NikkiDangerous

Continuing with our special episodes about this year’s Oscar nominees for best VFX: This week Ian (@beforesmag) and I discuss Ridley Scott’s Napoleon. We review the movie and break down the incredible VFX work on display from @MPCVFX @ILMLondon @BlueBoltVFX (and others) We also have a small 'rant' about the way, sometimes, marketing pushes practical over CGI while promoting some films. Enjoy the full podcast with chapters below: youtu.be/2jaZey-p6oM

OMG, will it ever end? Really @screenrant? Mad Max Fury Road was 90% practical? Only 10% was CGI. Where are you getting these numbers? Out of your Ass??? 😡 This ‘article’ is a pile of 💩 👉 screenrant.com/mad-max-furio… – at Richmond, London

Thank you for this article @Y_M_Cinema. It means a lot to the VFX community, and it’s incredible to have your support like this. (Article below the image 👇)

This tweet is for @guardian and Shaad D'Souza: If you bothered to watch Barbie until the end credits you would have discovered that the film, which you claim has ‘almost no CGI or VFX’ has a credit list of 207 VFX artists and 5 VFX companies. Please also note that 3 out of the 5 companies have missing credits, so this number is a lot bigger. Just like Oppenheimer and Mission Impossible, these films have hundreds of invisible VFX and #CGI. The next time you make such a poor article like the one called ‘‘It’s exactly as they’d have done it in the 1910s’: how Barbenheimer is leading the anti-CGI backlash’, please reach out to a VFX supervisor for comment before publishing. Have a great day! The full #VFX credit for #BarbieMovie can be found below!