@lawrencecarrolstudio at @miartmilano
#miart #lawrencecarrol #contemporaryart @ miart, Fiera Internazionale d'Arte Moderna e Contemporanea — at miart, Fiera Internazionale d'Arte Moderna e Contemporanea facebook.com/749724285120842…
Highlights Arte retweeted
#REMINDER
Da non perdere durante l'artweek milanese (!!!)
DOMANI da @FM_CCA - inaugura la mostra Il Soggetto Imprevisto. 1978 Arte e Femminismo in Italia - tra gli artisti anche #IrmaBlank (!!!)
INFO: bit.ly/2FhGyut
Bridget Riley (b. 1931)
Songbird, 1982
oil on linen, 42 x 36 5/8in. (106.7 x 93cm.) +
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#bridgetriley #art #contemporaryart #christies ift.tt/2UbboxW
YAYOI KUSAMA(JAPAN, B. 1929)
Hat, 1981, acrylic on canvas, 45.5 x 53 cm. (17 7/8 x 20 7/8 in.) +
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#yayoikusama #contemporaryart #asia #amazing #red #hat ift.tt/2WDDoHt
Agnés Varda (1928-2019), 1994 Cannes *
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*#agnesvarda ift.tt/2FEnbuz
Hieronymus Bosch, Detail from Garden of Earthly Delights ift.tt/2UY1IDu
Patricio Reig, Map Faciem, 2019 *
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#miaphoto #miaphotofair2019 #patricioreig
#mc2gallery #photography #contemporaryart ift.tt/2Yw8a6S
Jerry Saltz & Roberta Smith “Saltz” and “Smith” are names synonymous with contemporary art criticism. The twosome work as co-chief art critics at The New York Times — their weekly reviews continue to fill the pages the newspaper. Saltz and Smith’s partne… bit.ly/2N63tLv
Minya Diez-Dührkoop, Dance costume for “Bibo” (1924), black and white positive on silver gelatin paper
In 1920s Hamburg, a dancer couple created wild, Expressionist costumes that looked like retro robots and Bauhaus knights. The dancers were Lavinia Sch… bit.ly/2RQvyMo
New Guinea
Museum of Primitive Art, New York 1967 bit.ly/2R67pwp
Paul Delvaux, Les phases de la lune III, 1942 bit.ly/2TkHNgG




















