Franz Greul (@FGreul) header
Franz Greul (@FGreul) profile picture

Fan of Rapid - Eye - Movement/ Remember every Moment

Österreich
Joined July 2011
Photo by Franz Greul (@FGreul)Photo by Franz Greul (@FGreul)Photo by Franz Greul (@FGreul)Photo by Franz Greul (@FGreul)Photo by Franz Greul (@FGreul)Photo by Franz Greul (@FGreul)Photo by Franz Greul (@FGreul)Photo by Franz Greul (@FGreul)Photo by Franz Greul (@FGreul)Photo by Franz Greul (@FGreul)
.@U2 sit down with Rolling Stone UK and discuss their collaboration with the late great Dolly Parton on Torn 🔗 Find out more here: bit.ly/3VBLa8j
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Franz Greul retweeted
Library staff celebrates R.E.M.'s "It's the End of the World and We Know it (and Feel Fine)" in book form. This was an absolutely delightful watch. 🤓 R.E.M.’s Document was released 39 years ago yesterday. (📹 via @hooverpubliclibrary)
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Franz Greul retweeted
R.E.M. released 'Document' 39 years ago on August 31, 1987 | Discover where it ranks in our readers' poll here: album.ink/REMPoll
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Michael Stipe has repeatedly singled out “Country Feedback” as one of his favourite R.E.M. songs, and on this night it gained another extraordinary voice. Neil Young joined the band at the Shoreline Amphitheatre in 1998, adding an extended guitar solo that pushes the song far beyond the restraint of its studio recording. Originally released on Out of Time, the track was built around heartbreak, regret and emotional collapse rather than a conventional chorus. As Young stretches the final section into a roaring wall of sound, the performance becomes less like a guest appearance and more like two generations meeting inside the same song.
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A garage-rock classic brought R.E.M. together with one of the musicians who had helped shape their sound. During their 1984 appearance at the Capitol Theatre, Roger McGuinn of The Byrds joined the band for “Gloria”, playing guitar and adding backing vocals alongside Michael Stipe. Written by Van Morrison and first recorded by Them in 1964, the song had become a rock standard built around an unmistakably simple three-chord progression. With McGuinn standing beside them, the performance connected R.E.M.’s emerging alternative sound directly to an earlier generation of American guitar music.
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R.E.M - Radio Song (1991) ▶️
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Sehr nachhaltig, das Korsett von Polen wird später bei Cosmo wiederverwendet #escorf – at Kilb, Österreich
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Der Song ist auch in bescheidenen Verhältnissen aufgewachsen #escorf – at Kilb, Österreich
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Munich in Vienna #tomsmith – at Vienna, Austria
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That's me in the corner, that's me in the spotlight, wining the league #arsenal2026 #ARSvCHE – at Kilb, Österreich
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R.E.M - Strange Currencies (1994) ▶️
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Suedehead #morrissey Gasometer Vienna 2025-07-05 – at Kilb, Österreich
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Have you guys seen this? @coldplay 🤣 That Huuuugh Haaa tho 🤣
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Platte des Tages #scr2025 #Derbysieger – at Kilb, Österreich
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Happy birthday #ScottLitt (#REM, @TheReplacements, #LizPhair, @Nirvana, #JulianaHatfield, @iammatthewsweet, @wearethedbs). Adventurer in hi-fi. Read our review of @remhq’s essential Litt-produced “Automatic For The People” reissue: magnetmagazine.com/2018/03/0…
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- 🎙️R.E.M. @remhq, 🎵 It’s the End of the World as We Know It (and I feel fine) (1989) teapawt.net/B_in_Lyrics/status/187…
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