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Celebrating all things movie and anything else we like to inspire and entertain! Posts daily by filmmakers and film lovers. Enjoy...

United Kingdom
Joined April 2013
Photo by The Cinema Daily Hub! (@CinemaDailyHub)Photo by The Cinema Daily Hub! (@CinemaDailyHub)Photo by The Cinema Daily Hub! (@CinemaDailyHub)Photo by The Cinema Daily Hub! (@CinemaDailyHub)Photo by The Cinema Daily Hub! (@CinemaDailyHub)Photo by The Cinema Daily Hub! (@CinemaDailyHub)Photo by The Cinema Daily Hub! (@CinemaDailyHub)Photo by The Cinema Daily Hub! (@CinemaDailyHub)Photo by The Cinema Daily Hub! (@CinemaDailyHub)Photo by The Cinema Daily Hub! (@CinemaDailyHub)
Daily cinema love incoming: iconic scenes, stills, behind the scenes, inspiration, fascination & more!
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Loved Ali G back in the day. The new movie? Couldn’t get through it. 👎👎
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You might not have had this on radar but The Comeback is worthy of your time. The first season is okay, but the 2nd season is absolutely brilliant. Lisa Kudrow is wonderful and the writing surprising and sharp. Balanced tone, funny and moving. As good as some of the best tv I’ve seen for a while. (Haven’t watched season 3 yet).
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Thoroughly enjoyable.
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All the chatter about Disclosure Day put me off until now. But I came away wondering what’s wrong with everyone? It really isn’t bad at all. Yes a lesser Spielberg film but still a cut well above the average Hollywood output right now. A bit wordy perhaps. Could have lost a character or two. Dodgy animal fx. But it has great ambition, a complex yet understandable story with things to say. It’s visually inventive and has a great ending. Emily Blunt is excellent, as is everyone. Beautiful score. I don’t know - it just worked for me.
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There’s a movie in this. Incredible story.
He told his students to go to the windows. Get out. Jump if you have to. Then Liviu Librescu walked to the classroom door and pressed his body against it. He was 76 years old. He weighed 140 lbs The gunman was in the hallway. It was April 16, 2007. A Monday morning. Solid mechanics class at Virginia Tech, Room 204. Twenty-two students, most of them 19 or 20 years old. At 9:45 AM, gunshots echoed through Norris Hall. Room by room, the shooter was working his way down the corridor. Liviu heard it. He understood immediately. He had survived the Holocaust. He had survived a labor camp. He had spent decades living under Communist oppression. He knew exactly what evil sounded like. He told his students to escape through the windows. Second floor — it was a drop, but they'd survive. Then he walked to the door and held it shut with his body. The shooter tried to force it open. It wouldn't move. He fired through the door. Wood splintered. Bullets came through. Liviu stayed. Behind him, students were climbing out the windows. Dropping to the ground. Running. One by one, all twenty-two of them got out. The shooter kept firing through the door. Liviu held it shut until every student was safe. Then the bullets killed him. When police arrived, they found his body at the door. All 22 of his students survived. Not one was injured. Liviu Librescu was born on August 18, 1930, in Ploiești, Romania. He was Jewish. In 1941, when he was eleven years old, Romanian authorities sent him and his family to a labor camp. His father died there. Liviu survived. When the war ended, he was fifteen. He went back to school. Studied engineering. Earned a doctorate from the University of Bucharest. But Communist Romania had no interest in allowing a Jewish intellectual to succeed. He was blocked from academic positions. Passed over for jobs he deserved. He applied to emigrate. The government kept refusing. Finally, in 1978 when Liviu was 48 years old — Israeli Prime Minister Menachem Begin personally intervened. Romania let him go. He had spent most of his adult life trapped in a country that didn't want him. In Israel, he taught at Tel Aviv University. Published over 300 papers. Became an international expert in aeroelasticity — the science of how air flows over aircraft wings. In 1985, Virginia Tech offered him a position. He moved to Blacksburg, Virginia. He taught there for 22 years. His students loved him — demanding but kind, high standards, genuine care. He was still teaching full-time at 76. Still publishing research. Still showing up every Monday morning for solid mechanics. April 16 was the first day of Passover — the Jewish holiday celebrating liberation from slavery and oppression. Liviu Librescu died on the day his tradition sets aside to celebrate freedom. He spent his entire life escaping death and oppression by luck, by persistence, by the intervention of others. And on his last morning, he chose to stand at a door so that twenty-two young people could have the future he had fought so hard to reach. He could have run. He could have hidden. He could have climbed out a window with his students. He chose to stay. The Virginia Tech shooting killed 32 people that day — the deadliest school shooting in American history at the time. Room 204 had zero casualties. Because a 76-year-old Holocaust survivor held a door with his body until every student behind him was gone. His funeral was held in Israel. Students from Virginia Tech flew across the ocean to honor him. The Israeli government awarded him the Star of David Medal posthumously. Virginia Tech named a scholarship in his memory. His son said his father died the way he lived — protecting others. A man who survived everything evil threw at him for 76 years. On his last day, he made sure 22 kids survived too. Professor Liviu Librescu. August 18, 1930 — April 16, 2007. Holocaust survivor. Labor camp survivor. 302 published papers. 22 years at Virginia Tech. 22 students out the window. He held the door.
