We went crazy on this one! We just released a huge library of FREE Greenscreen plates (150+ clips, more coming!) for VFX Artists. I wanted to focus on things that make shots not feel like generic greenscreen cutout plates: so we planned specific light scenarios, various 3D Camera moves, lots of different actions, and a variety of other elements of production value in order to create something unique. I'll be building some cool shots from these myself as I have a bunch of ideas, but hopefully other people will find this valuable as well!

I did a deep dive on Corridor Key 2.0, against real production footage! youtu.be/W8N_kWpz2sg?si=Guf9…

Browse it here vfxassets.com/d/demoreel-foo…

This is an easy way you can make a tracking marker for out of focus shots, or heavily motion blurred shots on greenscreen. It turns the point into a trackable bokeh. (Or, you can use it on dark shots!)

Building

There's a reason no studio adds stock elements inside the 3D software... 3D engines are bad at loading image sequences. Load 40 of them and watch what happens. Changing the timing of these elements in 3D is also impractical. That's why 3D compositing exists. Render the CG. Bring the camera into Nuke. Build the atmosphere there: same 3D space, no re-render, works with every 3D package.

simple & cool