Actor / Maker / Mover / Shaker @CSSDLondon & @E15ActingSchool Grad. Rep: @REDtalentmgt ✨ (Also a Youth Theatre Director, Yoga Teacher & Mama)
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ALT Four women standing underneath an illuminated Stage Door sign
ALT Text over yellow background reads: Kwame Kwei-Armah's final season. There are glimpses of elements of show posters scattered around the edge of the image - the guitar from Passing Strange, the television screens from A Face in the Crowd and the teeth from The Little Foxes, among others.
ALT White text over a black background reads: “It's been the honour of a lifetime to lead the Young Vic. The three pillars that have guided my tenure have been innovation, access and community, and I’m proud of all that we have achieved. But it is a bittersweet moment. I am leaving a sector where 13 years of standstill funding is taking its toll. For decades UK theatre has fuelled the country's world-renowned creative industries, but without investment we could lose this pipeline of talent within a generation. I’m hopeful that this can and must change but it needs government intervention. I want to thank our audiences and supporters. I invite you to join me as I rock out with shows that mean the world to me and sum up what a building like this can do.” Kwame Kwei-Armah In the bottom left corner is an image of a tall dark skinned Black man with short spikey hair, wearing a green suit.
ALT Two women are crouched in the middle of the image. Both are faced away from the photographer. The woman on the left has blonde curly hair and wears a black play suit. The woman on the right has short brown hair and is holding a camera. They are looking at the wall behind them, onto which is the projected image of a beach and shoreline. The projected image is also lighting them with blues and greens. Underneath, text in white reads JOIN OUR TEAM DEADLINE 19th December Technical Stage Manager - 24 days, £150 p/day Production Designer - 9 days, £180 p/day Movement Consultant - 7 days, £200 p/day
ALT Text overlaid onto a turquoise/ blue background. The text reads: TECHNICAL STAGE MANAGER TIMELINE: A total of 24 days between 2 Jan - 5 April 2024, incl. all tour & workshop dates FEE: £3,600 + per diems on tour Accommodation & travel will be booked & paid for THE ROLE We’re looking for collaborative, confident TSM who can: lead on get-ins, tech runs, and get-outs; operate the show; drive our van; assist with show prep ESSENTIALS UK driving licence & ability to drive a small van Based within commutable distance of Exeter Experienced with QLab and ETC (programming and operating show, LX & SFX - LX based on a draft ETC file) We’re particularly looking to engage with people who identify as disabled, chronically ill, and/or have experience of being a Young Carer, and/or grew up or are currently living in the South West. FIND OUT MORE & HOW TO APPLY AT THE LINK IN OUR BIO! DEADLINE 19th DECEMBER
ALT Text overlaid onto a turquoise/ blue background. The text reads: PRODUCTION DESIGNER TIMELINE: A total of 9 days between 15 Jan - 11 March 2024. Not required for tour dates. FEE: £1,620 THE ROLE We’re looking for a collaborative, innovative, bold & playful designer who can: upscale our set design (originally designed for VAULT Fest); assist with sourcing set / props; create a simple lighting design ESSENTIALS Experience of designing set pieces & lighting for small - mid scale theatre, & of achieving high production standards with modest resources Experienced with ETC, and the ability to create a draft ETC file for our tour We’re particularly looking to engage with people who identify as disabled, chronically ill, and/or have experience of being a Young Carer, and/or grew up or are currently living in the South West. FIND OUT MORE & HOW TO APPLY AT THE LINK IN OUR BIO! DEADLINE 19th DECEMBER
ALT Text overlaid onto a turquoise/ blue background. The text reads: MOVEMENT CONSULTANT TIMELINE: A total of 7 days between 15 Jan - 11 March 2024. Not required for tour dates. FEE: £1,400 THE ROLE We’re looking for an experienced movement artist who can: create & define a movement language; provide consultancy on existing sequences. The prep work needed for this role will be minimal, we are looking for expertise in the room, not choreography. ESSENTIALS Experience of designing & devising movement sequences in collaboration with other creatives Experience of working with disabled artists Based within commutable distance of Exeter We’re particularly looking to engage with people who identify as disabled, chronically ill, and/or have experience of being a Young Carer, and/or grew up or are currently living in the South West. FIND OUT MORE & HOW TO APPLY AT THE LINK IN OUR BIO! DEADLINE 19th DECEMBER
ALT A black background with yellow text and photos, showing a person on stage in red lighting, laying down with a projection screen behind them, next to text that reads - “We’re building a brand new centre of live performance, right in the heart of London. Omg what?! Tell me more. #BuildVAULT”
