
🎙 CASTER 👊 🌟 #StarGuardians 🌟 ⭐ ⭐ ⭐ CAMPEON DEL MUNDO 🇦🇷 18/12/2022 ⚽ 💙 Jinx ❤️🤍 Uta ☯ Han - Ravenclaw 🦅 🔥🎙Al 🎙️🔥 Ado 🖤💙
La Nacion de Zaun
Joined May 2009
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🇦🇷 相良 Max Sagara ⭐ ⭐ ⭐ 🎙 🔥 retweeted
Algunas fotos de lo que fue el evento de ayer 📸
Fue bueno ver algunas caras nuevas y ver cómo la comunidad local sigue fortaleciéndose. ¡Muchas gracias a todos los que se pasaron!
Nos vemos en el próximo, en dos semanas 🫡
¡Este sábado tendremos el próximo The One Dojo. Un evento quincenal donde nos encontramos para jugar, practicar y aprender!
Torneo relámpago de esta edición: Skullgirls 🔥
📍Av. Colón 501, Punta Alta
Inscripción: forms.gle/X5sa19SrbyUjwQEJA
¡Vení a jugar y apoyá la escena local!
Desde hace un par de meses ando desaparecido, pero vengo con los pibes organizando juntadas offline y torneos de diferentes juegos. Asi que ya saben si son d la zona pueden pasarse a jugar y pasarla bien.
Junto con @emiiix24 y unos amigos estuvimos organizando juntadas y torneos, tanto en Punta Alta como en Bahía Blanca. Estuvieron siendo un éxito, logrando una asistencia de unas 14 personas en promedio por evento.
Si sos de Bahía Blanca o Punta Alta, esto seguramente te interese
Che por alguna razon esta innundado Twitter... por que hay tanta agua?? aaaaaaaaaaaaaaaa ya entendi... no es agua... son lagrimas...
Perdon chicos... no se pongan asi... 😢
#Argentina #Egipto #Mundial
🇦🇷 相良 Max Sagara ⭐ ⭐ ⭐ 🎙 🔥 retweeted
los arqueros contra Argentina: xitter.cf/notnicobjs/status/1709…
🇦🇷 相良 Max Sagara ⭐ ⭐ ⭐ 🎙 🔥 retweeted
El arquero más injunable de la historia cuando le toca atajar contra Argentina
Save the date @HeavenlyMilanga
Una nueva era de THE ONE PIECE está por zarpar. ⚓️ Vive la aventura de Luffy en East Blue como nunca antes con la nueva adaptación animada de WIT Studio. Estreno exclusivo en Netflix en febrero de 2027. #THEONEPIECE
🇦🇷 相良 Max Sagara ⭐ ⭐ ⭐ 🎙 🔥 retweeted
If you’re a fan of Japanese music and live outside of Japan, I would be so grateful if you take a moment to read this🙏
If you’ve ever wondered why more Japanese artists don’t reach out and do shows & tours overseas, the reason is pretty simple and the main one is the hurdle of selling tickets.
There is only a SMALL percentage of artists that can rely on the power of big labels/agents to promote their shows internationally.
Even in Japan, selling out shows is a lot more challenging than in past years, due to people just being satisfied with digital content. And considering it costs even more to bring a tour overseas, you can imagine how many artists are willing to LOSE money by doing so, if any.
It’s not just about the artist not being popular or sufficient enough, or that they don’t have the will to bring their content to fans around the world. In fact, there are so many fellow artists around me that I highly respect, telling me they wish they could do shows overseas, but know it’s not realistically possible, and as someone who yearns for the same thing, it really, really hurts inside.
More importantly, it hurts most that fans around the world will often never ever be able to see a show of their favorite Japanese artist.
I’m not trying to ask for pity, nor demand anything, unless this resonates with you.
But if it does, and you want to know what you can do to help us reach you with our music, it’s really very simple.
Please go follow artist’s socials.
Please go subscribe to their Youtube channels.
Please find them on Spotify.
Please interact with them by commenting and letting them know you’re there to support them.
Please share your passion with the people around you.
AND PLEASE, don’t miss the opportunity to buy a ticket and GO to their shows, when that miraculous opportunity comes, whether it’s a solo or event stage.
I am not exaggerating when I say it IS a miracle and it might never happen again.
I know writing all this isn’t gonna change much, but I just hope it reminds you that every listener, every fan, every second of support matters in keeping music alive, particularly in this generation.
Thanks for listening, if you made it this far🫶
Let’s keep Rocking On.
NANO
🇦🇷 相良 Max Sagara ⭐ ⭐ ⭐ 🎙 🔥 retweeted
😍 La tierna imagen que dejó un mini hincha de #Independiente en la popular.
🇦🇷 相良 Max Sagara ⭐ ⭐ ⭐ 🎙 🔥 retweeted
la realidad es la de siempre, en la fgc alguien pone los dolares o el servicio y la gente no paga, asi nunca crecerá. increible que TNS para hacer Online le pague a 8 empleados y a perdida. cuanto amor por lo que hacen.
@HadesFFGC @PipeRetrogamer @MaxSagara02 @NickDogg85DDR
On the whole "TNS online killed locals" topic and offline vs. online discussion, one thing Tong touches on in the podcast is how Tampa Never Sleeps Online is a major loss leader for the company.
To run online events at the scale and quality TNS does, they take on:
- 8 full time employees
- All commentators/TO's/staff paid for their time
- Infrastructure costs
TNS is losing money on nearly every online event they run, while employing people within the FGC and giving a platform for the players and smaller game communities.
The tradeoff is the service to the community and awareness of the brand the online tournaments provide, which helps them land and work offline events to pay the bills. These offline events become the hubs people gather at.
It's not offline vs. online, it's one community.






























