Ted Loos retweeted
Museums are taking the initiative to examine the back story of objects they’ve had for decades that may have a dark past—and then taking action based on what they find. wsj.com/arts-culture/fine-ar… by @LoosLips via @WSJ
Ted Loos retweeted
Museums are taking the initiative to examine the back story of objects they’ve had for decades that may have a dark past—and then taking action based on what they find. on.wsj.com/3FuPoXw
Ted Loos retweeted
C'mon sugar pie we need ter get the Infinity stone from Thanos faster than an armadiller at the derby
An amazing trans artist from Brazil has a big show on now @MuseumModernArt plus a major @ArtBasel presence - ready my latest nytimes.com/2024/06/14/arts/…
RIP Frank Stella. He was not only a great artist, he was a really good interview. My 2019 interview with him is here. nytimes.com/2019/02/17/arts/…
Ted Loos retweeted
Thank you @nytimes for featuring #MagazzinoItalianArt's Co-founders, Nancy Olnick and Giorgio Spanu, and Arte Povera artist @m_pistoletto in the article about artist-patron relationships. Read the complete article here: nytimes.com/2023/12/05/arts/…
New by me - give it a look
While some art aficionados collect widely, others concentrate, and buy the work of a living artist in-depth. Sometimes, those transactions can lay the groundwork for a friendship between artist and patron. nyti.ms/3GvVeoG
My latest is here
The Great Hall of the Met can be an intimidating entry point for visitors. The artist Jacolby Satterwhite is having none of that. His new work, “A Metta Prayer,” turns the museum’s solemnity into a funky, queer-infused love poem, set to an acid house beat. nyti.ms/3rvQN9r
I wrote about our greatest living sculptor today @nytimesarts nytimes.com/2023/09/14/arts/…
An artist you should know about, showing at next week’s @friezeofficial Seoul - my latest @nytimesarts nytimes.com/2023/08/31/arts/…
RIP Brice Marden.
From the archives, my 2006 piece @nytimesarts re his @MuseumModernArt show.
nytimes.com/2006/10/29/arts/…
Dropping some news @nytimes tonite: nytimes.com/2023/08/09/arts/…
“I had a gallery in Cologne that was showing a lot of young American artists,” Rudolf Zwirner recalled of the ‘60s, “But no clients.” The dealer decided to make a meeting of the galleries, and the first contemporary art fair was born. The rest is history. nyti.ms/3JcyoEd
Ted Loos retweeted
The ‘Haunting’ of Gary Simmons. In new shows at @mcachicago and @HauserWirth London, the artist uses ghostly erasure lines to look at ideas about race — forcing us to confront the images before they slip away. By @LoosLips nytimes.com/2023/06/09/arts/…
New: my @nytimesarts look at Gary Simmons as his show @mcachicago gets going and a @HauserWirth show continues nytimes.com/2023/06/09/arts/…
My latest @nytimesarts — feminist collecting with an eye to history nytimes.com/2023/05/05/arts/…
Quirky genius alert! My latest @nytimesarts , about a can't miss show @philamuseum nytimes.com/2023/04/27/arts/…
Ted Loos retweeted
Our Director, Rapheala Platow, was included in a recent @nytimes article about the rise of female directors in Museums. Take a look!
nytimes.com/2023/04/25/arts/…
My latest article is here —
More and more, women are running the world’s great art museums, from the Louvre to the National Gallery of Art. nyti.ms/3LuK72H
My deep dive on Richard Avedon is online @wsjmag --and 10 pages in print this weekend wsj.com/articles/richard-ave…











