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Truesdell ๐“๐“‚‹๐“…ฒ๐“‹ด๐“‚ง๐“ƒญ (@AreTrue) profile picture

Cosmology, Science of light, Physics, Theology, Esoteric art & symbolism, Etymology. Rev. Robert Taylor. Dr. Russell Gmirkin. โœ ๏ธŽ #Nation #Dubs #Meditation

Antioch
Joined September 2009
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This cartouche is an artifact dating to the 14th century BC. 1,000 years before the Old Testament. โ€œTo give, Those that travel on foot, YHW3[W]โ€ Cartouche is French. The ancient Egyptians called it โ€˜rnโ€™ meaning โ€˜nameโ€™. It was a name of a high official or, most likely, a Priest.
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The Sun, in the second face of the tabernacle of #Scorpio, 10ยฐ. Ophiuchus stands as one of the most prominent symbols in esoteric art due to its profound symbolism, positioning in the galaxy, and cultural associations. 159 times in the OT ื’ึผื‘ึผื•ืจ. As a serpent-bearer & bridge between the earthly & celestial. Wisdom, healing, & enlightenment. Its central location in the galaxy emphasizes its significance. Esoteric Artists continue to depict him in their work, inviting viewers to delve into the hidden realms of knowledge.
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Scorpions & Suicide
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For those who still crawl before the parchment idols of the synagogue scribes! Those skilled scribes, jealous guardians of the Egyptian mysteries, they had stolen the idea of deliberately veiling their fables. They copied the priests of the Nile and Euphrates, along with Platoโ€™s โ€œnoble lie,โ€ reserving the true stellar meaning for the initiated elite while feeding the mob a moral tale of patriarchal virtue. What disrespect! Look at the story they left us, stripped of its celestial cloak. Joseph, the Hebrew, is plunged into personal war, the very enmity and suffering the ancients marked by ืงืจื‘, #Scorpioโ€™s conflict. Betrayed and nearly murdered by his own brothers, sold into slavery, falsely accused by Potipharโ€™s wife, then left to rot for years in an Egyptian dungeon. A perfect portrait of Scorpioโ€™s sting, hostility, confinement, the soul under the heel of malice. Yet, out of that conflict he is exalted. Pharaoh, (God only knows which one), sets him over all Egypt, he becomes second only to the king, the ruler who judges and feeds the nations in famine. Here the allegory turns to opposition, ืฉืื•ืจ, Taurus. Deuteronomy 33:17, blesses Joseph as the firstling bullock whose horns push the peoples to the ends of the earth. The sufferer of Scorpioโ€™s war is raised to the ruling strength of the Bull. As always, the lying scribes hide the truth. Joseph is not a historical Hebrew, but the Suns story of conflict transmuted into dominion. They stole the Egyptian, Mesopotamian, and Platonic device, dressed it in tribal costume, and sold it to the credulous lame as sacred history. Laugh, if you have the wit. The stars still tell the tale more honestly than the Jew scribes ever did in the Torah.
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We may not think the worse of our God, for putting on his diabolical character, or think him less worthy of our devotion in his state of humiliation than in his glory, when he descended into Hell, than when he arose again from the dead, and ascended into Heaven : the sacred mystagogue tells us explicitly, that the name of their king, this Beelzebub, Lord of Flies, or Lord of the #Scorpio, is in the Hebrew tongue, Abaddon, but in the Greek tongue ฮ‘ฯ€ฯŒฮปฮปฯ‰ฮฝ. The Hebrew word Abaddon is compounded of the two words, Abba, Father, and Don, Lord: where by all good Christians may know who it is that they address, when God doth send the spirit of his Son into their hearts, whereby they cry, Abba, Father, and we perceive that it was no breach of Christian charity, but a most correct application of the strictly scientific language, when our blessed Savior told the Jews, 'Ye are of your Father, the Devil.' The Greek name of #TheDevil, ฮ‘ฯ€ฯŒฮปฮปฯ‰ฮฝ, is the same as the Latin Apollo, the well known and universal name of the Sun, with the Greek words, ฮ‘ฯ€ฯŒฮปฮปฯ‰ฮฝ ฯƒฯ‰ฯ„ฮฎฯ i. e., Apollo, the Savior, from Nero. That the same king of Locusts, Beelzebub Apollyon, should be the destroyer as well as the Savior, is but one among the thousand proofs that I could bring that the Savior and the Destroyer are, and ever meant, but one and the selfsame being. YHWH, the Yahouh, invariably challenging to himself the attribute of Destroyer, as well as Creator. As in the Hym: "Before YHWHโ€™s awful throne, Ye nations bow with sacred joy; Know that the Lord is God alone, He can create, and he destroy."
