Marcus Bussey retweeted
Scotland is aiming to be the world's first rewilded country. It's looking to rewild 30% of the country by 2030.
We have the solutions. Replenishing and protecting nature is one of them. #ActOnClimate
#climate #biodiversity #GreenNewDeal
Marcus Bussey retweeted
Ten months ago, we launched the Vesuvius Challenge to solve the ancient problem of the Herculaneum Papyri, a library of scrolls that were flash-fried by the eruption of Mount Vesuvius in 79 AD.
Today we are overjoyed to announce that our crazy project has succeeded. After 2000 years, we can finally read the scrolls:
This image was produced by @Youssef_M_Nader, @LukeFarritor, and @JuliSchillij, who have now won the Vesuvius Challenge Grand Prize of $700,000. Congratulations!!
These fifteen columns come from the very end of the first scroll we have been able to read and contain new text from the ancient world that has never been seen before. The author – probably Epicurean philosopher Philodemus – writes here about music, food, and how to enjoy life's pleasures. In the closing section, he throws shade at unnamed ideological adversaries – perhaps the stoics? – who "have nothing to say about pleasure, either in general or in particular."
This year, the Vesuvius Challenge continues. The text that we revealed so far represents just 5% of one scroll.
In 2024, our goal is to from reading a few passages of text to entire scrolls, and we're announcing a new $100,000 grand prize for the first team that is able to read at least 90% of all four scrolls that we have scanned.
The scrolls stored in Naples that remain to be read represent more than 16 megabytes of ancient text. But the villa where the scrolls were found was only partially excavated, and scholars tell us that there may be thousands more scrolls underground. Our hope is that the success of the Vesuvius Challenge catalyzes the excavation of the villa, that the main library is discovered, and that whatever we find there rewrites history and inspires all of us.
It's been a great joy to work on this strange and amazing project. Thanks to Brent Seales for laying the foundation for this work over so many years, thanks to the friends and Twitter users whose donations powered our effort, and thanks to the many contestants whose contributions have made the Vesuvius Challenge successful!
Read more in our announcement: scrollprize.org/grandprize
Looks great! What a wonderful topic!
Delighted to receive this beautiful book by @GraceHammanPhD - even the packaging is gorgeous!
Marcus Bussey retweeted
Fabulous #medieval floor tiles in the Chapter House at 12th-century Buildwas Abbey in Shropshire.
#TilesonTuesday
english-heritage.org.uk/visi…
Marcus Bussey retweeted
Doctor Irving Finkel holds a 3770 year old tablet containing god Enki's conversation with Sumerian king Atram-Hasis (Noah's figure in earlier versions of flood story) and instructions on how to build an ark for him. Noah's ark was first described as round boat with diameter of 220ft.
British Museum
#archaeohistories
Marcus Bussey retweeted
New open access article now available from @delibdemjournal
On Deliberators’ Awareness of Attitude Transformation by Alexander Hellquist
@SWEDESD_UU
doi.org/10.16997/jdd.1358
Marcus Bussey retweeted
A very rare find! 🤩
A 5,000 year-old Neolithic polished flint axe with its original ash wood handle still preserved!
From Sigerslev bog, eastern Zealand. On display National Archaeological Museum of Denmark.
#Archaeology
Marcus Bussey retweeted
Still cannot believe I got to do this - a career highlight. Such an honour to be on @RadioNational Conversations program today! Listen at link or on the Conversations podcast: abc.net.au/listen/programs/c… @usceduau
Marcus Bussey retweeted
The film "New Modes of Environmental Communication: Four Street Art Experiments" - has been selected for Film Geography's RGS-IBG 2023 screening, organized under the theme of Climate Changed Geographies! The film is directed by Ali Minanto.
filmgeographies.com/rgs-ibg-…
Marcus Bussey retweeted
Mont Saint Michael, an island and mainland commune in Normandy, France.
Mont Saint-Michel and its bay are on UNESCO list of World Heritage Sites. Over 60 buildings within commune are protected in France as monuments historiques.
Island was originally called Mont-Tombe but became known as Mont-Saint-Michel in 8th Century CE, when St. Aubert built an oratory there. In 1203 CE, it was partly burned when King Philip II of France tried to capture mount. He compensated monks by paying for construction of monastery known as La Merveille (“The Wonder”).
Island, which was fortified in 1256 CE, resisted sieges during Hundred Years’ War between England and France (1337–1453 CE) and French Wars of Religion (1562–98 CE).
It became a state prison under Napoleon I and remained a prison until 1863. In 1874 it was classified as a historic monument and restored.
📸 : @mojitomanwes on Instagram
#archaeohistories
Marcus Bussey retweeted
Ever stood on a map of environmental discourses? Enjoyed exploring @MistraEC's exhibition "moulding nature" at Färgfabriken and listening to curators Daniel Urey and @NicoCarpentier3. #miljökommunikation
Join us now at the opening of 'Moulding Nature' exhibition at Färgfabriken. This immersive experience, part of the Mistra Environmental Communication research program, explores the dynamic relationship between art and sustainability.
#MouldingNature
fargfabriken.se/en/pa-gang/m…
Marcus Bussey retweeted
Code of Hammurabi (1750 BC), from
Babylonia (modern-day Iraq). It was discovered in 1901, by French archaeological exploration team.
Code of Hammurabi remains one of oldest known systems of codified laws in human history. It not only has historical value but literary and artistic significance as well. It is a stele with inlaid art at top and list of laws in long column below it.
