👗 Vintage Collection Now Available to Select Buyers ♻️ Fashion Consultant | Upcycling + Reworked 🎤 Guest Speaker + Fashion Press ✨ Style Curator
travelling our world
Joined May 2011
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Photo backdrops cost events a fortune to end up in landfill.
At The Green Carpet, we restyle guests on the spot using what they wear: a tweak to a shirt or cap, a couple of vintage classics if needed, and a runway walk.
Now offering this live activation to festivals and events.
High street treats leopard print like a three-month trend to buy cheap and throw away by January. @WhoWhatWear calls it an autumn comeback.
I clash two prints from independent makers: skirt by @farobagdesign and top by @laborylab.
Cut well, leopard is a permanent neutral.
The shift was psychological.
At The Green Carpet, we brought archive pieces, vintage bags and stylist @beafricanita to add that extra layer. Posture changed. 📷 @santiagoladeirofotos
El cambio fue psicológico con @beafricanita y @santiagoladeirofotos @eolicafest
The shift was psychological.
At The Green Carpet, we brought archive pieces, vintage bags and a stylist to add that one extra layer to what visitors wore. Their whole posture changed.
El cambio fue psicológico: un toque de archivo para cambiar la actitud @eolicafest
When someone steps in front of you, you read their energy before the fabric or brand.
At The Green Carpet, we adjusted shoulders and hems with pins to let that posture come through.
La presencia lo cambia todo @eolicafest
What if you didn't need new clothes to look completely different?
At The Green Carpet we bought nothing. We pinned proportions, worked posture, and let attitude lead.
A qué prenda de tu armario le vas a dar otra vida hoy @eolicafest
At 12:00 at ITER in Granadilla de Abona, @eolicafest opens day 2 of The Green Carpet.
Stylists, photographers, and a runway coach join visitors until 20:00. We pin hems and adjust shapes on what you already wear.
An attitude walk and a few tweaks change the whole look.
A las 12:00 en ITER de Granadilla de Abona, abrimos el día 2 de The Green Carpet con @eolicafest.
Estilistas, fotógrafos y coach de pasarela hasta las 20:00. Ajustamos la ropa que ya llevas puesta.
Una pisada con actitud y 2 retoques cambian todo el look.
Brussels is drafting fines for textile waste while luxury sales drop.
On 16 October, Festival Eólica opens at ITER in Granadilla de Abona.
At The Green Carpet, I pin hems and adjust collars on clothes visitors already wear. Proportion beats buying new pieces.
At Paris Fashion Week, Drew Henry debuted at Courrèges.
André Courrèges was an engineer who built trousers for movement, but 1960s patterns assumed a tiny waist and wide hips. They never fit my straight frame.
Henry brought back saturated color and cuts for modern bodies.
A las 18:30 participo en el VII Foro Moda en el Rooftop de Hotel MYND Adeje para Tenerife Fashion Beach Costa Adeje.
Mesa redonda sobre sostenibilidad y el futuro de la moda.
En directo en YouTube:
youtube.com/live/BJE5VXw5V9c
At 18:30, I join the VII Foro Moda panel at Hotel MYND Adeje.
The discussion is in Spanish, with English and French conversations beforehand. We are focusing on studio rent and sourcing deadstock cloth.
Real circularity is keeping independent designers in work.
Prada stripped the runway down to skirts paired with plain sweatshirts.
Every vintage shop and charity rail is packed with discarded pleated and tailored skirts nobody touches.
Watching runway styling breathe life into forgotten garments is why circular fashion keeps winning.
Inside BIBLI Gallery in Santa Cruz de Tenerife, Juan Labory turned reclaimed textiles into wearable sculpture for Juana Fortuny.
Stepping inside shifts the work from gallery display into living form.
Wearing the work is simply another way to engage.
Seeing Chopova Lowena send folklore aprons, climbing carabiners, and rescue dogs down a London bowling alley is why I champion independent craft.
Bulgarian textile heritage does not belong behind museum glass. Real heritage only survives when it stays alive and irreverent.
A vintage size 12 is roughly equivalent to a modern size 6.
Brands shift numbers down to flatter egos.
The clothes are the variable. When a piece fails to fit, the mass production failed.
Layering antique brocade over washed denim and boots is my everyday uniform.
Seeing @sabya_mukherjee take that clash to the runway confirms what I have always worn. Stiff off-the-rack designer will never beat pieces with history and soul.
Bristol City Council voted to ban fast fashion ads across council billboards, bus shelters, and digital screens, reported by @guardian.
Takes effect immediately on new bookings.
I will stick to vintage markets.
Camille Miceli understands that Pucci archival prints speak for themselves. Revamping vintage motifs lets great design live across generations without losing its original energy.
teapawt.net/wwd/status/20982608723…
Meet the Creative Force Bringing Pucci’s Kaleidoscopic Legacy to the Next Gen trib.al/u9j6mqQ
Tom Sachs subverting Chanel codes through DIY craft is brilliant. Real creativity never waits for permission from a fashion house.
teapawt.net/wwd/status/20981602133…
Chanel Gets ‘Faked’ Out by Tom Sachs trib.al/AhJMsEK
