
| 23 | 🇭🇹/🇨🇺|She/They| I draw cartoons | art: @cheesypoffs |
I keep it NSFW sometimes
Joined February 2017
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New pinned intro! 📌
cheesypoffs.straw.page
(Carrd) cheesypoffs.carrd.co
cheese COMMISSIONS OPEN!! retweeted
it’s unfortunate that the sequels mistook johnny being ‘chill’ as ‘stupid
cheese COMMISSIONS OPEN!! retweeted
You can tell the culture shifted bc nobody gave a damn about Wendell and Wild when it came out and now suddenly everybody and their grandma’s got think pieces about the character designs
From what I’ve gathered it’s a bunch of racist grifters trying to tear down this movie for having “racist caricatures” by a black director with punk influences behind it.
“she’s LOUD and is depicted with a exaggerated features!!” Nigga it’s a Henry Selick movie if you’ve seen Nightmare before Christmas and Coraline this ain’t new 😭😭 and she ain’t loud either she acts this way because of the constant bullying if you watch the damn movie
cheese COMMISSIONS OPEN!! retweeted
Compare how Araki draws fully confirmed black people with how he draws Pucci.
You are LYING if you didn’t completely interpret him as black/brown when you first read Stone Ocean, coloured scans or not.
cheese COMMISSIONS OPEN!! retweeted
Dato de Wendell & Wild para que no caigan en la desinformación :
El estilo de la película es exagerado y gráfico porque el lead artist Pablo Lobato precisamente maneja un estilo que trabaja figuras geométricas influenciadas por el Cubismo. No por ser caricaturas racistas.
cheese COMMISSIONS OPEN!! retweeted
Genndy was actually given more creative freedom in the sequels he pushed for the cartoony direction the most
I still cherish the original's art direction but it looked like that because it was developed with a different director
Genndy arrived pretty late actually






















































