Gotta get serious-| Line Artist | Playing fighting games 🥊 | Commission & Socials: https://xitter.cf/t.co/InayIVEHMl (DM first)

Around the world
Joined October 2020
Here is our work for #SMA24. Even though we didn't get nominated, we're still happy with our creation. We're looking to improve even more and move forward for our next project. GGs GGs smacmag.net/v/sma24/reminder…
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Cleaning up the panels~ Manga WIP ⭐️
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ネーム→下書き→ペン入れ #ソアラと魔物の家
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Panel transitions are the building blocks of sequential storytelling.✍🏻 They control how time and space shift between frames, which creates the framework for the readers’ mind to fill in the gaps (aka the "gutter"). (Pt.1)
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✍️🫰🐈
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殺し屋娘VS鬼強警備員
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3巻発売まで!後3日! こちら22話のタイムラプス公開いたします!
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Yama Fuji retweeted
몸통이 뒤쪽으로 회전할수록 등 중심선이 바깥쪽으로 이동하고, 팔과 몸통 사이에 가려져 있던 옆면이 점차 넓게 드러난다.
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The wait is over! 𝗞𝗔𝗗𝗢𝗞𝗔𝗪𝗔 𝗪𝗢𝗥𝗟𝗗 𝗠𝗔𝗡𝗚𝗔 𝗖𝗢𝗡𝗧𝗘𝗦𝗧 𝟮𝟬𝟮𝟲 is NOW OPEN for entries! 🎉 We’re so excited to announce that submissions for the 2nd WORLD MANGA CONTEST are officially open! ✨ Got a manga you’ve been dreaming of sharing with the world? Now’s your chance! 🌎📚 Entry Period: Sep 7, 2026 - Feb 28, 2027 * in your time zone Eligible Languages: 日本語, English, español, français, 繁体中文 Categories: Manga Category / Wordless Manga Category
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Composition study✍️
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Yama Fuji retweeted
검은머리 채색 고민 2번째──────
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Yama Fuji retweeted
Composition cheat sheets 🥳
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timelapse creative process
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In Japanese manga, Chapter 1 usually follows a proven rule: Page 1 sets the scene, while Pages 2 & 3 deliver a powerful double-page spread to hook the reader and establish the story's direction. Creators pour everything into these first 3 pages. In today's world of entertainment overload, reader attention spans are brutally short—if they can't grasp the story's hook within 3 pages, they move on. Take "Spica and Voice of Books" as an example: • Page 1: Introduces the protagonist and her love for books. • Pages 2–3: A breathtaking spread signaling a world of extraordinarily detailed artwork.
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⚡️🏙️🥊 #OC
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Yama Fuji retweeted
파도에 몸을 맡겨보세요
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