Laura Hart (@HartGlass) header
Laura Hart (@HartGlass) profile picture

Glass artist, sculptor, digital artist and novelist.

Suffolk
Joined June 2012
Photo by Laura Hart (@HartGlass)Photo by Laura Hart (@HartGlass)Photo by Laura Hart (@HartGlass)Photo by Laura Hart (@HartGlass)Photo by Laura Hart (@HartGlass)Photo by Laura Hart (@HartGlass)Photo by Laura Hart (@HartGlass)Photo by Laura Hart (@HartGlass)
There's a point in every scandal when the curtain drops and you see the thing as it really is. We've reached that moment. Until now, Labour's defence was that Rachel Reeves went rogue – that she spun up a phantom black hole, misled the public, and panicked the markets all on her own. That alibi has just died. Downing Street has now admitted the truth: Keir Starmer knew there was no black hole. He saw the OBR's positive forecasts. He read the speech. And he signed off the lie. This is no longer a story about one dishonest Chancellor. It is a story about a dishonest government. Reeves lied on 4 November because Starmer approved the script. She warned of a fiscal cliff that didn't exist because Number 10 told her it would fly. She talked Britain into fear so she could raise taxes not out of necessity, but out of political convenience – and she did it with the Prime Minister standing at her shoulder. The black hole wasn't an error, or a misunderstanding, or an early draft of the figures. It was a joint operation. You can now see how the machinery worked. Treasury insiders whispered horror stories about Ā£20–30 billion gaps. Reeves hinted at income-tax hikes she knew were unnecessary. The media was steered towards panic. The public was softened up. All the while, the real figures – Ā£4.2 billion of headroom – sat on Starmer's desk in black and white. It is the clearest case of manufactured crisis we've seen in years: engineer fear, justify a raid, blame old villains, and hope no one ever sees the timestamps. The Treasury didn't attack the OBR for "breaching private space." They attacked it for telling the truth. This matters because the lie didn't land in a vacuum. It moved markets. It spooked pension funds. It influenced interest-rate expectations. It shaped decisions made by families, businesses, and investors. It was market-sensitive falsehood presented as fact. Reeves now faces allegations of market abuse – and if she is responsible, then Starmer is responsible twice over. The First Lord of the Treasury is either complicit or asleep. If he knew, he must go with her. If he didn't, he has no business governing. What we are seeing here is the end of the pretence that Labour is a sober, technocratic outfit of grown-ups. The mask has slipped. Beneath it sits a government that lies first and explains later; a government that treats the truth as something to be shaped for effect; a government that thinks voters exist to be managed, not informed. This is the same crew that slashed winter fuel payments, raided farmers, hammered private pensions, and slapped "punishment taxes" on groups it dislikes – all under the banner of a mythical Ā£22 billion deficit they now cannot explain. When Number 10's response to being caught is to insist that Reeves's claims were "entirely accurate," even with the OBR's timestamps staring them in the face, it tells you something deeper has broken. Honesty is no longer expected. Accountability is no longer offered. The belief seems to be that power justifies the lie – that the ends excuse the means. That is the mindset of a government in decay. And now their MPs know it. You can hear the panic in the briefings. "This looks pretty bad." "Hard to see how they come back." "Rachel is tied to Keir." They understand the stakes: if Reeves falls, she drags Starmer with her. If Starmer survives, he survives as a man who nodded through a deceit aimed squarely at the wallets of the very people who put him in office. Britain cannot be governed on this basis. A Prime Minister who signs off a fiscal fiction, then calls it "entirely accurate," has no claim to moral authority. A Chancellor who uses invented numbers to justify the largest tax raid in years has no claim to office. And a government that treats the public as marks in a political con has no claim to trust. "The First Lord of the Treasury is either complicit or asleep. If he knew, he must go with her. If he didn't, he has no business governing."
502
3,625
307
9,925
431,026
#Inspiration: Glass artist @HartGlass uses a range of techniques to translate her love of plants and animals into meticulously crafted sculptures. thisiscolossal.com/2019/04/r…
2
4
We are back from a wonderful and successful Collect exhibition at The Saatchi Gallery. If you… instagram.com/p/BftPxvVjn9H/
1
2
Here's a video I've created about Artwork for Corporate or Residential spaces. Custom artwork by @mandiipope #art #abstractart #officeart – at London, England
2
5
FINISHED!!! Applied the external detail to my final Orrery Scent Bottle! Now for the epic task of wrapping and boxing all my work.... I’m definitely going to be opening a special bottle of vino this evening! šŸ·ā˜ŗļø #Collect2018 #creativity #appliedarts #handmade
3
2
10
An exceptional black trio of 'Species Novae' glass sculptures by Philip Baldwin and Monica… instagram.com/p/Be2yZFFDPyF/
1
4
Introducing the latest Glasskibe by Backhaus&Brown and Egevaerk exclusively made for Collect:… instagram.com/p/Be8FZzijufN/
1
2
"There are so many aspects and techniques to glass - 15 years down the line and I'm still… instagram.com/p/BeYI4vDD3hf/
1
1
Elliot Walker's uranium glass Bear glowing in the London sunshine! . #artglass #uraniumglass… instagram.com/p/Beadn1OjFD7/
1
1
News! One of the foremost glassblowers Dante Marioni will be the mystery guest at our Glass Festival at the end of Jan. Marioni burst onto the glass scene at 19 with a style described as the "purest of classical forms executed in glass." info at bit.ly/2mkNKeI #glassart
3
7
Friday view from the gallery - A 'parade' of stunning glass sculptures by Samantha Donaldson… instagram.com/p/BeaonQ5jvwQ/
1
2
#collect2018 preview - This piece by Paul Stopler was part of the last British Glass Biennale… instagram.com/p/Bea0KOoD6ne/
1
2
.....more action in the furnace today by Cathryn Shilling hand sculpting the new Cloaked… instagram.com/p/BekqRc8DiCv/
As seen in Vogue...Stylish Fake Flowers from Vanessa Hogge That Will Flourish Well Beyond Valentine’s Day vogue.com/article/stylish-fa… via @voguemagazine Excellent news Vanessa! Wallflowers on display in the gallery, email us for details [email protected]
1
2
Stone VIII by Ann Wahlstrom, a new unique sculpture for Collect. This is Ann Wahlstrom's first… instagram.com/p/Benn7h5DjjB/
1
1
We have something very exciting to share with you for the upcoming Collect exhibition, our very… instagram.com/p/BeqJovBjilq/
1
1
Thank you for a great article and a great choice of artworks featured in the latest @craftsmagazine . For #collect2018 we are making an impressive large Orchid installation by Laura Hart @HartGlass never featured before. teapawt.net/CraftsCouncilUK/status…
In this issue of @craftsmagazine, we meet the Collect gallerist at the heart of London’s glass scene bit.ly/2Dxy0j8
1
1
2
Take up a new hobby this year, why not try Glass Making. Hart Glass has a range of fascinating two and three day workshops. Check out full details here ow.ly/sZgn30hBAkE @HartGlass #hobby #glassart
2
2
SAVE THE DATE for Collect 2018. VESSEL GALLERY WILL BE FEATURING: . @HartGlass @yorgosglass… instagram.com/p/BeBRJLZjW-Z/
1
3