From prompt to premiere: tracking AI-made features on their way to theaters. The tech. The talent. The box office. You ain't seen nothing yet!

USA
Joined October 2026
Lights, Camera, Prompt retweeted
Today is my first day officially directing our upcoming television series. 6 months ago, our videos on X opened doors for us in Hollywood. We met with the producer of Pulp Fiction (Michael Shamberg) and demo’d a new way of creating films. Speech to film. Just like a director on set. That demo became our pitch. For the past couple of months we’ve spoken to studios, worked with artists, and learned more about the role of AI in the world of creatives. Today, all that effort has led us to finally direct our own television series. Our own IP and unique approach of creating motion picture, combined with the experience of the traditional world that shaped our minds. A dream come true for young boys that grew up watching Hollywood movies. A dream that was never actually a dream, because Hollywood wasn’t even reachable in our mind. My goal with this project is to not only show you the end result. The goal is to show you what the writers room looks like with these tools. To show the world what changes in pre-production, production, and post through these tools. What processes in Hollywood are in place to protect the studio from making money, and what processes are in place to enable the creator to create the best ideas. Thanks everyone for the support. And a side note for all the storytellers under us: You need no permission to post your unique ideas on this platform. You’re only one question away from your dream deal.
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Lights, Camera, Prompt retweeted
So excited to be part of this! Love getting to share what we do with more storytellers around the world 🙌
This is From Script to Screen with AI, a historic filmmaking programme by Akuna and Google in collaboration with Curious Refuge. Designed for emerging African creatives, the programme explores the possibilities of AI, equipping storytellers with skills and opportunities to take their ideas further. Open to creatives across Ghana🇬🇭, Kenya🇰🇪, Nigeria🇳🇬, Sierra Leone🇸🇱and South Africa🇿🇦. Discover the programme and sign up at akunalearning.com. #africancinema #africancreators #googleAI #futureoffilmmaking #akunalearning
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Lights, Camera, Prompt retweeted
Just Us. Made in @dreamina_ai
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Lights, Camera, Prompt retweeted
THE SECRET OF THE RINGS is my first commissioned short for Showrunner, created with Dreamina. Would you want to see where this story goes next? Visit @fableshowrunner Thanks to @dreamina_ai #DreaminaCPP
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Lights, Camera, Prompt retweeted
Watching The Arc on a big screen showed us what AI cinema can really do. A few weeks ago, we attended a screening of The Arc, a 5-part series directed by Darin Stewart(@bydarinstewart) and executive produced by Simone Ferretti. It opens by throwing its characters straight into battle in 1600s Japan. From there, the series spans different time periods, explores nuanced characters, and holds you from start to finish. What impressed us most on the big screen was how easy it was to lose yourself in the story. You stop thinking about how it was made and just watch. AI filmmaking is improving every day. But watching a series on a big screen, in a room full of people, made one thing clear: this genre isn't going anywhere. It's only going to expand. And just as impressive as the finished product was the journey of bringing it to life. A small team completed all 5 episodes in three and a half months, while working through: → The technical limitations and issues of the models → The time pressure of creating quality content quickly → The biggest challenge in filmmaking: building a believable world that engages the audience The Arc, an Artlist TV original series, is now streaming on Fairground AI TV, available on Roku, LG, Amazon Prime Video, and Xumo Play. We're excited to have it on the channel and to bring it to the biggest screen in your house. #AIFilm #AIFilmmaking #AICinema #TheArc
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Lights, Camera, Prompt retweeted
Kling 4.0 (Edit Video) vs Seedance 2.5 (omni edit) I think I prefer the overall quality of SD 2.5, but I never could get the tattoos removed from the hands. Kling is also significantly cheaper. MORE BELOW 🧵 Source: Samy Elbanna 🐐
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Lights, Camera, Prompt retweeted
Working on Junkyard King episode 4 right now. It’s always an adventure to illustrate confined places like a small shop because of how often the models drift. It’s moving forward but it’s a very tedious process I must say… Tons of lore and dialogues on this one with a twist of action and adventure as usual. Stay tuned.
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Lights, Camera, Prompt retweeted
they still saying AI film has no taste
🤖 Made with AI
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Lights, Camera, Prompt retweeted
Months after Elon Musk promised that his AI tool Grok Imagine would create an entirely AI-generated, feature-length version of “The Odyssey,” the tech mogul has partially followed through on the claim. The company shared the first 7-minute, AI-generated episode of the “Odyssey” series on X on Friday. variety.com/2026/film/news/e…
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Lights, Camera, Prompt retweeted
AI Psychosis
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Lights, Camera, Prompt retweeted
Made my first AI short film. I used to think AI video was one-click and out of my control. Turns out you storyboard every shot, lock the first frame, and let AI animate it. Old-school animation logic, frame by frame. Felt like directing. #AIfilm #GenerativeAI #aivideo
Introducing the Ekova product film. Ekova is a multi-perspective AI by ModelsLive. Five characters, five angles on the same question. ekova.modelslive.org #AI #GenerativeAI #aivideo
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Lights, Camera, Prompt retweeted
“Hunger Games” franchise producer Nina Jacobson views AI as a “tool for artists” and “not a substitute” for them. Watch the full panel conversation with Jacobson from IndieWire's Future of Filmmaking Summit on our website. Presented by @ATT Untold Stories
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Lights, Camera, Prompt retweeted
Hollywood didn’t make these monsters. AI filmmakers did. Our Halloween Special is now airing on Fairground AI TV, with four new films: Porch Stories by Daniil Volkau Four years after seven children vanished on Halloween night, a documentary crew returns to the porch where they were last seen. But when the only photograph from that night reveals an eighth child no one remembers, the childless couple who lived there must finally explain who, or what, came home with them. Holloway by Wilfred Lee Say grace. Every house on the block looks perfect. That’s the problem. An unsettling portrait of domestic life unraveling at the seams. Taotie by Nam An Trinh A man with a torch crosses a moonlit wasteland on a mythic descent into possession and horror. Inspired by the Taotie, the ancient Chinese beast of endless hunger. The Sister by JSFilmz A routine scavenging run for generator parts leads two survivors to an abandoned diner. Their nostalgic detour quickly turns into a desperate fight for survival. Watch free on Roku (channel 300), LG (channel 249), Prime Video and Xumo Play. Which one are you watching first? 🎃 #AIFilm #AIFilmmaking #AICinema #Halloween
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Lights, Camera, Prompt retweeted
Digging into a cool new Open Source AI Video Previz Tool that you really need in your toolbelt! Plus: A new AI Video Mystery Model, and a little "inside baseball" speculation on the Chinese models...
🤖 Made with AI
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Lights, Camera, Prompt retweeted
Replying to @aisavvy1
This is the cost control that actually works. Locking camera and character moves before a Seedance run avoids a pile of wasted credits. Prompt-only iteration is where the budget disappears.
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Lights, Camera, Prompt retweeted
Comment BLENDER for the setup guide. Build your scene in Blender first so you can work out how the camera and characters should move before spending credits generating the final video. You don’t need to know Blender either. Ask Claude to create the scene, then describe any changes you want. Once you’re happy with the movement, use that clip as a reference in Seedance. You’ll have something to guide the video instead of paying for another generation and hoping it gets closer. #blender #aivideo #claudeai #seedance25
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