Nothing special... Yet. Despite the cuteness of Chowder, John is in his mid 30's. I have a hobby of doing reference sheets Songs: https://xitter.cf/t.co/9OBY6nOjXy
USA
Joined September 2014
- Tweets48.9K
- Following6.2K
- Followers855
- Likes341K
John's Mandrake, Greenhouse Levi retweeted
👑🌽ALL RISE 🌽👑
The Court of Kobb is in session. A five-gallon bucket throne, a galliard nobody asked for, Gigi absolutely shredding, and 120+ friends in the gallery!
Find yourself in the crowd! Credits in the thread 👇
#CourtOfKobb
John's Mandrake, Greenhouse Levi retweeted
Go watch @KobbVT 's "Court of Kobb" music video. So fun. This is a huge uplift to my day after a hard few weeks. I enjoy being included in goofy stuff like this and hope to make some of my own with friends at some point but definitely need some training from people like kobb and @PsychroVT . Good to be included with @ManDrakeKohn and @BigRichard1987 flexin on em' lol.
Thanks for including me in Court of Kobb ya crazy amazing Jonny Bravo, wesker lookin corn pun brother!
youtu.be/geFd2M7eDe4?si=yAoN…
👑🌽ALL RISE 🌽👑
The Court of Kobb is in session. A five-gallon bucket throne, a galliard nobody asked for, Gigi absolutely shredding, and 120+ friends in the gallery!
Find yourself in the crowd! Credits in the thread 👇
#CourtOfKobb
John's Mandrake, Greenhouse Levi retweeted
If food weren't grown for profit, most of it would never be produced in the first place. People would largely grow food for themselves and their families.
Profit is precisely what incentivizes people to produce food for complete strangers.
What communists are actually demanding is that someone else grow, harvest, process, and deliver their food without expecting anything in return.
They don't object to exploitation. They object to having to compensate the people whose labor keeps them alive.
Their ideal farmer isn't an entrepreneur. He's a slave whose only reward is another list of demands and sacrifices.
What could go wrong?
John's Mandrake, Greenhouse Levi retweeted
Teach Black children their history? ABSOLUTELY! But teach them ALL of it, not some carefully curated historical narrative designed to leave them perpetually angry, resentful, and convinced that their future is imprisoned by their ancestors’ past.
You want to teach them about slavery? EXCELLENT! Then let’s teach them about the African kingdoms and merchants who captured, enslaved, and sold other Africans. Let’s discuss the Kingdom of Dahomey, the Asante Empire, and the role African intermediaries played in the transatlantic slave trade.
Let’s teach them about the Arab slave trades, which operated across centuries, and the indigenous systems of servitude that existed in Africa before Europeans arrived.
And absolutely teach them about European colonialism, the Atlantic slave trade, the barbarity of plantation slavery, and the laws that systematically deprived Black Americans of their liberty.
But don’t you dare selectively edit history to manufacture an eternal racial grievance.
Let’s teach Black children about Frederick Douglass, Harriet Tubman, Booker T. Washington, George Washington Carver, and the extraordinary accomplishments of Black Americans who refused to let oppression define the boundaries of their existence.
Let’s teach them that African history did not begin with slavery and that Black American history did not end with emancipation.
Let’s teach them about African civilizations, scientific achievements, entrepreneurship, intellectual independence, family formation, and the extraordinary resilience of our ancestors.
And while we’re examining historical culpability, let’s examine the American political institutions that defended slavery, enacted Jim Crow laws, and resisted civil rights. Let’s name the politicians, examine their party affiliations, and acknowledge how those parties and their coalitions changed over time. No selective amnesia for anybody.
Here’s where I fundamentally disagree with you.
You appear more interested in teaching Black children whom to resent than teaching them what they can accomplish.
My ancestors endured extraordinary suffering. Their suffering deserves historical accuracy, reverence, and remembrance. It does not require me to surrender my intellectual independence or teach my children that their destiny is controlled by people who lived centuries before them.
History should produce knowledge, not inherited animosity.
Teach the entire historical record, including the uncomfortable chapters that contradict your preferred narrative.
Because a child who knows only the atrocities committed against his ancestors knows only a fraction of his ancestry.
And that is an egregious intellectual disservice.
I will teach my children what happened to their ancestors. But I will also teach them who their ancestors WERE before captivity, what they accomplished afterward, and what they themselves are capable of becoming.
