Teacher education | Doctorate - leadership, decision making & ethics l Spurs EPL supporter | Old Falconian | Ancient History fanatic | All views my own

Sydney, Australia
Joined April 2013
Rod Leonarder Ed.D retweeted
La ciudad sumeria de Uruk, considerada la primera ciudad civilizada del mundo, data del 6500 al 4000 a. C. Esta ciudad fue descubierta en 1849 gracias al arqueólogo inglés William Lofts.
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Rod Leonarder Ed.D retweeted
Yhe Tomb of Marcus Vergilius Eurysaces the Baker, an ancient Roman funerary monument located near Porta Maggiore in Rome, Italy 🇮🇹 . . . In Rome, near a busy road junction, there is a strange monument that looks like a building made of kitchen equipment. It is the tomb of a baker. And the baker, according to most scholars, had once been a slave. The tomb belonged to a man named Marcus Vergilius Eurysaces. It was built around 50-20 BC, in the late Roman Republic. It stands beside what is now one of Rome's main streets, near the ancient gate called Porta Maggiore. The inscription tells us a few things. It says that Eurysaces was a baker and a contractor, and that he worked for the state. It also names his wife, Atistia, who is described as an excellent woman. Together, they were buried in the monument. His name suggests he was a freedman, a former slave who had been given his freedom. Many freedmen in Rome became wealthy through business. Eurysaces made bread for the city, and it was a trade that earned good money. He decided to show off his success with a grand tomb. The design is unusual. The tomb has a trapezoid shape, and is made of white travertine stone. On the front, there are large round holes set in rows, and cylindrical pillars. Experts think these represent the dough mixers and kneading machines used in his bakery. Along the top there is a long carved band, called a frieze, which tells the story of his work. It shows workers delivering grain, grinding it into flour, kneading dough, shaping loaves and baking them. At the end, officials weigh the finished bread and check it. That is one of the best surviving pictures of a Roman bakery. It shows how a large commercial bakery operated, with divisions of labour. The workers are shown in great detail, with their tools and tasks. The monument was nearly lost. In the 3rd Century AD, it was incorporated into the Aurelian walls, when they were built around the city, and it was covered by a tower. For centuries, it was hidden. It was only discovered in 1838, when the tower was taken down. After that, scholars were astonished to find it in nearly complete condition. The tomb tells a story that most Roman monuments do not. It is not about a general, an emperor or a politician. It is about a working person who took pride in his job. Today, the tomb is surrounded by traffic and modern buildings, but it still stands. It is one of the most unusual monuments in Rome, and a quiet tribute to the people who fed the city. #archaeohistories
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Rod Leonarder Ed.D retweeted
As Thomas Mann said: "Culture is that which liberates man from mere existence."
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Rod Leonarder Ed.D retweeted
Displayed within a museum gallery yet conceived for the realm of eternity, this richly decorated shrine originates from ancient Egypt and dates to the New Kingdom, likely around the 18th–19th Dynasty (c. 1550–1200 BCE). Constructed from wood and lavishly covered with gold leaf and pigment, the structure once enclosed a sacred statue or reliquary associated with a high-status individual or a deity. Its walls are carved with ritual scenes and hieroglyphic texts, while standing figures at the corners appear in gestures of offering and protection. Along the roofline, a procession of cobra-shaped uraei crowned with solar disks symbolizes royal power and divine guardianship. The shrine’s architectural form mirrors a temple in miniature, emphasizing the belief that the divine could inhabit crafted space. Encountering this object today inspires quiet awe: a sense of intimacy with ancient devotion, where art, belief, and craftsmanship converge to bridge the human and the eternal.
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Rod Leonarder Ed.D retweeted
Pompeii's most magnificent mansion being restored thanks to private donor German entrepreneur says visited site when he was 16, recently read a book by Zuchtriegel ansa.it/english/news/lifesty…
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Rod Leonarder Ed.D retweeted
The Norman Kingdom of Sicily is one of history's great experiments in civilisational encounter. Arabic, Greek and Latin were all official court languages. Arab poets wrote odes to Norman kings. Norman architects built churches with Islamic geometric decoration and Byzantine mosaics in the same building. It lasted barely a century and nothing quite like it has existed since. @peterfrankopan on what it produced — and why it ended.
