
Editor at Tribune Chronicle and Vindicator. Reach me at [email protected].
Warren, Ohio
Joined January 2011
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Ed Puskas retweeted
Imagine putting together an entire halftime show based off of one woman doing a cover of Thunderstruck on xylophone……and having it KICK TOTAL ASS!
Ed Puskas retweeted
A TV channel interviewed George Mustas, Bob Uecker’s childhood friend and went on to say that Pat Murphy isn’t the only one getting messages from Ueck. I actually got one the other day. I asked:
George: How’s it going up there?
Bob: He said great. I got some good news and some bad news.
George: What’s the good news?
Bob: We play ball everyday up here
George: Well what’s the bad news?
Bob: you’re pitching tomorrow.
I can see why these two were friends for so long. Best thing you’ll watch today.
And yet, the Brewers are up 2-0. Practice? That’s great.
Junior Caminero hit a baseball so far during batting practice that it smoked the FOX Sports set in the back of the stadium 😳
Via: @FOXSports
There was a book about Dan Morgan in the Rock Creek Public Library when I was a kid. I remember taking it out several times. I haven’t thought about him, or that book in years. Might have to go back and see if it’s still there 50 years later.
Bob ‘Hoolihan’ Wells, Cleveland TV icon, dies at 93
Legend lost:
fox8.com/news/bob-hoolihan-w…
This is an oldie and not a goodie. What a dumb take. What should we do? Forget the regular season and just start the playoffs with the teams you like?
Ed Puskas retweeted
Tiger Woods Unimpressed With Roadster As He's Flipped Dozens Of Vehicles buff.ly/dUGarJ0
Ed Puskas retweeted
Everybody with common sense should vote Republican in November!
If you don't believe me, just listen to this..
No Socialist/Communist!!
The White Sox had two chances at home to end this series and couldn’t get it done. Then they struck out an MLB postseason-record 21 times in Game 5. Today, their fans are saltier than Lot’s wife because Jose Ramirez did what their guys couldn’t - he hit the ball. Cry more.
Ed Puskas retweeted
Forty years ago I didn’t know anyone at ESPN’s personal opinion on politics. Hell, I didn’t even know their personal opinions of the athletes they covered. And I had no idea what a beautiful thing that was.
I’ve always liked JCM. Always a great actor, and somehow, I just sort of knew he was a good guy. Now I know he’s a wonderful father, too.
Actor John C. McGinley proudly raised his son Max, who was born with Down syndrome in 1997, firing his agent who advised him to hide the diagnosis and instead making Max a visible, cherished part of his life and a catalyst for disability advocacy...
A reporter once asked him if he ever wished his son were “normal.” His answer was simple: Max was normal. The problem wasn't his son's condition—it was society's narrow definition of what "normal" is supposed to look like.
In 1997, actor John C. McGinley welcomed his son Max into the world. Shortly after Max was born with Down syndrome, John sat down with his talent agent to discuss his career. The agent offered a piece of advice meant to protect John’s Hollywood career. He suggested keeping the situation completely private, warning that studios might hesitate to hire him if he spoke out.
John looked at him and said, "You're fired."
Instead of hiding his family away, John chose complete openness. He took Max everywhere with him. They walked red carpets together, appeared on talk shows, visited movie sets, and attended public events side by side.
At a time when individuals with developmental disabilities were often kept out of public view, John made sure his son was visible. He introduced Max to the world with total pride, deep love, and no apologies.
What started as a father loving his child turned into decades of passionate advocacy. John became a leading voice for Down syndrome awareness.
He used his public platform to advocate for inclusion, fighting for equal opportunities so people with disabilities could work, contribute, and live meaningful independent lives.
During one public interview, a reporter asked John if he ever wished his son were normal. John did not hesitate. He replied that Max was normal, and that the question itself was what was flawed.
His response challenged the idea that human value depends on fitting into standard social expectations.
Years have passed since then, and Max has grown into an adult who works, participates in his community, and demonstrates what is possible when given a fair chance.
John often reflects on how his son shaped his perspective, stating that Max never held him back for a single moment. Through Max, he learned valuable lessons about patience, love, acceptance, and commitment.
When Max was born, the world suggested he should be tucked away out of sight. John spent decades making sure people saw him, heard him, and recognized his worth as a person.
Some parents protect their children by shielding them from the world. Others protect them by teaching the world to make room for them.
True inclusion begins when we stop seeing differences as limitations. Max didn’t need to change to belong. The world needed to change to include Max.
Looking back on every red carpet, film set, and quiet moment at home, John knows one thing for certain: Max was never a challenge to be overcome, but a gift to be cherished.
True love doesn't ask a child to fit the mold of the world; it reshapes the world so the child can shine exactly as they are.
#drthehistories
Pretty sure that has happened every year, even when they went 1-31 in those back-to-back seasons under Hue Jackson. News flash: The Browns and Steelers - and their fans - don’t like each other and never have. How clueless can you be? 🙄
Ed Puskas retweeted
“Xanadu” was written and produced by Jeff Lynne specifically for the 1980 musical fantasy film Xanadu. Performed by Olivia Newton-John with the Electric Light Orchestra, the song was recorded at Musicland Studios in Munich, with Olivia providing the lead vocals and ELO contributing the instrumentation and backing vocals.
Released in 1980, “Xanadu” became a major international hit, reaching No. 1 on the UK Singles Chart for two weeks and No. 8 on the Billboard Hot 100. It also topped the charts in several European countries and became the only UK No. 1 credited to ELO. The film's dance sequences had already been shot to an earlier demo of the song. When ELO recorded the final version, they had to match the demo's tempo so the finished recording would synchronise with the footage, giving the song its slightly unusual rhythmic feel.
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Ed Puskas retweeted
Dostoyevsky on the death of his infant daughter. A passage that has stayed with me years after I first encountered it


