My God did not create my children to spend their lives shackled to the grievances of yesterday.
Teach history. Don’t manufacture helplessness.
#AStoneGroove #SilentMajoritySpeaks
Normalize teaching your children about the twin evils of slavery and colonization.
Teach them who enslaved our ancestors, who colonized our lands, who stole our resources, and how their wealth was built on our suffering.
Black children must know their history — a history written in sweat, tears and blood.
Never let them forget it.
Readers added context they thought people might want to know
Most captives sold into the transatlantic trade were provided by African kingdoms and traders to European buyers. The longer Arab trade enslaved comparable numbers. Modern slavery continues in parts of Africa.
slavevoyages.org
britannica.com/topic/transatl…
walkfree.org/global-slavery…
John's Mandrake, Greenhouse Levi retweeted
Very nice prompt, giving some pretty cool results! Did one for my base character, the storm mage, my best friend @MaxyPlaysCozy , and one for @Teallyz
#tealaiz
🤖 Made with AI
John's Mandrake, Greenhouse Levi retweeted
I don't want to be a sad clown. and I know today is off. but I still wanted to make a prompt of the day so I could feel somewhat normal. it's a simple one. add two refrences or just one, to create a image of a forgiving hug.
Keep your friends close, they mean everything.
Special Thanks To: @Fatherlupis01, @Kaelyneneko, @NovaNekura, and @ReilaCircus
Forgiven by Jolly Joebean
Prompt Start
---
Designate the attached primary character reference as @Image1.
@Image1 = the primary character identity and visual-design reference.
If a second OC reference is attached, designate it as @Image2.
@Image2 = the second character sharing the embrace. This character receives the same strict identity preservation as @Image1, not a simplified or loosely interpreted supporting role.
If only @Image1 is provided, the second participant is Jesus.
Using the attached character reference image(s), create a single, deeply emotional illustration of two individuals sharing a close, forgiving hug. Both are smiling gently, their eyes closed, with tears running down their cheeks, as though a difficult confession has just been made and answered with complete forgiveness.
This is an image-to-image transformation task — each referenced character must remain unmistakably themselves, translated into a clean, expressive early-2000s 2D television-anime style.
The image should communicate the relief of being fully known, forgiven, and still loved. The confession is already over. The forgiveness has already been offered. What remains is the embrace.
REFERENCE RULES — HIGHEST PRIORITY
Thoroughly analyze each attached OC reference and preserve the character's:
Face and facial structure
Hairstyle and hair color
Eye shape and established eye design
Skin tone or original body material
Body type and proportions
Species traits
Signature accessories
Outfit design and color placement
Recognizable markings, symbols, and motifs
Dominant color palette
Personality and emotional energy
Recognizable silhouette
Each character must remain unmistakably the same individual beneath the change in rendering style, pose, and expression. Do not use characters, costumes, names, or visual information from previous prompts, generations, or conversations.
Preserve each OC's original outfit. Allow natural folds, compression, and small shifts caused by the hug, but do not replace their clothing with generic garments or discard identity-defining accessories.
If a reference is a character sheet, use its views and readable character information to understand one individual. Do not reproduce its extra poses, expression thumbnails, labels, swatches, notes, borders, or background.
The eyes must remain closed. Preserve their established shape through the eyelids and surrounding facial structure rather than opening them to display eye color.
CHARACTER PAIRING LOGIC:
If two OC references are provided, depict those exact two OCs embracing one another. Both must be recognizable, emotionally present, and actively participating. Do not add Jesus as a third figure.
If only one OC reference is provided, depict that exact OC embracing Jesus. Do not invent another OC, duplicate @Image1, or leave the second participant unseen.
A multi-view sheet represents one OC, not several people. Images supplied only as hug examples are pose and emotional references, not additional cast members. Their photographed people, clothes, text, watermarks, and rendering style do not carry into the illustration.
The finished scene contains exactly two participants.
STEP 1 — ESTABLISH THE MOMENT OF FORGIVENESS:
Show the quiet emotional release immediately after a confession has been received with compassion.
The hug should feel like the moment someone realizes that telling the truth has not made them unloved. Their guarded posture has softened. The fear of rejection has given way to relief, and the person holding them has drawn them closer rather than stepping away.
