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Artbasel.eth
Concept plaque for Miami Zero 10.
Imagine a fair where the official identity lives on-chain.
Not affiliated with Art Basel.
@ArtBaselMiami
@opensea
@ensdomains
@artblocks_io
@artbasel
@beeple
@fellowshiptrust
@grailsmarket
cliffvandercave.eth retweeted
Major updates today for people using the Su Squares website.
We now support hardware wallets and all kinds of other new hardware and software wallets.
Deployed now. Affects existing and new customers. Also affects our secret "tools" pages.
Enjoy!
cliffvandercave.eth retweeted
An illiterate quarry worker in 10,000 BC was able to afford this house and a car with a stay at home wife and a daughter.
This is what was taken from you.
cliffvandercave.eth retweeted
amazon.eth: The One-Million-Dollar Name That Almost Rewrote Web3 History
Most people think ENS names are just prettier wallet addresses.
Until amazon.eth appeared in an auction.
This wasn’t a random English word.
It was the name of a global empire — a term that makes lawyers nervous, brands alert, and investors lean forward.
The auction started quietly.
The price didn’t.
$10,000.
$50,000.
$100,000.
At that point, it was obvious this wasn’t a casual bid war.
This was a battle over identity, brand, and sovereignty.
When the number crossed $1,000,000, spectators finally asked the right question:
“Wait… this is just an .eth name?”
Yes.
No cash flow.
No dividends.
Not even officially adopted by the brand itself.
But it represented something far bigger than a domain.
It raised a question no one could ignore:
If Web3 is the next internet,
shouldn’t Web3’s “Amazon” exist first?
Some believed it was a speculator gambling on brand gravity.
Others thought it was quiet brand defense.
A few suspected it was someone betting on a simple idea:
Names come before empires.
The auction never became a mainstream headline.
But the number — one million dollars — burned itself into ENS history.
Because for the first time, the market understood something fundamental:
ENS isn’t a naming system.
It’s a claim on the future layer of the internet.
In the .com era, names belonged to corporations.
In the .eth era, names belong first to those bold enough to believe.
amazon.eth didn’t change the world.
But it forced the world to look at ENS seriously — for the first time.
And ever since that moment, everyone has been quietly asking themselves:
“ If amazon.eth was worth a million…
what names are we still sleeping on today ”? 👀
Replying to @easilyamazed
wdym? To me, that is already achieved because of the 1m bid on amazon.eth
Wasn't bought but still shows the conviction
Wild to watch the terminology shift from “NFTs” to “digital art” this week.
Same tech.
Same provenance.
Same artists.
Just fewer blockchain words because institutions want to onboard old money without the crypto baggage.
Culture remembers who built the movement.
I can't think of a better way to represent NFT artists on Ethereum than to rock the artbasel.eth ens name! The the majority of top sales are Ethereum-native collections, making the largest digital art market by value effectively on Ethereum.
artbasel.eth
Concept for Zero 10 at Miami. Not an announcement, just a thought experiment.
ENS holders & collectors: what would you do if institutions claimed their .eth identity?
@opensea
@ensdomains
@artblocks_io
@beeple
@fellowshiptrust
What better way to represent artists on ETH and bringing two art markets together than to take ownership of Artbasel.eth ? The ENS ecosystem awaits...
⚡️Zero 10 is Art Basel’s curated platform for art of the digital era, dedicated to artists, galleries, and innovators exploring the intersection of art, technology, and culture.
Named in homage to 0,10 – Malevich’s revolutionary 1915 exhibition – Zero 10 brings vitality and fresh energy through emergent modes of authorship and exchange that amplify and complement the prevailing contemporary art market. Beginning at zero but looking forward, we draw inspiration from this pathbreaking legacy while addressing the realities of art today.
Curated by @eli_schein, the inaugural presentation at Art Basel Miami Beach 2025 brings together works across generative systems, robotics, sculpture, light, sound, and code-based practices, exploring new models of authorship, exhibition, and exchange.
Zero 10 is presented with the support of @OpenSea, an Official Partner of Art Basel Miami Beach 2025. Learn more: bit.ly/47HJUmF
cliffvandercave.eth retweeted
It’s never been more back
The problem with these historical charts that get circulated to death is that they are usually sprinkled with less relevant NFTs which end up being OPs heaviest bags while ignoring real relevant yet slept on NFTs.
Hot on the heels of Counterparty's launch, January 13, 2014, saw the debut of TEST.
Though fungible and metadata-free, TEST proved Bitcoin could host custom digital assets, paving the way for innovative layers beyond core functionality.
It symbolized the shift from simple transactions to programmable value, inspiring thousands of follow-up issuances and the NFT era's roots in experimentation.
This humble token's legacy endures as a collector's gem today. #HistoricalNFTs
Image credit, and an account you should definitely follow and read: @WRabbit1111
cliffvandercave.eth retweeted
NEW: CHRISTIE’S IS SHUTTERING ITS DIGITAL ART DEPARTMENT - PER @nowmedia SOURCES




