This artifact contains 282 complex rules handed down by King Hammurabi of Babylon.
You may have heard phrase “eye for an eye” quoted from it, but that penalty depended on your status and rank of person you injured.
Louvre Museum
#archaeohistories
Sharing this piece on Time's Calling...
journals.sagepub.com/doi/pdf…
This will be great!!
Join us now at the opening of 'Moulding Nature' exhibition at Färgfabriken. This immersive experience, part of the Mistra Environmental Communication research program, explores the dynamic relationship between art and sustainability.
#MouldingNature
fargfabriken.se/en/pa-gang/m…
Marcus Bussey retweeted
Exactly 112 years ago today a man called Vincenzo Peruggia walked into the Louvre and stole the Mona Lisa.
It is the most famous art theft in history, and it's what made the Mona Lisa the most famous painting in the world.
And the man who stole it only spent 6 months in prison.
The Mona Lisa was commissioned in 1503 by a cloth merchant from Florence called Francesco del Giocondo. He asked none other than Leonardo da Vinci to paint a portrait of his wife, Lisa.
But Leonardo — a famously slow worker — didn't finish the painting. When he went to work for the King of France he took it with him, finished it, and gave it to his new employer as a gift.
So the subject of the world's most famous painting, Lisa del Giocondo, never actually saw it herself! The Mona Lisa remained in the possession of French royalty, at the Palace of Fontainebleau and then at Versailles, for nearly 300 years.
But in 1797, after the French Revolution, it was moved the Louvre. Still, it wasn't a particularly famous painting at the time. In the later half of the 19th century certain critics started to acclaim the Mona Lisa as a masterpiece, but it wasn't popular with the public.
Until the 21st August 1911.
Vincenzo Peruggia was an Italian tradesman who had moved to Paris in 1907 in search of work. He got a job at the Louvre, cleaning and reframing paintings.
There he learned how many Italian works of art Napoleon had taken from Italy and brought to France. Inspired to reclaim his country's heritage, Peruggia decided to steal the Mona Lisa.
Of course, although so many works of art all around the world were stolen or at least have murky history, the Mona Lisa was in France legitimately — Leonardo had given it to King Francis as a gift. Whether Peruggia knew this or not is still unclear.
How did he steal it? For what is probably the most famous art theft in history, it was remarkably easy. He entered the Louvre on the morning of 21st August, 1911, on a day when it was closed to the public, dressed like his fellow workers in a white smock.
He went to the Salon Carré, the room in which the Mona Lisa was kept, and simply took it off the wall when nobody was looking. Then he wrapped it in his smock and left the Louvre. Simple as that.
It wasn't until the next day that anybody realised the Mona Lisa was missing, at which point the authorities were alerted, the press heard about it, and the theft became an international phenomenon reported in newspapers all over the world.
The police were clueless. They arrested the poet Guillaume Apollinaire, who implicated Pablo Picasso — he was then brought in for questioning. But they were both released and the case remained unsolved for two years.
The American businessman and art collector J.P. Morgan was even suspected of having commissioned the theft. There was a fear in France at the time that French art and heritage was being bought up by Americans, and the loss of the Mona Lisa was seen as a national disgrace.
Tourists came flocking to the Louvre to see the empty spot where the Mona Lisa had been — a relatively unknown portrait had suddenly become the world's most talked-about painting.
All the while Peruggia had the Mona Lisa in a suitcase in his Parisian apartment. In December 1913 he took it to Florence with him, hoping to sell it. At which point an art dealer called Alfredo Geri received a mysterious letter offering to sell him the Mona Lisa...
Immediately suspicious, Geri contacted the director of Florence's Uffizi Gallery, Giovanni Poggi. They pretended to go along with the sale, met up with Peruggia, verified the painting — and then contacted the police.
Peruggia was arrested, newspapers all around the world reported that the Mona Lisa had been recovered, and after being displayed for two weeks in Italy it was returned with great pomp and ceremony to the Louvre.
Thereafter the Mona Lisa became, and has remained, the world's most famous painting. It is undoubtedly a masterpiece, not least because of Leonardo's revolutionary use of a technique he called "sfumato", in which he blurred the colours and lines of the Mona Lisa's face to make it more realistic. But many people rightly wonder why it is *so* famous when there are many other paintings that are more important, interesting, and beautiful.
Well, it's all thanks to Vincenzo Peruggia, whose theft gave the Mona Lisa a unique place in the public consciousness. The Mona Lisa isn't famous because it's the best work of art ever made; it is the world's most famous painting... simply because it's so famous. A self-perpetuating cycle.
What happened to Peruggia? His trial took place in June of 1914, six months after having being first arrested — but by July he had been released.
See, Peruggia was hailed as a patriot and a hero in Italy, and there was immense public pressure for a lenient sentence. There had even been a campaign to raise money for him. He later served in the First World War, during which he was captured and imprisoned by the Austrians. After the war he returned to France, under a different name, and died there in 1925.
So, although he didn't precisely achieve his aim, Peruggia did succeed in making an Italian painting the most famous work of art in the world.
This is amazing
A #Neolithic arrowhead made of rock crystal, found in the pile dwelling settlement in Neuchâtel, Switzerland, dating around 3500 BC. The raw material was not available in the region, it came from the Alps.
Photo: Laténium
Very happy to see this book out...a variety of reflections on mediated life
routledge.com/Transitional-S…
Boggarts and Futures... the role of Ridiculus!
medium.com/@marcusbussey/rid…