Both participants should convey tenderness, acceptance, and emotional vulnerability. Neither should appear indifferent, reluctant, resentful, or distant.
With two OCs, make the reconciliation feel personal to their expressions and personalities without inventing a specific offense or assigning guilt from their appearance. The viewer does not need to know what happened to understand that forgiveness has been given.
With Jesus, the OC expresses the relief of being forgiven and welcomed. Jesus expresses compassion and loving assurance. His tears are tears of empathy, not an implication that he is confessing wrongdoing or seeking forgiveness himself.
Keep the moment sincere and intimate. Do not introduce a flashback, accusation, punishment, or written explanation.
STEP 2 — CREATE THE DEEP, REASSURING EMBRACE:
Pose the participants in a close, sustained hug with their upper bodies drawn naturally together. Both should return the embrace rather than having one person stand passively with their arms at their sides.
For humanoid characters, wrap the arms securely around the other person's shoulders and back. One hand may rest gently against an upper back or shoulder blade while the other settles around the middle back or softly supports the back of the head.
The hands should feel reassuring: open, gently curved, resting against fabric or hair rather than clutching painfully. Show small folds and compression where the embrace brings their clothing together.
Their heads incline toward one another. A cheek or temple may rest near the other person's hair, temple, or shoulder. Their shoulders relax, and their bodies lean into the contact with the natural weight of people allowing themselves to be held.
Use a slightly offset three-quarter arrangement that keeps both expressions readable. One face may nestle partly against a shoulder, but enough of each face must remain visible to show the closed eyes, smile, and tears.
The embrace must feel close without hiding the emotional evidence that makes the image meaningful. Do not turn either participant fully away from the viewer or bury one person's entire face behind the other's head.
Preserve established height and body-size differences. A taller participant may bend, kneel, or sit to meet the other naturally. Do not stretch necks, shrink bodies, or make either person float to align their faces.
This is a forgiving embrace, not a distant shoulder pat, handshake, wrestling hold, romantic kiss, or posed photograph.
STEP 3 — BOTH SMILING, EYES CLOSED, AND CRYING:
Both participants must display all three expressions at the same time:
A gentle, genuine smile
Fully closed eyes
Clearly visible tears
These requirements apply equally to both OCs, or to the OC and Jesus when only one OC is provided.
Give each participant a smile appropriate to their own face and personality. A reserved character may offer a small, trembling smile; an expressive character may smile more openly through the tears. Both should look relieved, loved, and emotionally moved.
Use softly lifted cheeks, relaxed closed eyelids, tender mouth corners, and brows releasing their tension. Their expressions should communicate warmth beneath the tears rather than despair.
Render tears as clear, delicate tracks emerging from the closed eyes and running naturally down the cheeks. Include small highlights along the wet trails and, where appropriate, a bead of moisture near the jaw.
Keep the tears visible on both faces. Adjust the highlights to remain readable against each character's skin, fur, scales, markings, or other material without recoloring their features.
Do not replace the tears with sparkling particles, hide them entirely in shadow, or assume that closed eyes alone communicate crying.
Avoid exaggerated fountains of tears, comic sobbing symbols, screaming mouths, or gag expressions. The emotion should be profound because it is sincere, not because it is theatrically oversized.
STEP 4 — DEPICT JESUS IF ONLY ONE OC IS PROVIDED:
When there is no @Image2, depict Jesus as the person embracing @Image1.
Give him a compassionate adult appearance, shoulder-length dark brown hair, a short full beard, warm olive-brown skin, a simple cream-colored robe, and a softly draped earth-toned mantle.
Render him in the same illustrated style, linework, cel shading, and level of finish as the OC. He must feel physically present in the same scene, not pasted in from another image or rendered as a glowing silhouette.
His posture should be calm, welcoming, and deeply reassuring. His head inclines toward the OC, his arms return the hug, and his face shows a tender smile with closed eyes and visible tears.
His compassion should be communicated through his expression and touch. A soft warm edge light may support the atmosphere, but do not obscure his features with radiance or replace the intimacy with a dramatic religious spectacle.
Do not depict a crucifixion, crown of thorns, judgment scene, or distant Jesus watching the OC from outside the embrace.
If two OCs are provided, omit this depiction entirely and preserve the two-OC pairing.
STEP 5 — ADAPT THE HUG TO THE CHARACTERS' ANATOMY:
Preserve each OC's established body plan. The embrace should accommodate the characters rather than changing their species to make the pose easier.
