Big fan of all the series in my banner, sakuga, basketball and Japanese rock music
Joined April 2015
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Yoshimichi Kameda (亀田 祥倫) Sakuga MAD
Forgot to post these to Twitter, but I've gotten into making these, and I'm happy to do it for my favorite animator!
Song: Bad For Me by Official HIGE DANdism
Full video: youtube.com/watch?v=anMjwWVh…
This remaster is so frustrating imo cuz (aside from not wanting to watch BoG for the 1 millionth time) making a Super Kai feels like an easy slam dunk for how bad it originally looked, and obviously the more consistent art and animation is an improvement, but the amount of strange decisions that come with it make me feel like this isn’t even worth it. Idk why they thought that inverted color effect was necessary
Not to mention not redubbing Joji Yanami’s lines (RIP), genuine continuity errors, cutting things that would add to the story while keeping things like Oolong’s rock paper scissors with Beerus, some of the cuts themselves feel so haphazard and make something like One Pace look amazing, it just doesn’t feel like this is really meant to be the definitive way to watch the series that it feels like it should’ve been
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Feels like DBS Broly and Super Hero are the only DB projects in recent memory that haven’t felt like they’ve had some level of strange mismanagement that could’ve been avoided. Even with Super Hero, the decision to go CG after crafting the visual aesthetic that Broly offered feels like a misstep but at least it was still well produced for what it was
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Damn I thought with WIT Piece that there just wasn’t much that could make East Blue look fresh in the big 26, and yet that new Fortnite PV proved that to not be the case at all. Of course there’s no way Toei could handle both the remake and the OG series, but it would’ve been cool if the designs and aesthetic of the remake were something more like this. It’s weird cuz it evokes the old style more and yet it somehow feels more fresh than the vibe they’re going for with WIT Piece
I don’t understand cuz with how much they fit into this episode, you’d think they’d be like “yeah let’s cut out the 5 reaction shots of Vegeta that make the moment feel dragged out and less of an instant burst of anger” and they just didn’t do that lmao
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Legit the more I rewatch this the more it feels like one of those One Piece pacing memes but it’s an actual thing released in the big 2026. And I mean One Piece has moments like this too but that is adapting a manga without getting caught up and this is actively trying to trim material down for the sake of time
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Damn I didn’t think Mrs. GREEN APPLE had as many haters as they did, but it really sucks that they used AI for their new music video when they’re as big as they are. I wouldn’t say all of their recent music is for me, but from the past few years their recent anime songs, Darling, and some of their new album tracks are pretty damn good. And even tho some of their stuff is in the line of “Japanese coworker music”, I feel like the people that make those claims don’t see the experimental stuff they do like Tengoku and the RADWIMPS song they picked to cover or just that Omori is a fantastic vocalist in general.
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I like using the OP as an insert song as much as the next guy, but what is Black Clover’s deal doing it like every episode this season? Just kinda diminishes it when it’s all the time rather than a once in a while thing
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Apothecary Diaries entering MHA levels of stacked OP/ED artists when you’ve got Ryokushaka, Eve, Yorushika, Mrs. GREEN APPLE, Omoinotake, and now Yonezu all part of the same series
🪷劇場版 亡妃の秘宝 情報
◆❖ 最新予告映像解禁 ❖◆
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隠された財宝を巡り、
⠀⠀⠀いくつもの事件が交錯する──
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🍃主題歌┊米津玄師 「春が灯り」
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『劇場版 薬屋のひとりごと 亡妃の秘宝』
12月11日(金)劇場公開
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The one thing I feel like that gives MHA the upper hand is that it bridges the gap between the different generations of shonen anime songs. You got classic bands like Pornograffitti, UVERworld, and BUMP OF CHICKEN, anime artists and bands that were big in the 2010s like LiSA, KANA-BOON, and MAN WITH A MISSION, and then some of the newer pop rock artists and bands like Ryokushaka, Yuuri, Yonezu (albeit they got him in 2017 when he was still growing as an artist), Eve and Omoinotake. Apothecary Diaries hasn’t gone on quite long enough to have a similar effect but it would be cool to see if it does at some point
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Please tell me this is bait cuz I feel like the goal post on what is “too much” keeps getting moved further and further ever since some people act like Chinese anime has over animation and people complaining about Vincent Chansard’s style of animation (which I understand the criticisms even though I like his stuff and think 90% of the time it’s justified in context)
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It’s kinda a shame with the types of discussions surrounding the existence of TNM’s fan animation cuz what was made as an insanely passionate fan effort to do what couldn’t be done in Super’s schedule now boils down to a mere comparison and specifically finding things wrong with the fan version now that an official remake is out instead of the initial appreciation for it as an immense effort by fans for fans
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This is kinda a hard list for me to do cuz there’s what I think are my favorite animators of all time and then there’s the animators that are putting out my favorite stuff currently.
In terms of my all time favs list:
1. Yoshimichi Kameda
2. Shinya Ohira
3. Vincent Chansard
4. Yutaka Nakamura
5. Weilin Zhang
6. Kai Ikarashi
7. Takeshi Honda
8. Norio Matsumoto
9. Bahi JD
10. Keiichiro Watanabe
Honorable mentions to Hiroyuki Okiura, Kouki Fujimoto, Kosuke Kato, Ryo Onishi, Toshiyuki Inoue and many others (it’s just hard to boil down the insane amount of GOATed animators there are to just a few names)
And then for my current favs list:
1. Weilin Zhang
2. Vincent Chansard
3. Vercreek
4. Akihiro Ota
5. Jack-Amin Ibrahim
6. Takeshi Maenami
7. Tam Lu
8. Julian Bentley
9. Nian41
10. Daniel Kim
Honorable mentions: Kai Ikarashi, Hsu Injia, Shinnosuke Tanaka, Miton, Honehone, Ryo Onishi, Bahi JD, Masanobu Hiraoka, Saucelot, Sou Miyazaki and many others for the same reason once again
My favourite animators off the top of my head in no particular order(except first)
1. Yutaka Nakamura
2. Weilin Zhang
3. Arifumi Imai
4. Vincent Chansard
5. Nozomu Abe
6. Kohei Hirota
7. Yuki Hayashi
8. Takumi Sunakohara
9. Nian41
10. Norimitsu Suzuki
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And I’m proving my point that it’s hard to boil down because I’m already thinking of more that I would’ve listed: Nakaya Onsen, Kenichi Kutsuna, Kazuto Nakazawa, Keisuke Mori, Yoh Yoshinari, Hiroyuki Yamashita, Shuu Sugita, Rui in the current list, Kohei Hirota in the current list, etc. Also feel like I should mention Toshiyuki Sato and TNK but it’s hard cuz on one hand, they show up on so many projects and because of that, not every contribution they put out is their best work, but the peaks of what they’ve done is some of the best in the medium
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Even though the upcoming Ikarashi anime (not Cyberpunk 2) doesn’t really seem like my vibe, it does seem like a passion project for him (he literally said 4 years ago that he wanted to direct it) so I’m definitely giving it an episode or 2 to see the vision. I’m sure it will be a treat in terms of the visuals but we’ll see about everything else
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