The world's foremost unreliable narrator. Queer spec fic author. Gender apathetic. Co-editor of @TranslunarTL. Codexian. đ
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ALT Sadie parked in the lee of Castle Inferno, where she would be spared from the wind, and sat while the engine ticked, trying to convince herself to let go of the steering wheel. The castle stood stark against the sky, dark stone walls leaching the saturation from the blue. One tower was burned out and soot-streaked. No sign of repair. Was Dr. Inferno hard up for cash or did fresh tarmac interfere with the mad scientist aesthetic? Sadie grabbed the swinging St. Christopher medal from the rearview mirror and squeezed it. âKeep an eye on me, Gemma,â she said. âThis is for you.â The stairs that hugged the foundation ended at a pair of wooden doors set into a stone arch that had to be thirty feet tall. Sadie ducked into the corner of the arch, out of the wind, and pressed the plastic doorbell button.
ALT When Bigolas Dickolas Wolfwoodâa young artist who asked to be referred to as âBunâ or âMr. Bigolasâ in order to preserve their anonymityâwent viral because they tweeted about how much they loved a sci-fi book that I also desperately loved, I knew I had to talk to them. They were excited, extremely positive, and approached the whole thing with a sense of humor, clearly poking fun at the whole situation, despite their earnest, deep love for what they were talking about. When asked for other speculative media they enjoyed, Bun recommended Oshi no Ko. âThe first episode was incredible, and Iâm curious to see how it will play out!â They are also effusive about audio drama The Silt Verses. âIt centers around a world where deities are exploited for capitalistic gain. For example, you want your fast food place to sell more chicken sandwiches? Make a sacrifice to the Utterer of A Thousand Clucks! Now your business has its own successful (and possibly violent) patron!â