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2001 at IMAX. Like seeing it for the first time. @bfi
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Me: Alexa, play The Rolling Stones. Alexa: Did you know The Rolling Stones have a new album out available on- Me: Alexa play The Rolling Stones. Alexa: Hi Ronny Wood here to let you know about- Me: Alexa play The Rolling Stones. Alexa: Shuffling songs by The Rolling Stones and similar artists (plays the Beatles) Me: Alexa off.
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Another great season for Clarkson’s Farm. Episode 3 (Tripping) shows some modern high tech farming in Belgium. Genuinely fascinating and a clear no question indication of how farming must evolve for the future. This whole show has been absolutely superb, putting other series, both factual and otherwise to shame.
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Totally forgot how brilliant Season 1 of the Fargo TV show was. Billy Bob leads a superb cast and it’s just fantastic story telling. The penultimate episode in the white out storm is masterful. ALMOST as good as the movie.
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Guarding Tess is a favourite and under appreciated Nic Cage movie. He’s restrained on the whole but that’s the point. You can feel the energy wanting to burst out but his character has to keep it all internal. And of course there’s Shirley MacLaine doing exactly the same thing! Fantastic little feel good movie.
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Knowing what you want is one thing, communicating it is another. Top advice for any director from Mr. Spielberg himself (AFI interview)...
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So we discovered this show (I say discovered only because it was new to us) called Mr Inbetween and it’s really good. Aussie tv series a bit like Sopranos lite. Worth a go if you too haven’t heard of it. The actor and creator is Scott Ryan and he’s understated and brilliant. But weirdly it’s all he’s done. Shame.
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I don’t care what anyone says. This is gonna be great!
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It seems really obvious to me that unless Masters of the Universe does something different and bold, for example being very mature and hard hitting like the first Conan, it’s just going to flop. The director Travis Knight (and The Pips?) is wrong for this, although I really like him (I loved Kubo). Just seems obvious…
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Just thinking out loud here but when it comes to art, it’s possible that the AI thing is just a bubble. Maybe AI won’t change anything significant. Art will continue as is, with AI on the periphery. We know there’s no real “intelligence” involved right now. What if there never is? What if true intelligence of some kind never happens. I think that’s actually quite likely. AI appears clever but it’s just reframing what’s already there. It’s getting better at that, but it’s not getting “smarter”. Have it write a story for you and you’ll see that, at best, it’s just a hack. It’s addicted to rules even when the rules make no sense. There’s no original bending of ideas or discovery that feels fresh. Sometimes it will luck into an idea that you can use with some reworking, but that’s about it. What if AI remains the same circle of nonsense we see today. And in 2 or 3 years from now it’s still the same, if superficially better. People will get tired of it and move on, which will see a decline and eventual rot. Kind of like Facebook, or VR, or Fortnite, or Disney Star Wars. Once the consumer has had enough, it’s a downward slide to the end. Lots of people tell us that AI will take over the world, take your job, make things better. But they are mostly experts with a vested interest, or a media with its click and hyperbole addiction. Everything ends, even though it seems like it’s world beating and will remain. But in the end, there’s always the end. Simply put, when it comes to movies, writing, design, music… AI might be a fad. And everything’s going to be ok.
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If you read all the discourse about the new Godfather film “a feminist retelling of the Godfather” you can really see what an absolute mess Hollywood has made of itself. The truth is it might be good. It might be interesting to see the story from a new angle. We just don’t know yet. 10/15 years ago people would have said ‘ok let’s see what you got’. But no one trusts the system anymore and it’s an absolute disaster for this business.
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Rarely have we ever seen such a level of commitment. Actors often change in the body but also, sometimes, in the eyes. There are moments in Taxi Driver where we really do see this fabled character Travis Bickle. He becomes as real as any person is.
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Generally the best car chases are dialogue free. (The slow motion cut to Christina Hendricks as the car behind flips is a moment of genius).
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Didn’t know this. Nice.
Lucas shot and edited the newspaper montage in The Godfather! He was widely known at the time as a skilled editor.
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Fascinating take I’ve never heard before. “Kids don’t like seeing their mum as someone else”.
Susan Sarandon explains why her children didn't show much interest in seeing her movies: "Interviewer: Susan, you said your son was one when 'Thelma & Louise' (1991) was made. I would suspect all of your kids have watched this movie by now. What was their reaction when they saw it, knowing their moms made this iconic film? Sarandon: I don't even know if they've watched it, actually. They didn't watch it with me, so I have no idea. Interviewer: Really?! Sarandon: I mean, I think they're probably relieved that I didn't take my clothes off, because that's always the first thing. "Is there s€x in it? Is there going to be s€x in it?" Which, even just kissing is just as offensive as full-blown frontal n*d!ty [to them], so it doesn't even matter if you're tasteful. So, I don't even know if they saw it. I'll have to drag them [to the drive-in]. I'll force them for the anniversary. They'll probably say, "Oh, mom, of course I saw it," but they didn't say anything to me. Davis: I don't know if my kids have seen it either, quite honestly. Sarandon: Nobody wants to see their mother looking like someone else. When I was doing films when I just had my daughter and I would come back, the first thing she had to do was take my makeup off. She just did not want me to be with my hair, with my makeup [done]. She wants her mom back. She doesn't want someone that looks different." ("Susan Sarandon and Geena Davis Are Reuniting for 'Thelma & Louise' 30th Anniversary", John Boone, ET, 2021) P.S: On this day, 35 years ago, Ridley Scott's "Thelma & Louise" (1991) premiered at the Cannes Film Festival, France.
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