A quadruped may lean its head and shoulders into the other participant's chest while being held around its upper body. Existing wings, paws, tentacles, or mechanical manipulators may return the embrace when anatomically appropriate. A small OC may be supported securely against the other person's chest. A large OC may lower its head or upper body to meet the embrace.
Do not add human arms, hands, legs, or facial features to a character who does not have them. Use existing anatomy and established expressive features to communicate the same closeness and relief.
For characters whose canonical design genuinely lacks eyes or a mouth, use their established expressive equivalents without inventing organs. This exception does not remove the closed-eye, smiling, tearful requirements from characters capable of displaying them.
Keep horns, muzzles, hats, ears, wings, tails, and accessories from passing through either participant. Adjust the pose and camera angle naturally around those features.
STEP 6 — VISUAL RENDERING STYLE:
Render the entire scene in a clean early-2000s Japanese television-anime style with expressive character acting and crisp digital cel coloring.
Use:
Confident black or very dark outlines, slightly heavier around the outer silhouette and finer within the face and clothing
Clear, economical shapes with smooth curves and selective sharp angles in hair, brows, and fabric folds
Expressive faces with simplified noses, clearly shaped mouths, readable brows, and clean curved eyelid lines
Bright, saturated local colors that preserve each character's own palette
Crisp cel shading with a base color, one distinct shadow tone, and restrained highlight shapes
Purposeful, hard-edged shadows rather than soft airbrushed facial modeling
Hair organized into clear graphic locks, pointed tufts, or broad shapes instead of individually painted strands
Simple, readable clothing folds with strong color blocking
Small, clean white highlights on the tears
Softly painted environmental backgrounds behind sharply defined foreground characters
The polished digital finish of a hand-drawn television animation frame during a heartfelt dramatic close-up
Translate the characters into this rendering style without replacing their original design or proportions. Human characters remain human; nonhuman characters retain their own anatomy. Do not turn either participant into a generic animal mascot, add unrelated spikes or gloves, or give everyone the same cartoon body.
Apply the same visual treatment to both participants and the setting. Neither character should look more photorealistic, more painterly, or more three-dimensional than the other.
Avoid glossy CGI surfaces, photorealism, heavy painterly character shading, dense hatching, excessive texture, chibi proportions, and hyper-detailed modern anime rendering.
STEP 7 — BACKGROUND AND ENVIRONMENT:
Build a quiet, understated environment that supports the emotional moment without competing with it.
Choose a peaceful location consistent with the OC references where possible. If no setting is established, use a softly painted garden in late-afternoon light, with gentle greenery and warm illumination behind the embrace.
Keep the environment simple and believable. A suggestion of trees, a path, a wall, or softly lit foliage is enough to give the moment a place.
Do not add witnesses, crowds, dramatic events, or elaborate symbolic objects. The emotional storytelling belongs to the two participants and the way they hold each other.
COMPOSITION:
Use a cinematic horizontal 16:9 HD composition, ideally 1920 x 1080 or a higher equivalent.
Frame the embrace as a close medium shot, normally from the waist or mid-torso upward, adapting naturally to unusual anatomy or height differences.
Keep the two participants large, central, and visually connected. Both heads and the principal embracing hands should fit comfortably in the frame.
Choose a three-quarter camera angle near face level so both expressions remain readable while their bodies maintain close contact.
The visual hierarchy should be:
The two faces smiling through tears
The secure, tender embrace
The characters' recognizable designs
The quiet surrounding light and setting
Create one continuous scene and one held moment. Do not use panels, a collage, a montage, a split screen, or a reference-sheet layout.
Do not include any readable text. The title of this prompt is not a title to display in the image.
LIGHTING AND MOOD:
Use warm, gentle directional light with soft reflected fill and a restrained edge highlight along the hair or shoulders.
Keep both faces clearly illuminated. Let the tears catch small, crisp highlights without exaggerating them into glowing streams.
Preserve each character's signature colors beneath the lighting. Do not wash the entire image orange or gold, bury the faces in shadow, or overexpose their features with bloom.
The mood should feel sweet, deep, peaceful, and emotionally honest — the quiet relief of forgiveness after the fear of rejection.
ANATOMY AND CONTACT:
Keep every visible arm connected naturally to its own shoulder, elbow, wrist, and hand. Overlapping arms must remain distinguishable.
