
Contact: [email protected]
Accra, Ghana
Joined August 2017
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Lvin Red 🎈 retweeted
Some recording artists don't have a talent problem. They have a sound problem.
They're working with producers who don't understand their musical direction and engineers who can't translate their ideas into professional records.
Your sound is only as good as the people helping you build it.
Funny oh 😄
Spotify just announced a feature that could either save the music industry or destroy it.
Starting as early as Q1 2027, Spotify Premium subscribers will be able to use AI to transform any participating artist’s song into a completely different version. Turn a folk ballad into a dance track. Make a hip-hop song sound acoustic. Generate a cover where one artist’s voice performs another artist’s song. Remix a pop hit into lo-fi study music. Create the version of your favorite song that only existed in your head until now.
The remixes will be uploaded directly to Spotify. They’ll appear in playlists. They’ll count toward the original song’s chart position. And most importantly the original artist will earn royalties every time someone listens to a fan-created remix of their work.
Spotify has already signed a landmark licensing deal with Universal Music Group the world’s largest record label. Negotiations with Sony Music and Warner Music are ongoing. The feature will cost an additional $4–$5/month on top of Spotify Premium. And analysts project 7–8% of American subscribers will adopt it by 2028.
This is not Suno or Udio generating music from text prompts. This is fans remixing real songs by real artists with the artists’ permission, on the world’s largest streaming platform, with royalties flowing back to the creators.
A music industry analyst who’s covered streaming economics for 15 years told her team something after reading the licensing agreement that reframed how she understood the future of recorded music.
“Spotify just turned 640 million listeners into 640 million potential remixers. The question isn’t whether people will use it they will. The question is whether paying artists for fan remixes solves the economics of streaming or creates a world where the original recording is worth less than the infinite remixes generated from it.”
Here’s what Spotify’s AI remix feature actually is, who wins, who loses, and why this might be the most consequential decision in the music industry since the launch of streaming itself 🧵
Lvin Red 🎈 retweeted
Every number in Bawumia's Tokyo answer, checked against the Bank of Ghana, the IMF and the regulator.
Low iq citizens
POKUASE RESIDENTS, YOUR SAFETY MATTERS! ⚠️
To residents around Pokuase Agya Herbal, please be informed that the pedestrian crossing is UNDER THE HIGHWAY, not across the highway.
There is no need to risk your lives by running across moving vehicles.
Use the designated underpass to cross safely to the other side.
A few minutes saved are not worth risking your life.
PLEASE, USE THE UNDERPASS. DON'T CROSS THE HIGHWAY!
Lvin Red 🎈 retweeted
Congrats again my brother! Great catching up last night. Your talent as a multidisciplinary artist is truly inspiring. Keep going!
I am pleased to share that my work will be included in Velvet Tensions, a group exhibition on contradictions at @deicentre_ghana opening tomorrow, Friday 6 November.
I am showing two watercolours, “Morning Assembly” and “Dismissal” in the company of a remarkable group of artists
Chale, music be free spirit oh. It’s like a river. You can’t cage it or dictate to it. It will overflow any dam you try to build.
Music is also always flowing and evolving just like a river does. You cannot recreate an era or force a genre to repeat past success. Enjoy the music of your time, because one day you will argue with the next generation that yours was better, just as those before you are doing.
You can’t force music to stay local or go international. It will find its own audience, whether millions or a handful. Every song has its own journey, beyond the control of any industry, label or even the artist.
Music business should not control music. Music should control music business - Anaa?
Somebody say if you dey earn 10K for ghana here by all means moves go dey the company wey e fit make you earn 100K atleast every two weeks. Ghanaian employees, 90% of them be thieves
The music industry is going to experience a crazy shift in the next 5 years, the majors will take a hit, forcing them to join the new way of doing things
Lvin Red 🎈 retweeted
Unfortunately
1) The money in the bank isn’t yours
2) The money in the bank isn’t money
BREAKING: 🇵🇾 What just happened in PARAGUAY is a WARNING for everyone on earth.
More than 3 million people (60% of Paraguay's adult population) have lost access to EVERYTHING. Their bank accounts. Their pensions. Frozen. Inaccessible.
Paraguay’s largest digital bank, Ueno Bank, has collapsed.
The president of the Central Bank (who is deeply connected to Ueno) has just RESIGNED. Eight high-level executives including the founder and the Bank President are being detained.
The people have taken to the streets to demand their money back. And rightly so.
This is the model Milei and the rest of the Epstein class are pushing. This could happen ANYWHERE. Best to save in physical gold and physical silver, imo.
** IMMINENT STOCK MARKET CRASH OCTOBER 26, 2026-NOVEMBER 9, 2026 **
I am writing this message to give a detailed analysis, as to what I believe will be happening starting Monday October 26, 2026, and the main event to take place the following Monday November 2-3, 2026, with the bottom of the crash coming on November 9. I also want to explain what I believe the Federal Reserve is going to do as a means of trying to fix the crisis, and how it is going to lead to the end of the U.S dollar, bringing about a sovereign debt and currency crisis. This crisis will be the main focal point and issue that the Democratic Party is going to run on in the 26' midterms and the 28' elections, undermining the Republican Party and Donald Trump's populism, and eventually using it to try to usher in Communism, via a World Economic Forum/Black Rock policy and vision.














