
🖋 @phillyinquirer Arts & Entertainment Editor 🎞 @DOCNYCfest @SFFILM Programmer 🎙 Sometimes on @pchh ✉️ [email protected] All opinions my own (she/her)
NY/PHL (via CCU/DEL)
Joined March 2009
- Tweets14.6K
- Following1.6K
- Followers3.7K
- Likes12.1K
Replying to @MEAIndia
Hey @IndiainNewYork This is still not done. One year and four months later.
It has been more than a year since I applied for Global Entry and it has since languished at @IndiainNewYork with no clear answers, lies, ignored emails, and terrible customer service
It has been more than a year since I applied for Global Entry and it has since languished at @IndiainNewYork with no clear answers, lies, ignored emails, and terrible customer service
Lol @IndiainNewYork why did you like and unlike this tweet 🤣
The guy on the @fnp_ind helpline: our systems are down, I don't know where your order is. Use our chat option.
The chat option:
Hi @MTA why do your boards say the train has a minute till departure while the train is literally pulling away. Literally saw people running down the stairs to make it just to see it leave
Hi @IndiainNewYork I applied for Global Entry in July last year. The police verification was done then too. I have sent emails but havent received answers. What's the hold up?
This tweet is the kind of thing I still log in to this hellsite for
This is one of my favorite details from the halftime show: the ribbed knit top worn while waving Haiti’s flag was basically a quiet conversation with history.
It echoes photographer Jay Maisel’s Haiti, 1973 series, specifically the picture "Haiti No. 59".
Maisel once said those images came from “a nostalgic view of better times,” and somehow that nostalgia found its way onto one of the biggest stage in the world.
From a street corner in 1973 and a fresko cart to a global halftime show decades later, same colors, same soul, "same" Haiti.
Fashion as memory. Culture as continuity. 🇭🇹✨
Thank you for this ❤️ @_dilemmer
Thank you Councilmember Krishnan, for sharing your mum's story with me
Thank you @Bedatri and @voguemagazine for covering the @NYHistory "The New York Sari." I’m honored that my mother’s story, along with the stories of many South Asian women, are profiled in this piece and exhibition.
vogue.com/article/new-york-s…
Hey @airindia why isnt someone able to web check-in for an intl flight without a Known Traveler Number (KTN) or Redress Number? Neither of those are mandatory
Hi @Vimeo truly terrible to not let people pause films anymore. Everytime I hit pause, it toggles back to the beginning
Bedatri D Choudhury। বেদত্রী retweeted
Bedatri D Choudhury। বেদত্রী retweeted
The Trump administration is asking visitors at National Parks to report, via QR code, materials that show American history in a “negative” light. Few in the Philly region have participated so far. Story in 🧵w/ @eanastasakos & @Bedatri
Bedatri D Choudhury। বেদত্রী retweeted
How about making a rule that every time a television channel or verified social media handle puts out a false or obviously unverified report, the concerned person or supervising editor will clean toilets at an Indian army border post for a month!
Hi @CitiBikeNYC why are none of the bikes on 91st street and 2nd Ave in Manhattan available to rent out?
Bedatri D Choudhury। বেদত্রী retweeted
In Omar Mismar's A FROWN GONE MAD, Bouba's cosmetic clinic in Beirut becomes a site for reckoning with war and trauma. Today @MovingImageNYC #FirstLook2025 @Bedatri reviews:
reverseshot.org/features/331…
Bedatri D Choudhury। বেদত্রী retweeted
two princesses supporting the Eagles over the years #SuperBowlLIX
Bedatri D Choudhury। বেদত্রী retweeted
Here's a Super Bowl front page for Eagles fans to savor. Take an early look at Monday's @PhillyInquirer final edition.






