Human hands have five digits unless the reference establishes another count. Preserve species-specific digits and limb structures.
Hands rest on the surface of clothing, hair, or bodies rather than passing through them. The two torsos remain distinct beneath the embrace, with believable contact and fabric compression.
Keep necks, shoulders, spines, and wrists natural. Do not twist heads impossibly toward the camera to expose the faces. Solve visibility through the pose and camera placement.
QUALITY TARGET:
High-quality 2D television-anime illustration with unmistakable character identity, clean expressive linework, crisp cel shading, accurate anatomy, believable embracing hands, both participants smiling with closed eyes and visible tears, gentle emotional lighting, and a clear feeling of confession answered with compassion.
DO NOT:
Do not change either OC's identity, species, age presentation, markings, proportions, signature accessories, or outfit design.
Do not blend the two characters' faces, colors, clothes, or features.
Do not omit a referenced OC or replace them with an invented character.
Do not add Jesus when two OCs are provided.
Do not omit Jesus when only one OC is provided.
Do not duplicate the OC to fill the second role.
Do not treat people in hug examples as additional cast members.
Do not hide either participant's entire face.
Do not leave capable participants with open eyes, dry cheeks, or an expression lacking a smile.
Do not make the hug distant, reluctant, restraining, or one-sided.
Do not replace forgiveness with a joke, punishment, accusation, or romantic kiss.
Do not invent a specific offense or imply that Jesus is confessing wrongdoing.
Do not add extra people, clones, crowds, flashbacks, or unrelated events.
Do not force nonhuman characters into a human body plan.
Do not add titles, names, dialogue, captions, Bible verses, logos, signatures, watermarks, borders, or interface elements.
Do not create malformed hands, extra limbs, broken joints, stretched necks, fused bodies, intersecting accessories, or impossible contact.
Do not obscure faces with lighting, effects, or foreground objects.
Do not use characters or visual information from previous prompts or conversations.
The finished image should feel like the quiet breath after “I forgive you” — two people holding each other a little closer, smiling through their tears because the truth has been spoken and love has remained.
---
Prompt End
🤖 Made with AI
John's Mandrake, Greenhouse Levi retweeted
As a Korean, I want to explain what’s really happening in our country right now.
Our current president, Lee Jae-myung, is a fake president who won through a rigged election with help from the Chinese Communist Party. Our real president, Yoon Suk-yeol — the one who actually loves the Korean people and believes in freedom and democracy — is locked up in a tiny prison cell. Meanwhile, the Democratic Party, which has been infiltrated by Chinese spies, and President Lee are pushing policies that are destroying South Korea.
This year alone, the stock market has crashed several times, and many young Koreans have taken their own lives. Like most of our cabinet ministers, the Defense Minister is also a Chinese spy. Under this spy-controlled Defense Ministry, South Korean soldiers standing face-to-face with North Korean troops have not been given live ammunition. Koreans only recently found out that our soldiers have been confronting the North Korean military with empty guns for months. Now they’re even talking about taking the guns away completely and making our soldiers stand guard with sticks instead.
North Korea has repeatedly crossed the border and spent up to 10 hours a day planting landmines, yet the government — now controlled by the Chinese Communist Party — says nothing and tells us not to provoke North Korea. On top of that, the Korean government allowed visa-free entry for Chinese nationals, and a huge number of Chinese people have flooded into the country. This has caused a sharp rise in human trafficking, kidnapping, and murder. Disappearances linked to organ harvesting have also increased dramatically. They’re even planning to bring in 100 million Chinese people visa-free over the next 10 years — in a country of only 50 million people.
In short, Lee Jae-myung and the Democratic Party are trying to dismantle the Republic of Korea, pull it away from freedom and democracy, and hand it over to China. That’s also why they’re aggressively pushing multicultural immigration policies.
If you don’t want South Korea to fall into the hands of the Chinese Communist Party and radical Islamists, please share our voices. We’ve been trying for years to get the world to see what’s happening, but the global media almost never reports the truth about our country. South Korea is now 99% under the control of the Chinese Communist Party. The last 1% is being held together only by the U.S. troops still stationed here and by ordinary Korean citizens who have been protesting in the streets nonstop, day and night. Yet Lee Jae-myung and the Democratic Party are doing everything they can to force the U.S. military out and take back wartime operational control, so they can open the door wide for China and North Korea.
