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So this one’s a famous photo of Tiger woods at Augusta @TheMasters on the 18th hole in 1997. The year he won his first masters as a professional @PGATOUR
All completed by MSPAINT that took over 30 hours to complete.
Will be live on @LunaticsBTC soon
I’m stepping away from Web3 for good.
I’ve been dealing with health issues for three years, and things got bad enough recently that I had to go to the doctor again today. I was genuinely worried about my well-being. Right now I need to cut out anything that’s taking time and energy away from getting myself sorted, and that includes this space.
My focus has to be on my health and my kids. Nothing else matters as much.
It’s been fun.
This is my goodbye. 🫡
Modern Zombies #297
All One + Original
Sealed by @letsmakemoney77
Footy Face_SportoonsArt retweeted
Minted my second All One 🩵
Used 8 Debits with an original HOLY from Jon's collection as the final layer.
The black border shows that I don't hold the original collection myself, even though I used it.
Would love to see this become a gold border one day ❤️
Happy to contribute my part to @wubbushi's All One collection 🤝
ALL ONE by @wubbushi secured in collection, a big thankyou to @itskeylay for helping me throughout the process and also introducing me to 'Debits'.
I love this monochrome vibe with 8 debits around the canvas and black border. 🤍🖤
The Yin Yang of Ruptures
All One + Modern Zombies
Held with the original
Finished by @howdydegen
Footy Face_SportoonsArt retweeted
Ja doch jetzt will ich auch einen😂 – at Lao People's Democratic Republic
All One is where we start to answer what was lost.
My first three collections were a trilogy on losing connection:
The Crisis: with the transcendent
Modern Zombies: with each other
The Rapture: with ourselves
Add your sentence: wubbushi.com/all-one
Footy Face_SportoonsArt retweeted
Progression of each layer - Canvas 1
All One by Wubbushi
wubbushi.com/all-one/w/live/…
I want a piece of certain art and I’m going to get it, luckily it’s quite a bit above floor so I might have time to grab it 🙏
Footy Face_SportoonsArt retweeted
I don’t have the funds of @osseneth or the reach of @AdamWeitsman and @eli_schein but I’ve been here a minute and I believe in the fun natured chaos that they also embrace.
It’s what makes us unique, slightly crazy and different from the staleness of other industries. ( art and collecting should be this way imo )
And because LQC began with a chaotic burn of 50% of the supply, wanna keep those vibes going.
Just purchased this dope Low Quality Elon Cat and I’ll be giving it away - LQMEOW
must like, comment, and repost
will announce soon
LQC
solana:HKv9jA7VREs68BA3PZMREiwuQKzfLUjr9azgrzbNpump
@Lowqltcat
Open your minds, open your wallets, collect what you love and can afford, and for the love of God: stop allowing others to dictate what your taste in art is.
We have a chance to grow this space into more than a movement and/or a market. The fastest way to do that is to expand our mindsets for the greater good of all. This is definitely not WAGMI or toxic positivity, it is merely realizing and accepting that the platitudes and efforts of those who have become the self appointed patrons and faces for tokenized art, wether their intentions are genuine or performative, have not grown the space in any meaningful way. In fact; we have shrunk dramatically (I did not want to use the word catastrophically).
This is objectively true. The blame isn’t just theirs, as we all have a part to play. But fixing it requires leadership that are not afraid to have difficult conversations. It requires people with the maturity who can put aside their like/or dislike for an artist and their body of work with the understanding that having them as active members of this space are net positive. There are people here who I dislike very much so, and still believe that their work and work ethic are an important part of the tapestry here. I’m not the arbiter of what is “good” art or isn’t, and I believe their work deserves to be seen, appreciated and hopefully collected by the right patron. There are all kinds of patrons for art in this world, so why are we only trying to attract the ones that will collect [my bags]. It reads more like you are looking for massive exit liquidity as opposed to onboarding like minded people.
I believe growth can only happen when more artists are given opportunities to show their work. When they are collected and by patrons for meaningful amounts that are not symbolic. More so, we need to ENCOURAGE patrons to collect different art, mediums, genres, names etc. This is ACTUALLY how to grow and network the space. It’s not showing the same people who are reluctant to enter, the same art we have been showing them for years. There is a massive amount of talent here (sure lots of rubbish too) but frankly it’s our job to show people the diversity of the work and let the patrons decide for themselves what speaks to them.
If you want this space to grow, it’s time to turn a page and try a new approach. Platitudes aren’t cutting it and neither is the current approach.
Open your minds, open your wallets, collect what you love and can afford, and for the love of God: stop allowing others to dictate what your taste in art is.
Footy Face_SportoonsArt retweeted
We have a chance to grow this space into more than a movement and/or a market. The fastest way to do that is to expand our mindsets for the greater good of all. This is definitely not WAGMI or toxic positivity, it is merely realizing and accepting that the platitudes and efforts of those who have become the self appointed patrons and faces for tokenized art, wether their intentions are genuine or performative, have not grown the space in any meaningful way. In fact; we have shrunk dramatically (I did not want to use the word catastrophically).
This is objectively true. The blame isn’t just theirs, as we all have a part to play. But fixing it requires leadership that are not afraid to have difficult conversations. It requires people with the maturity who can put aside their like/or dislike for an artist and their body of work with the understanding that having them as active members of this space are net positive. There are people here who I dislike very much so, and still believe that their work and work ethic are an important part of the tapestry here. I’m not the arbiter of what is “good” art or isn’t, and I believe their work deserves to be seen, appreciated and hopefully collected by the right patron. There are all kinds of patrons for art in this world, so why are we only trying to attract the ones that will collect [my bags]. It reads more like you are looking for massive exit liquidity as opposed to onboarding like minded people.
I believe growth can only happen when more artists are given opportunities to show their work. When they are collected and by patrons for meaningful amounts that are not symbolic. More so, we need to ENCOURAGE patrons to collect different art, mediums, genres, names etc. This is ACTUALLY how to grow and network the space. It’s not showing the same people who are reluctant to enter, the same art we have been showing them for years. There is a massive amount of talent here (sure lots of rubbish too) but frankly it’s our job to show people the diversity of the work and let the patrons decide for themselves what speaks to them.
If you want this space to grow, it’s time to turn a page and try a new approach. Platitudes aren’t cutting it and neither is the current approach.
Open your minds, open your wallets, collect what you love and can afford, and for the love of God: stop allowing others to dictate what your taste in art is.
Some amazing artists in ordinals, constantly inscribing work. Bitcoin won’t go away and art on bitcoin will come
back
I urge you to open any Non Finito piece in full screen. Zoom in. Preview and export in high res. Look at the textures and details.
This art is not made for phone screens, scrolling by or being looked at as a thumbnail on a collection page. It's created with both the interactive experience and the potential for gallery-grade displays in mind.
The best place to enjoy it is on my own website. Go to any work and open it in full screen. It fetches the content directly from the chain and displays the art on its own. The cursor and "close" button disappear after 2 sec without moving the mouse.
I usually have an In Development artwork live on a spare screen, and reroll the settings from time to time. Or I let the Underpainting animation run continuously. Or I close the controls UI and just display the artwork on a vertical, 9:16 screen.
These works are meant to be lived with, not glanced at.
Thank you for your attention to this matter. 🙏
This one is my actual mint of an ‘All one’ by @wubbushi
‘Lunch atop a skyscraper’
🔥👌🤌😍





































