Living w/ digital art for more than 15 years. https://xitter.cf/t.co/AU6kHHmcMO

Taiwan | Taipei
Joined March 2021
When I was making the Polypaths series, I always felt the real heart of the project wasn't the final image, but the system behind it. The output is just what happens. The real magic is in the underlying logic. There are a bunch of ways to build a generative system, but with Polypaths, every single parameter is tightly linked. They all influence each other, and sometimes, when everything lines up just right, something almost spiritual just appears. The pieces on @verse_works were curated by collectors. But for the @GalerieMet version, I wanted to take the lead as the artist. My goal was to push the system further and see what else it could do. I made a few subtle tweaks, a bit of magic, you could say, and adjusted how the parameters related to each other. The result was a set of works that felt different from the previous series. This whole process really proved to me that in generative art, the structure and architecture are way more important than the final output. This is why the artist's version exists. It's not a replacement; it’s a way to show more of the system's inner life. It reveals how a complex, responsive structure can create an entire ecosystem of variations. It reminds me why I'm so passionate about generative art. It’s not just a tool for making pretty pictures, but a way of thinking, building, and seeing the world.
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On the Way to the Museum
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People in the city and people in the countryside do different things. On the street, someone is painting graffiti, someone is dancing, and the crowd claps along. I used to worry that all these details would make the work ordinary. But while building it, I found out: Every choice is already different from reality. Each one comes from leaving things out. This isn't recreating. It's creating. The details make it all real.
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In Japanese, "kuusou" (空想) means imagining things that don't exist or that you've never seen. Freely painting scenes in your mind. I love this idea, so it grew into this series. One sunny, calm afternoon, on the way to the museum.
🌧️☔️ A world 100% generated, built from JS.
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Under the cherry blossoms, a bunch of office workers doing hanami. A moment you won't forget, right?
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🌧️☔️ A world 100% generated, built from JS.
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I'm still building this work to generative art specs. But this time, the challenge is completely different. More fun than I imagined, and much harder.
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Maybe simulation theory is real. Creating all of this is so much fun. I can’t stop.
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Not every day is a good day..
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你想去哪座島嶼度假?
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像個導演,成為導演。
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🌊 🌴
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only p5js 😎
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