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The Egyptologists, Hittitologists, Historians, Archaeologists and Philologists, make themselves the high priests of fact and the custodians of stone. They have taken the writings of a Nile and made it into a military gazette. They have imagined 5,000 chariots and 70,000 men clashing at Kadesh, and then, finding neither chariot wheel or arrowhead, harness buckle or broken spear, they have made the silence itself a kind of evidence. Silence is the only artifact Tell an-Nabฤซ Mindลซ has ever shown. Not one bow. Not one quiver. Not one warriorโ€™s armor. Not a single wheel that ever rolled across that plain. The ground is as empty as the tablets. The cuneiform tablets contain not one syllable that records the battle itself. The so called, Hittites, (a name these people never called themselves), must have forgotten to mention the greatest chariot battle in the history of the world. An omission from a people who recorded the price of barley. Look at the rock-cut relief at Abu Simbel. There is Ramesses II, upon an enemy. He is not a man of flesh dispatching a man of flesh; he is Orion, trampling the celestial enemy. The Pharaohs did not waste limestone. They carved their names so the name would live forever. They wrote themselves into the sky, now, 3,000 years later, men have taken the allegory for a field report. This is the true miracle of the science they give you, that a king who wished to be remembered as the living god of Egypt should be so great that even the empty sand is made to testify on his behalf. They have turned propaganda into archaeology and celestial drama into logistics. The ancients, who knew the difference between a star and a soldier, would have laughed them out of their buildings.
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Seekers of truth, could YHWH be a rendition of Thoth, Iah-Djehuty, unaccompanied with the Egyptian ibis suffix (-ty)? The "Yah" in YHWH echoes the "Iah" of the Ancient Egyptian Moon God, softened to "Yah-Jehu" or "Yah-Hu." This phonetic proximity, seen in names like Elijah, My God is Yah, and Hallelujah, Praise Yah, shows linguistic borrowing or convergence across ancient Near Eastern traditions. Trade, migration, or conquest may have carried such terms into Semitic regions. What say you? #DivineOrigins #YHWH #Thoth
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The Sun has made it to the first face of the tabernacle of #Scorpio, ืงืจื‘, 1ยฐ. QeRaB transliterated nine times as, battle or war. Ptolemy, has the constellation a scorpion. St. John's spell is an eagle, though, and there he is not ; because the eagle, not falling within the breadth of the Zodiac, but yields his place to the Scorpion, the genius of October, or the autumnal quarter, though being nearer to the Sun.
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The mystical and the profound, where the ancient aligns with the astrological, the Tribe of #Asher a celestial signpost. In the sacred texts, we find an allegorical map of the cosmos, where each tribe of Israel mirrors the Mazzaroth, each carrying its celestial significance. The Tribe of Asher, none other than the Sun in Libra, the scales of justice, balance, and harmonyโ€”ืžึนืื–ื ึทื™ึดื in the Hebrew tongue, which, if we trace its etymology, whispers to us from the sands of Egypt, where balance and justice were the bedrock of Ma'at. "The blessings of thy father have prevailed above the blessings of my progenitors unto the utmost bound of the everlasting hills," says Jacob of Asher in Genesis 49:26. Here, the "uttermost bound" speaks to us of the horizon, where the sun sets in Libra, the line where day meets night, where balance is paramount. And let us not forget, the words of Moses in Deuteronomy 33:24-25, where Asher is blessed with favor, with oil, and with strength. Oil, the symbol of light of the night, of the sun's gift to humanity, and strength, the fortitude required to uphold balance, to maintain the equilibrium of Libra. May this understanding bring us closer to the truth, to justice, and to the perpetual balance that is the legacy of Asher, the Sun in Libra, in the house where Venusโ€™ scales ever sway. Let the heavens declare the glory of God.
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Replying to @Thekeksociety
โ€˜Jesus have sent mine angel to testify unto you these things in the churches. I am the root and the offspring of David, and the bright and morning star.โ€™ Lucifer is Venus, the light bringer and morning star. The two houses of Venus are Taurus and Libra.