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Rod Leonarder Ed.D retweeted
No wonder then that the mosaics of Gaza from the Christian Byzantine period depict elephants, lions and giraffes From the exhibition Trésors sauvés de Gaza - 5000 ans d'histoire at L'Institut du Monde Arabe, Paris
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Rod Leonarder Ed.D retweeted
👁️ WHAT Was This Stone Hand Really Holding? Ancient Egypt’s Hidden Message At first glance, it looks like nothing more than a carved stone hand. But look closer… This remarkable artifact, carved from dark granite around 1500 BCE, may be carrying one of the most powerful messages from ancient Egypt. The tightly clenched fist grips two sacred symbols that every Egyptian would have instantly recognized. Was it simply a work of art, or was it meant to remind everyone that the power of the pharaoh came from the gods themselves? The long staff in the hand is called the was scepter, a symbol of strength, control, and divine authority. Wrapped around the fist is the famous ankh, often called the “key of life,” representing eternal life and immortality. Together, these symbols sent a clear message: true power was believed to last forever, even beyond death. What makes this piece even more fascinating is the incredible craftsmanship. Carved from extremely hard granite over 3,500 years ago, every detail—from the fingers to the sacred symbols—shows remarkable skill. When sunlight strikes the stone, the deep carvings come alive, making it feel as though the ancient hand is still holding its sacred power after thousands of years. Artifacts like this are more than beautiful sculptures—they are silent messages from a civilization that believed life, death, and the gods were deeply connected. Standing before it today, you can’t help but wonder… what secrets did this stone hand witness that history has long forgotten? 🏺✨
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Rod Leonarder Ed.D retweeted
How the Romans Invented Apartment Living. It Was Brilliant, Brutal, and Often Deadly zmescience.com/feature-post/…
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Rod Leonarder Ed.D retweeted
Some highlights of a jaunt to the Bay of Naples Part II Agnes Crawford understandingrome.substack.c…
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Rod Leonarder Ed.D retweeted
The Imperial Propaganda Hidden in the Aeneid Written between 29 and 19 BCE, Virgil's Aeneid rewrote Roman origins to solidify Emperor Augustus's rule and legitimize the Julian dynasty's divine power. thecollector.com/imperial-pr…
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Rod Leonarder Ed.D retweeted
Magnifique.
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Rod Leonarder Ed.D retweeted
How Ancient Athens Used Diplomacy to Build Its Mighty Navy With Macedonian Timber greekreporter.com/2026/10/22…
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Rod Leonarder Ed.D retweeted
Excavations Reveal Commercial Life at Ancient Argilos  greekreporter.com/2026/10/20…
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Rod Leonarder Ed.D retweeted
The Lute Player of Damascus and the First Islamic Paintings Deep in the black basalt desert east of Amman stands a small, honey-coloured bathhouse that is one of the most surprising buildings in the Islamic world. Qusayr 'Amra was built in the 720s or 730s for the Umayyad prince al-Walid ibn Yazid, "a passionate drinker with prodigious skill and energy as a musician," who came here to hunt, bathe and drink far from the disapproving eyes of Damascus.
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Rod Leonarder Ed.D retweeted
🍽️ A 1,096-Year-Old Feast Hidden in Stone Has Just Revealed a Forgotten World For more than a thousand years, this stone inscription kept its secrets buried beneath the earth. Discovered in Indonesia and dating back around 1,096 years, the inscription records a decision by King Mpu Sindok to declare a tarukan rice field tax-free land. At first glance, it appears to be a simple legal document. But hidden within its ancient words is something far more remarkable. The inscription describes a banquet held after the royal decree was announced. Guests were served alcohol, salted fish, eggs, beef jerky, boiled vegetables, coconut, and other foods. In just a few lines, it preserves a rare snapshot of everyday life in an ancient Javanese kingdom. This is what makes the discovery so fascinating. Most ancient inscriptions focus on kings, battles, or religious ceremonies. This one goes beyond politics and power. It reveals how people celebrated, what they ate, what they drank, and how an important event was marked more than a millennium ago. The feast ended over 1,000 years ago. The people who attended it are long gone. Yet their gathering, their meal, and their celebration survived because someone chose to carve the moment into stone. Today, that inscription still speaks. Not only about taxes and royal authority, but about community, tradition, and the ordinary people whose lives are rarely preserved in the historical record. A thousand years later, an ancient banquet continues to tell its story.
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The students brought two of Antonio Vivaldi’s works, Gloria and The Four Seasons, to life through the unique sounds of the marimba. Their performance showcases not only their musicality and teamwork, but also reminds us why music education is so important in schools. Children put their whole hearts into making music, and it’s a beautiful thing to see!
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Rod Leonarder Ed.D retweeted
⛏️ The Tunnel of Eupalinos: A 2,500-Year-Old Engineering Marvel Hidden beneath the island of Samos, Greece, the Tunnel of Eupalinos is one of the most remarkable engineering feats of the ancient world.
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