"We did not want to remove every cultural difference from the production. Some unfamiliarity was important. The aim was to make the dramatic logic clear to British audiences without losing the perspective from which the work was originally created." broadwayworld.com/westend/ar…

"I often find myself taking something that maybe feels familiar to a UK audience and pushing it toward surreal unfamiliarity. Or vice versa, taking something odd and unfamiliar and making it seem normal." Jonathan Oldfield: Exquisite Corpse #Edfringe broadwayworld.com/scotland/a…

"Yes, I care very deeply about you coming to see the show and think we will have a very nice and stupid time." Lorna Rose Treen on Now That's What I Call Characters #Edfringe broadwayworld.com/scotland/a…

"People are disconnected, isolated, and trending towards the unchill.  I wanted to offer people an antidote to the bummer plaguing our society." Chill Towards Enlightenment #Edfringe broadwayworld.com/scotland/a…

"HIRAKUZA is a full cultural taste of the history, traditions, and raw technique of sumo, brought directly to the stage." The Sumo Show HIRAKUZA on #Edfringe broadwayworld.com/scotland/a…

"There’s something incredibly unifying about being able to relate to a shared traumatic experience from childhood." Hasan Al-Habib on bringing Stuck in the Middle (East) With You to #Edfringe broadwayworld.com/scotland/a…

"I am mentally prepared to have some of the highest and lowest moments of my entire comedy career condensed into 25 days." Geoffrey Asmus on bringing Patriautism to #Edfringe broadwayworld.com/scotland/a…

"Counterpilot is obsessed with the wildness of real people. We believe the inherent liveness of theatre is strongest when the audience becomes the protagonist." Truthmachine #Edfringe broadwayworld.com/westend/ar…

"I’ve never been more excited to share a piece in my life - or more terrified." Mimi Collins on bringing Good Girl to #Edfringe broadwayworld.com/westend/ar…

"The stuff i write is usually based on people with character traits that i find odd and the workplace is the perfect place to harvest these ideas" Rory Marshall on Thank You For The Opportunity #Edfringe broadwayworld.com/scotland/a…

"I’m just going to jump into the experience with all my hooves and hope that the show makes some people up there laugh for a bit." Anna Thomas on her #Edfringe debut How To Juggle A Ferret. broadwayworld.com/scotland/a…

"Girls will laugh and relate, and straight guys will leave better humans" Jenny Gorelick on bringing SORRY to #Edfringe broadwayworld.com/scotland/a…

"The Pleb's Pow Wow is a show where plebs gather together and we try and sort some of the problems that our politicians have so singularly failed to deal with." Ian Stone #Edfringe broadwayworld.com/scotland/a…

"I love talking about the parts of life that feel like you’re probably not supposed to say out loud. The kind of thoughts that come out at 2am when you’re sitting around a table with your friends, absolutely yapping." Jess Fuchs: Feral #Edfringe broadwayworld.com/scotland/a…

“At its essence however, the story is about what it means to be human” Eric Lampaert on Zero Minus One #edfringe broadwayworld.com/scotland/a…

'I love blurring genres and styles - I love opera and I love Hitchcock films and wanted to see what would happen if I could incorporate them, alongside my love for re-enactment, verbatim theatre and surrealist storytelling.' Elf Lyons #Edfringe broadwayworld.com/scotland/a…

"We are meaning-making creatures. When something unbearable happens, we'll build whatever we need to make it survivable: stories, rituals, even simulations." Jason Weiss guest blogs on An Echo In The Void #Edfringe broadwayworld.com/westend/ar…