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The sun, 19ยฐ of Libra, ืžึนืื–ื ึทื™ึดื, the Scales of Egypt, a symbol of judgment as the sun departs its autumnal balance. The sunโ€™s leave-taking heralds a cosmic shift, a transition encoded in the stars, spreading from The Babylonian Zibanitu, Hebrew MITzM, Egyptian scales of Maโ€™at, and Latin Libra all mean "scales," symbolizing justice and balance. The Exodus unfurls as a stellar saga: oppression under Libraโ€™s scales. This is no literal tale, but a shared human encoding, believed as truth by ancient Ugaritic priests, Egyptian scribes, and todayโ€™s Abrahamic faithful. From Mesopotamiaโ€™s ziggurats to Egyptโ€™s pyramids, through the levants trade winds, the stars sing of order over chaos, a hymn preserved in heavens, where the stars dance as one. From Mesopotamian scales of justice, liberating souls from chaos through cosmic balance under Shamashโ€™s gaze. The Hebrew, freed the Israelites from moral bondage, weighing righteousness against sin. Egyptโ€™s, Maโ€™atโ€™s feather, judged hearts in the afterlife, granting passage from earthly chains to eternal freedom. The Greek, under Astraeaโ€™s watch, symbolized escape from discord through harmony and law. Each cultureโ€™s scales heralded liberation from darkness, balancing light and truth.
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13ยฐ of #Libra, the Scales of justice. In Hebrew, Mozna'im, in Arabic, Al Zubena, Coptic, Lambadia, from the Latin Libra, as in Isaiah xl. 12, weighing truth. Its brightest star, ฮฑ, Zuben al Genubi, in the lower scale, declares manโ€™s ruin, โ€œweighed and found wantingโ€ Ps. xlix. 7, lxii. 9. None can redeem his brother, the price is too costly. Yet, hope rises in the upper scale with, ฮฒ, Zuben al Chemali, the price which covers. And ฮณ, Zuben Akrabi, toward the slain Victim, heralds the price of the conflict. In the Dendera Zodiac, Libra reflects the Scales of Maโ€™at, goddess of justice, where souls are weighed in the afterlife. Iaแธฅ-แธฅw. ty, the ibis headed God, oversees the judgment, recording the verdict. The jackal above, is the cosmic order and divine oversight, symbolizing Anubis's dominion over the transition from life to death, guiding and judging the soul's journey. Foreshadowing the Cross endured, the Victim slain, and the Crown bestowed. The celestial harmony of justice and redemption.
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Exodus 33. โ€˜No man can see me.โ€™ But for Moses, The Lord felt Moses worthy enough to see his ass.
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Those who still bow to the letter while the heavens themselves preach the allegory! Revelation 11:8 does not babble of three separate places of vice; it welds Sodom, Gomorrah, and Egypt into one great city, one spiritual place for the underworld, the dark half of the solar year. When the Sun slips beneath the autumnal equinox it enters its cosmic detriment, bondage, submersion, and spiritual decay. Gomorrah, Amorah, is the drowning, the overwhelming by the primordial waters; Sodom, Sedom, is the scorching, the sulfurous choke of dead cold. The luminary that was exalted in Aries is weighed in the scales of Libra, found wanting, and cast into the Water and Earth quarters, stripped of power, trapped beneath the horizon in the material abyss. The twin plates of that balance hanging at the gate of the underworld! The Great City is not a map of Palestine or the Nile, it is the realm of pure materialism where the divine spark is buried, blinded, and bound through the winter months. Fire and brimstone mark the dive from Libra into Scorpio and Sagittarius, the very transition the priests have turned into a moral scarecrow while they hide the astronomy. Egypt is the narrow strait, the containment. The Cities of the Plain are the drowning and the burning. Together they named the Abyss, Hades, the realm of Spiritual Death. Both Moses and Jesus must be called out of Egypt before their work can begin. The resurrection is not a corpse walking out of a cave for the comfort of literalists, it's the vernal equinox, breaking of bonds, the return from detriment to exaltation. The Clergy who deny the cosmic scripture preach a fable and call it faith. The heavens have already spoken. The people of truth have only repeated them.
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The synonymous relationship between the House of #Libra & the Torah stories of #Egypt is rooted in their shared themes of justice, balance, & judgment. The symbolism of the scales, the concept of divine reckoning, and the emphasis on moral evaluation connect these ancient narratives to the celestial representation of Libra. Exploring this fascinating intersection allows us to appreciate the rich layers of meaning embedded within both religious mythology and astrological symbolism. The Ancient name of Egypt being kHemet, the Torah has, ืžืฆืจื™ื, MTsRYM, from the etymology of Libra, ืžืื–ื ื™ื™ื.
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We are told that the Canaanites were a people so real, they could've been your next door neighbors. But lo and behold, no one, not one soul, has ever claimed the title 'Canaanite' with pride or in census. Genesis 10:15-19 speaks of Canaan, son of Ham, fathering a lineage, โ€˜as the starsโ€™. Yet, where are these descendants? 'And the border of the Canaanites was from Sidon, as thou comest to Gerar, unto Gaza; as thou goest, unto Sodom, and Gomorrah, and Admah, and Zeboim, even unto Lasha.' But where, pray tell, is this border now? We're dressing up sacred scripture in the guise of history, like putting a wig on a bald man and calling him Samson. The Canaanites, if they ever existed beyond the ink of ancient scrolls, have vanished into the mythos, leaving us with a faith that's more fiction than fact. Let us not mistake our holy stories for the annals of history, or we'll be forever lost in the land of make believe.
