Generative Artist, Plotter Lover & Obsessive Single Liner Official Website: https://xitter.cf/t.co/16sdqbvOjl fx(hash): https://xitter.cf/t.co/rLqdJIx1fD

Joined March 2021
CCDDBB retweeted
'MULTICOMPONENT ISF147' 1/1 MULTI-C @TransientLabs mainnet associated with 16 artworks including cover listed with fixed price 0.03 Ξ transient.xyz/nfts/ethereum/…
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I miss the www
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CCDDBB retweeted
before the ground, from under the debris the auction start in one hour! verse.works/artworks/fb92bfa…
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imperfect subdivision
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Art from code 59 was purchased on secondary by @cspok_eth I rendered it (using url params ?W=2400&H=3600 for fixed width and height) and saved a few frames. Larger image and detail below
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CCDDBB retweeted
we live in a world where a handful of corporations control how we communicate, banks decide who gets to participate in the economy, and governments can make entire populations financially invisible overnight. we've somehow accepted that our digital existence depends on a collection of very large computers owned by people we've never met, and we're just hoping they remain nice. and then we figured out how to build some of this differently. permissionless systems, verifiable ownership, infrastructure that doesn't necessarily belong to a single institution or state. obviously far from perfect, but the implications seem pretty extraordinary to me. especially now, when power is becoming increasingly concentrated and the ability to exclude people is becoming increasingly automated. yet most of our attention seems to go towards increasingly sophisticated ways of moving money around. billions in transactions, thousands of tokens, entire ecosystems built around making numbers go up. i'm not even against any of it. i love the absurdity, the art, the experiments, the completely unnecessary things people build just because they can. i'm participating in the nonsense too. but sometimes it feels like we've invented something with the potential to fundamentally change how people interact with power and decided the most interesting application is figuring out which cartoon animal will appreciate in value next week. i keep thinking about how much bigger the ambition could be. systems that don't really care where you're born, which passport you hold, or whether some institution approves of your existence; infrastructure that makes it harder to censor, exclude, erase, or confiscate. not because decentralization magically solves all these problems, but because having alternatives seems increasingly important. especially for people who don't have the luxury to treat these things as abstract philosophical discussions. i genuinely don't know how we get there, i don't know what the applications should look like, how we get people to use them, or how much of this is even realistic to achieve. maybe we're still incredibly early, maybe the financial speculation is a necessary part of figuring things out, maybe i'm underestimating how difficult it is to turn these ideas into something actually useful. probably all of the above. but i can't get rid of the feeling that we're aiming for something much smaller than what might actually be possible. there's an entire network of incredibly intelligent people working on cryptographic systems that would have seemed unimaginable not that long ago, and somehow a big part of the conversation is still about which number will go up next. i don't think the answer is to stop making weird things or pretend everything needs to serve some grand social purpose. please keep making the weird things. i just wish we were a bit more ambitious about what all this could eventually mean outside our own little corner of the internet. maybe i have no idea what i'm talking about. i just find it hard to believe that the finish line for permissionless, stateless infrastructure is a slightly more entertaining stock exchange.
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We are excited to present under the debris, a solo exhibition by Spanish artist @uncertaingaze, featuring his new digital paintings alongside their corresponding lithographs. The opening will take place on Friday, October 16, from 18:00 to 21:00, and the artist will be present. Feel free to drop by if you’re in Berlin! In under the debris, gozo explores memory as a material that continually breaks apart and recomposes itself. He fragments and animates generated images, assembling their remnants into shifting collages of textures and contours. Pixels and imperfections shape unstable forms that remain on the verge of dissolution, reflecting how memory takes shape through collapse and reconstruction. gozo under the debris Opening: October 16, 2026, 18:00–21:00 Exhibition: October 17–November 7, 2026 Mariannenstraße 33, 10999 Berlin
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The Remaining View is a simple idea, with the intention that the blind doesn’t simply cover the landscape, but that the landscape reorganizes itself around what is still visible. The tree bends, the sun moves, and time passes. Instead of hiding behind the horizon, the sun becomes the moon, rolling through the grass. It’s still a piece in evolution, and I’m continuing to push the technology behind it, but I really liked the simplicity of the idea and couldn’t resist sharing it already.
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Triangle Subdivisions
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People of Tezos Season 17 is here, featuring self-portraits from: @quasimondo @JenPanepinto @0xGrims @libertez_baker @bettynajafi @hopionee @Ki11_5trike @Seendollfnft @luizandregama @oblivion_fields @Yoghijuliansa_ @ArtByMinaa @sebacestaro @Ibl3D @MissVanMel @tocame_munich @alexmayarts @xo_xu0 @trippycollector @TheGOATofTezos @AstraVivid @isvirtual_aura @SujiGR @N3onbone @AuRo404 @John_Thurman_1 @POPPOF6 @samanehliaghat Reserves have been set for 48 hour auctions here: objkt.com/@peopleof/created Thank you to all the artists for submitting such amazing self-portraits. Thank you for trusting me throughout this process. It's truly an amazing line-up. Thank you to @_TransparentArt for creating the funky soundtrack for the promotional video. A true hero of Tezos. Its been around 10 months since a Season dropped. I went away trying to find myself, but somehow I always come back home. @tezos will always be my home. I hope you enjoy this Season as much as I enjoyed building it. ❤️
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Art from Code #81 (in widescreen mode)
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CCDDBB retweeted
A look into the creative process behind "Drone Strike, 1994'" and "Remote Warfare in the 90s" for @Kentocards
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Big milestone on the artwork today: got volumetric clouds working! This was a long goal of mine, and it did not disappoint! generative art 100% made in code using @p5xjs :)
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Introducing VRBIS - a cooperative city sim. Plan streets and design buildings, manage resources and work with residents to assemble neighborhoods that thrive. VRBIS is a continuously evolving urban-scale artwork made by human and machine.
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CCDDBB retweeted
"Drone Strike, 1994" An exclusive generative art piece for @kentocards Now entering the last week of the kickstarter campaign 🔥
5/ BUT THESE AREN’T JUST CARDS. Every Kento card connects to an original digital artwork. Scan the QR code → claim the artwork on-chain → own the digital work alongside the physical card. Or keep the card unopened. Your collection, your ritual.
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Lenia Mascha 2410-01 & 2410-02
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CCDDBB retweeted
Bedtime.
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CCDDBB retweeted
I don't want to complain all the time but I want to complain all the time
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Would you like me to send you a T-shirt, a signed print and an original drawing? - check this artwork on @SuperRare :) shipment included! - superrare.com/artwork/eth/0x…
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