Open and high-quality data about music business, economy, circulation, musicology. An open-source demo of the European Music Observatory. #ImpactCity finalist.
The Hague, Netherlands
Joined June 2021
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thank you—bedankt—köszönöm—dėkoju—hvala—dziękuję—gràcies—ďakujem—gracias—děkuji—teşekkür—danke—благодаря— tack
Seeking partners to connect archive/collection inventories automatically to actively rights-managed music repertoires via #Wikidata into a self-correcting metadata system, improving and ensuring that machines find the correct information about your songs reprex.nl/post/2023-03-24_re…
WAIVE: From the Archive to the Dancefloor. Smart DJ system that uses samples and loops from ethnomusicological archives. #waive #thunderboom #openarchives #trustworthyAI
dataandlyrics.com/post/2022-…
Digital Music Observatory retweeted
And a separate kind of thing, the Fedifinder tool which extracts fediverse handles of your Twitter followings and enables you to follow them/import on Mastodon works super well, big thanks to Luca. fedifinder.glitch.me
We won The Hague Innovators Audience Award on #ImpactFest with Reprex + @DigitalMusicObs @CultureDataObs @GreenDealObs + @CompDataObs + @dataandlyrics
thank you—bedankt—köszönöm—dėkoju—hvala—dziękuję—gràcies—ďakujem—gracias—děkuji—teşekkür—danke—благодар—tack @ImpactCity
The @DigitalMusicObs aims to create and exploit transparent #musicdata for the benefit of artists, #MusicMovesEurope policies, research, and small music enterprises. Follow @dataandlyrics for less nerdy topics about the intersection of data and music. teapawt.net/dataandlyrics/status/1…
‘I feel at home where people care’ How is music traveling? How it remains relevant from Wrocław to Utrecht. We saw the #kurws in their fantastic show in the #Vechtklub #ListenLocal
dataandlyrics.com/post/2022-…
Digital Music Observatory retweeted
With monopoly power over ticketing, Ticketmaster is able to control the events, the venues, even the artists.
There’s a movement pushing the Justice Department to take on their monopoly. @Doctorow breaks it down.
We won The Hague Innovators Audience Award on #ImpactFest with Reprex + @DigitalMusicObs @CultureDataObs @GreenDealObs + @CompDataObs + @dataandlyrics
thank you—bedankt—köszönöm—dėkoju—hvala—dziękuję—gràcies—ďakujem—gracias—děkuji—teşekkür—danke—благодар—tack @ImpactCity
The @DigitalMusicObs aims to create and exploit transparent #musicdata for the benefit of artists, #MusicMovesEurope policies, research, and small music enterprises. Follow @dataandlyrics for less nerdy topics about the intersection of data and music. teapawt.net/dataandlyrics/status/1…
‘I feel at home where people care’ How is music traveling? How it remains relevant from Wrocław to Utrecht. We saw the #kurws in their fantastic show in the #Vechtklub #ListenLocal
dataandlyrics.com/post/2022-…
We won The Hague Innovators Audience Award on #ImpactFest with Reprex + @DigitalMusicObs @CultureDataObs @GreenDealObs + @CompDataObs + @dataandlyrics
thank you—bedankt—köszönöm—dėkoju—hvala—dziękuję—gràcies—ďakujem—gracias—děkuji—teşekkür—danke—благодар—tack @ImpactCity
The @DigitalMusicObs aims to create and exploit transparent #musicdata for the benefit of artists, #MusicMovesEurope policies, research, and small music enterprises. Follow @dataandlyrics for less nerdy topics about the intersection of data and music. teapawt.net/dataandlyrics/status/1…
‘I feel at home where people care’ How is music traveling? How it remains relevant from Wrocław to Utrecht. We saw the #kurws in their fantastic show in the #Vechtklub #ListenLocal
dataandlyrics.com/post/2022-…
Is anyone coming to @linecheck_it #MMW22 Milano and wants to meet up with us to talk about harmonizing surveying on #genderequality, and our calculating total value chain greenhouse gas use in music businesses? Our agenda 👇🏻👇🏿 👇🏼 👇🏾 👇🏽#OpenData #OpenESG
reprex.nl/event/2022-11-24-l…
The @DigitalMusicObs aims to create and exploit transparent #musicdata for the benefit of artists, #MusicMovesEurope policies, research, and small music enterprises. Follow @dataandlyrics for less nerdy topics about the intersection of data and music. teapawt.net/dataandlyrics/status/1…
‘I feel at home where people care’ How is music traveling? How it remains relevant from Wrocław to Utrecht. We saw the #kurws in their fantastic show in the #Vechtklub #ListenLocal
dataandlyrics.com/post/2022-…
Digital Music Observatory retweeted
On 28 November, we are doing an online launch of an anthology of responses to the #ParadoxofOpen. Our guest speakers will be James Boyle @thepublicdomain and Anna Mazgal @a2na - both are contributors to the anthology. More info: openfuture.eu/event/open-fut…
Digital Music Observatory retweeted
⚡FRIDAY FIGURES – 11 NOV⚡
When working towards gender parity, we must look at the whole ecosystem of the music industry. Cue the early stages of an artist’s industry journey of management, agents & A&R. Read more from USC Annenberg Inclusion Initiative
keychange.eu/about-us/news-f…
Digital Music Observatory retweeted
If you want to understand what's been going on in the world of #BrokenRecord & #FixStreaming for the past year, you might want to tune in to watch these sessions in parliament with @CommonsDCMS.
I'm up at 11am.
Open collaboration with the Slovak Ministry of Culture, the ICP Institute for Cultural Policies - Via Cultura, and various statistical, creative industry, and music stakeholders to try out the Open Policy Analysis Framework #Slovakia #openpolicy #opendata music.dataobservatory.eu/pos…
Digital Music Observatory retweeted
Nature is starting to publish review exchanges for all research articles from November 2022 onward. Referees will still have the option to remain anonymous. nature.com/articles/s41467-0…
Digital Music Observatory retweeted
ICMP Director General John Phelan updates on our work worldwide to "optimise the business and legal environment for music", with a special focus on digital & streaming.
#ICMP #MusicMinds #Paris
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