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#Libra, the Scales, divine justice and the price paid by our Redeemer. The constellation's and decans unveil truth. #Lupus, the Victim, is Abel. In the New, it is Jesus. When their blood was spilt, an earthquake, on both occasions, symbolic of the equinox.ย  The #SouthernCross, the cross of Jesus. In the Old, the mark of Cain. the letter Teth, translated Tau. The Cross, an instrument of redemption, "He himself bore our sins in his body on the tree". Libra, the sign of the scales, judgment, as of Sodom and Gomorrah, and in the New, trial of the anointed, "Their bodies will lie in the public square of the great city, which is figuratively called Sodom and Egypt, where ALSO their Lord was crucified." #Corona, the Crown, His victory, as Revelation declares, "On his head are many crowns."
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Look not for a wandering Jew by Jacobโ€™s well, but for the Sun himself at the horizon, where Virgo the Virgin stands with #Libra the Balance! There, the woman of Sa-Maria, that is Mary and the emblem of the Egyptian sailors, she draws from the well that is not a well on earth but the very sign of the Scales. Five husbands she had, granted after she prayed in the unison of five, the five points of the celestial figure, the five months of her longing till the Sun should meet her. And what saith this Jesus? โ€œI will give thee living water.โ€ Not the dead puddle of priestcraft, but the waters that flow from under the ecliptic! He is the Sun, offering redemption as he rises, acceptance as he crosses the line of the Balance, spiritual nourishment as he pours his rays upon the thirsty earth. The woman of Virgo drinks and is no more barren; the well of Libra is filled; the horizon blazes. The gospel is written in the heavens, and only fools read it as history. Amun, and a fig for the bishops!
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The Word itself cries out: โ€œI am a worm, and no man!โ€ Not the common maggot, rimmah, but tolaสฟat. The name of the scarlet worm, the tolaสฟat shani that dyed the Tabernacle curtains and the high priestโ€™s robes. Now, the Kermes! That little scale insect clings to the oak, fastens herself to the wood, lays down her life so her young may live, and in dying pours the crimson stain. Welded to the tree, her blood becomes the dye of atonement. Archaeology even found a three thousand eight hundred years, the same scarlet insect dye, on a desert cloth. And look to the Torahโ€™s very heart! The scribes counted every letter, three hundred four thousand eight hundred and five, and they marked the center with an oversized vav in gachon, โ€œbelly,โ€ the word of the crawling thing. That vav is the nail, the hook, the peg driven through the middle, as the spear thrust at the center of the crucified body. Aleph to Tav! First to last, Alpha and Omega. Insert the nailโ€”vavโ€”and you have ot, Sign/Star. The First and the Last joined by the Nail for completion. The worm on the wood, the nail in the center of the Law, the Sign that spans beginning and end, every letter, every creature, every drop of scarlet points to the same wounded Heart.
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The Sun has entered the first face of #Libra, the scales of divine order, yet ืžืฆืจื™ื, MTzRYM, named 681 times in the Torah, is veiled as #Egypt, the celestial Libra.โ€œYHWH hath mingled a perverse spirit in the midst thereof; and they have caused Egypt to err in every work thereof, as a drunken man staggereth in his vomitโ€ Isaiah 19:14. This confusion and judgment is Libraโ€™s scales, weighing truth against folly in the heavensโ€™ court. These are not tales of earthly lands, but of the cosmos, โ€œwhich declare the glory of Elโ€ Psalm 19:1. Monks cloaked these starry truths as sacred, secret, yet the simple read them as mere flesh. Awake, for โ€œthe heavens ruleโ€ Daniel 4:26. ๐ŸŒžโš–๏ธ Isaiah 19:3 and 19:14 portray Egypt in turmoil, with failed counsel and a โ€œperverse spiritโ€ causing error, likened to a drunkardโ€™s stagger. This is Libraโ€™s astronomical symbolism of balance and judgment, where divine reckoning tips the scales, exposing folly. The celestial narrative, mistaken as earthly, reveals the cosmic truth of divine order.
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The Sun, 25ยฐ of #Virgo. The most prominent Star in the house, the brilliant Arcturus of many colors. Conversely, In the biblical narrative, Jacob's gift of the "coat of many colors" to Joseph represents his special favor and divine blessing. By drawing a connection between this coat and the star Arcturus, we uncover a fascinating parallel in the many colors symbolism. This interpretation deepens our understanding of the story's esoteric meaning and highlights the profound significance of the โ€˜Many Colorsโ€™.
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