Artist • Musician • Creator Weaver of strange tales, nostalgic worlds and cosmic nonsense

Joined March 2023
New Fishman Mike music video "I've got nothin today" Special thanks to invideo for providing the credits and supporting what I do.
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Captain HaHaa retweeted
Upgrade your creativity with @SamJWasserman. He built a tool to handle all your creative needs. More on the Imagination Studio that he built: xitter.cf/SamJWasserman/status/2… Local open source all in one creative platform on your own hardware has been fully redesigned and rebuilt from the ground up. Video, Audio, Music, Image. Releasing ASAP with latest+best local models.
Big Announcement: Meet Imagination Studio🎬🎵 by @u1tra_instinct and Me! Our local open source all in one creative platform on your own hardware has been fully redesigned and rebuilt from the ground up. Video,Audio, Music, Image. Releasing ASAP with latest+best local models.
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Still kicking ordinary balls this Halloween? Get ready for Screamball! 😱
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For this one I used @Kling_ai 4.0 for the video and @ElevenLabs for the screams 🎃
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Wrong address
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Oh no Hollywood is in big trouble now ect ect... Prompt below for those that want to know
🤖 Made with AI
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Kling 4.0 Prompt Image to video 30-second terrifying amateur camcorder recording of a colossal creature rampaging through the city district in the supplied reference. Preserve the dusty brick main street, vintage parked cars, blue pickup truck, storefronts and water tower.Match the creature exactly: enormous ridged head, gaping toothed mouth, hanging facial tentacles, hooked claws and vast ragged wings. Maintain its immense scale relative to the buildings. One continuous handheld recording from street level. The unseen camera operator is frightened but keeps trying to capture what’s happening. No additional visible people or creatures. CAMCORDER LOOK: Weathered consumer videotape footage: muted brown colours, blown-out dusty skies, colour bleed, interlacing, mild tracking distortion and imperfect autofocus. Sudden zooms amplify hand tremor. Exposure struggles when dust fills the frame. Keep the monster readable between disturbances. [00:00–00:06] Begin with the reference street composition, already trembling slightly in the operator’s hands.The creature takes an immense step towards the street, shoulders rolling and facial tentacles swinging with its momentum. Dust erupts around its feet. The operator hurriedly zooms towards its face, overshoots, then widens enough to recover its head and wings.The monster lifts its head and releases a deep, ragged roar. The recording microphone distorts at the peak. [00:06–00:13] The creature drives one clawed forelimb through the corner of a brick building. The wall buckles at the impact point, then masonry and roof timbers tumble into the street.The operator flinches, briefly pointing at the road before snapping back towards the destruction. Autofocus catches airborne dust, then finds the creature again.Its torn wings begin opening, scraping roof edges and pulling loose signs from their brackets. [00:13–00:20] A massive wingbeat sends a pressure wave down the street. Dust, paper and loose debris race towards the camera. Shop awnings thrash, parked vehicles rock on their suspensions and a storefront window shatters.The operator retreats towards the blue pickup, camera bouncing with hurried backward steps. The truck’s bonnet enters the foreground as the operator crouches behind it.Peer over the bonnet to reveal the monster still advancing through the haze, each footfall shaking the image.[ 00:20–00:26] From behind the pickup, the operator attempts another shaky zoom. The creature turns its head towards the camera’s position. Its tentacles curl and spread around its open mouth. It shoves against the nearby water tower. Metal supports bend, the tank tilts and a torrent of water pours across the rooftops as the structure collapses behind it.The camera jerks sideways at the crash, then finds the monster’s silhouette looming through water spray and dust. [00:26–00:30] The creature surges forward, lowering its head into the street.The operator abandons the shot and runs. The camera whips towards the pavement, catching blurred glimpses of kerb, truck tyres and shopfronts. Heavy footsteps and panicked breathing dominate the recording. One final involuntary glance backwards catches its enormous wing sweeping across the dusty sky. Abrupt tape breakup, then cut to black. MOVEMENT AND PHYSICS: Give the creature tremendous weight: deliberate foot placement, shifting shoulders, heavy wing membranes and tentacles that lag behind head movements. Buildings break only where struck, with debris falling naturally. Maintain the street layout and accumulating damage throughout the continuous take. SOUND: Full camcorder audio: deep ground-shaking footsteps, layered animalistic roars, tearing metal, cracking masonry, falling bricks, shattering glass, wing buffets, rushing water and distant emergency sirens.Include microphone wind distortion during the pressure wave, handling bumps, the operator’s breathing and shoes scraping the pavement. Loud impacts briefly overload the microphone. No intelligible dialogue. No music The raw recorded destruction carries the entire scene.
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Captain HaHaa retweeted
Rhapsody of an Archon
🤖 Made with AI
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"I don't think those were regular brownies" I always like to keep it fun when testing out new tools and updates. Here's my first video using @Kling_ai Kling 4.0 after running some prompt and dialog tests and a music lip-syncing test as well 😄
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Some powerful stuff from The Dor Brothers
'White Flag' Song: Run The Jewels "Ooh LA LA" feat. Greg Nice & DJ Premier
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Small Talk 🎤 👽 Today's topics include: Talking to your Pets and Gym Conspiracies Generated with Seedance 2.5 at 480p then upscaled with Topaz Starlight 2.6 both available @invideoOfficial *Remember to include a video voice sample for character consistency across multiple videos.
🤝 Paid partnership
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Huge congratz to Ryan. This was a banger
In this moment, I am euphoric. I'm incredibly grateful to Venice, Moonpay & the legenday judges. My upcoming feature film, Rainbow Sun, will be made in @AskVenice 🌈☀️ xitter.cf/moonpay/status/2112939…
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I've been a big fan of @topazlabs for some time Starlight Precise 2.6 is my current favorite tool. If you want to take your videos to the next level then this is the way. Topaz Studio is 50% off right now so it's a great time to jump onboard. For more details check out: topazlabs.com/promos/adobe/s…
🤝 Paid partnership
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That's not a heart that's a countdown ⏳ Flux 3 Max test
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DrayKar the Destroyer has a plan he just needs to find his key. Flux 3 Max test through @fal
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First quick little test with FLUX 3 Max I've gotta say I like it, it's fast!. Revisiting an old idea with this one. "Echoes of the Strange" Special thanks to @fal for the credits 🫡
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Captain HaHaa retweeted
Just pushed some nice updates to the Artist and Film pages on AI Film History(.org). The link is in my profile. There are new screening modes for films and more curated/showcase films to watch. I also added some of my favorite films from each era to a new "Essentials" section. If you're just getting started with AI Filmmaking, this is a great place to learn about the history of the field and how the films have evolved from both a technical and artistic perspective. If you have any other suggestions, let me know.
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Humans are strange, these guys like to talk about it.👽 Welcome to SMALL TALK. Big questions. Little conversations. Special guest Band Fishman Mike and the crew Topics include Exclusive Galleries and Shower arguments
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New Music video "I don't feel like myself" Made with @invideoOfficial using seedance 2.5 and GPT image 2.0 Music made with Suno.
🤝 Paid partnership
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Trying a new Small talk show format this one is called "The Approval Machine"
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