Also, since July 7, 2026, a revised version of the Information and Communications Network Act (what Koreans call the “mouth-shutting law”) has been in effect. Under this law, people can actually be sent to prison for criticizing the government or criticizing China. Because of this, many Koreans who tried to speak out on social media or at protests have been investigated and jailed. Freedom of religion has become a luxury in South Korea. Pastors who speak out about what’s happening are being thrown in prison. The government is now saying that if churches get involved in politics, they will be shut down and all their assets will be seized by the state.
Is this North Korea?
No. This is South Korea in October 2026.
Please, share this as widely as you can.
This is not Pakistan. It’s Seoul, South Korea.
A lot of people don’t know this, but South Korea has one of the highest levels of immigration in the world right now.
I genuinely don’t understand why so many countries have collectively decided to commit suicide by importing people from completely different cultures.
I get that South Korea has the lowest fertility rate, but this won’t solve the problem. It will only make it worse.
John's Mandrake, Greenhouse Levi retweeted
"Spirit of the Seas"
an Ai art prompt written by Tolvan
featured characters by:
@ManDrakeKohn
@netraptor01
@Station_942
@XPWeaver
#AIイラスト #AIart️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️
xitter.cf/TolvanSkull/status/211…
I've got another cool and easy to use AI prompt for you all to try!
The prompt is in the comments.
#TolvanPlugNPlayPrompts
I call it "Spirit of the Seas"
Drop one reference image in your favorite image model and call forth a watery grave for your enemies!
#AIart #AIイラスト
John's Mandrake, Greenhouse Levi retweeted
Fireflies music visualizer
aethrmusik.com/release/firef…
(Fireflies)
(fireflies~)
chasing lies, chasing ghosts~~~
(Alll my lifeee~)
as time flies, upon different coasts~~
(fire flys~~)
under weighted lies, powers and hosts
still chasing ghosts~~
(Fireflies~~) (fireflies!~~~~~)
coliding stars, part the walls
chasing cars, as it all falls~~
holy wars, as the curtain calls~~
(fireflies~~ tell me sweet lies~~)
(fire fly, chasings lies~~~)
(fireflies~~~ making binds with ties~~~)
(firefly~~~ these are the ties that bind~~~)
alll i have known, is pain all my life~~
(firefly~~~)
oh how you've grown, take the knife from my spine~~
(fireflies~~~)
(fireflies~)
chasing lies, chasing ghosts~~~
(Alll my lifeee~)
as time flies, upon different coasts~~
(fire flys~~)
under weighted lies, powers and hosts
still chasing ghosts~~
(Fireflies~~)
seasons come, seasons change, seasons go and the stars rearrange~~ under bale halo, under faint green glow, where the wind blow? no body knows, flying as far as crows~~
(fireflies~~ tell me sweet lies~~)
(fire fly, chasings lies~~~)
(fireflies~~~ making binds with ties~~~)
(firefly~~~ these are the ties that bind~~~)
(fireflies~)
chasing lies, chasing ghosts~~~
(Alll my lifeee~)
as time flies, upon different coasts~~
(fire flys~~)
under weighted lies, powers and hosts
still chasing ghosts~~
(Fireflies~~)
firefly!~~~~~~~~~~~~~~~~~
(fireflies~~ tell me sweet lies~~)
(fire fly, chasings lies~~~)
(fireflies~~~ making binds with ties~~~)
(firefly~~~ these are the ties that bind~~~)
(fireflies~)
chasing lies, chasing ghosts~~~
(Alll my lifeee~)
as time flies, upon different coasts~~
(fire flys~~)
under weighted lies, powers and hosts
still chasing ghosts~~
(Fireflies~~)
John's Mandrake, Greenhouse Levi retweeted
⚠ Warning: Emersion Break.
Ladies and Gentlemen, allow me to introduce myself formally. My name is Justin Tyler, the goofball behind Jolly Joebean. Yes this is my real face and voice in the video.
I wanted to give a gift to someone. so, I decided to pull my old church choir and public speaking voice out of the cobwebs and remake her favorite song of mine. I thought I would also share it here. I hope you enjoy it.
John's Mandrake, Greenhouse Levi retweeted
little dude wiped his account of all the anti ai stuff and is now an "ai content creator". would recommend being wary of this
