beautiful artwork.
Adi Toch retweeted
A year ago, the Gilbert Trust, whose collection is on display at the @V_and_A, restituted to Turkey an ancient gold ewer -
and commissioned @AT_Metalsmith to create an artwork to keep the object and its story present in the Gilbert galleries in London.
bit.ly/3r2DJEC
Place to Place @V_and_A at The Goldsmiths’ Review @GoldsmithsCo page 17-22, article by @curator_sara
Last day at National Design & Craft Gallery, Kilkenny
'Red Ripple Bowl'
This beautiful collaborative piece combining copper and clear glass by Adi Toch and Edmond Byrne is on show in the What Colour is Metal? exhibition in the National Design & Craft Gallery.
#WhatColourisMetal
ndcg.ie/exhibitions/what-col…
Adi Toch retweeted
'Restitution is back on the agenda after the director of the Victoria and Albert Museum (@V_and_A) in London, @TristramHuntVA, says that legislation dating from 1983 preventing UK national museums from disposing of works should be re-evaluated.'
theartnewspaper.com/2022/07/…
Restitution and reimagining of a gold ewer | Place to Place by Adi Toch @V_and_A with @schuhmacher youtu.be/Aj8fFtckS-8 via @YouTube
Adi Toch retweeted
Friday Late: Pretty Useless Things.
We're back with art installations, live performances and workshops after hours. This month we're exploring the world of 'pretty useless things'.
See the full programme: bit.ly/3JANZMg
Adi Toch retweeted
Join us for a free drop-in session with award-winning metalsmith @AT_Metalsmith to learn metal colouring and patination techniques using everyday kitchen cupboard items.
Drop in anytime between 10.30-12.30 or 2-4pm on Sunday 13th Feb!
bit.ly/3gCqsNY
Shrouded is one of top picks from @FOGFair - thanks to The Design Edit Magazine! thedesignedit.com/preview-fo…
Place to Place is now available at the @V_and_A shop! Thanks to the lovely retail team for these great photos 🙌
Thank you @craftsmagazine for featuring the story of Place to Place @V_and_A
Adi Toch retweeted
In creating this gold vessel to replace the ewer restituted to Turkey, the artist @AT_Metalsmith is “a mapper of the space left behind by this return of an object to its place of origin.” (Edmund de Waal, in the introduction to this remarkable new book)





























