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🎬 Vollbild vom @MaxOphuelsPreis – jetzt als Podcast
Die Live-Sendung aus Saarbrücken zum Nachhören:
🎤 Interviews mit den großen Gewinnern Ali Tamim & Ben Voit
🎞️ plus: das Tribute „The Memory of Justice“ von Marcel Ophüls
Jetzt reinziehen 👉
share.deutschlandradio.de/dl…
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Janusz Kaminski, the Polish Cameraman Who Taught Hollywood How to See hollywoodreporter.com/movies…
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Shocked by critical enthusiasm for the cheerful, facile, sickly-sweet
Club Kid, which—thinking back to myself as a starting-out
movie-lover—would have made me rush out to see it and come out feeling
deceived and indignant, sure that the future had already passed officialdom by.
The New York Times Company is in exclusive negotiations to acquire Letterboxd.
The price is reported to be about $330 million, which amounts to more than 20 times Letterboxd’s projected earnings for 2026 of about $15 million
variety.com/2026/digital/new…
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"An essay from Ryûsuke Hamaguchi on why the ascendant filmmaker Sho Miyake is, in his eyes, the young master." metrograph.com/sho-miyake-th…
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Still processing the Geico-sponsored “Pasolini: An Immersive Experience” at FTX Arena. Will get back tomorrow with a full review. Lots of conflicting emotions.
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Michael Mann Accidentally Shoots Himself at L.A. Gun Range hollywoodreporter.com/news/g…
LOL, was für ein Vergleich 😵💫
Lance Hammer’s new drama, “Queen at Sea,” is the film that “Fjord” could and should have been, Richard Brody writes. While the latter is full of leering political nudges and manipulative sentimentality, “Queen at Sea” is a tragedy that tenderly confronts the intervention of government authority into private lives. It’s the story of an elderly woman, Leslie, who has dementia, and whose similarly aged husband is caught having sex with her by Leslie’s daughter. Leslie’s daughter is certain that, owing to her condition, Leslie is unable to consent. When Leslie calls the police, her husband is arrested, and the household becomes the subject of scrutiny by police and social workers. “Hammer catches decisive moments with understated but telling precision, thanks to the cast’s deeply committed and finely tuned performances,” Brody writes. Read his full review: newyorkermag.visitlink.me/0w…
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My phone blinking like a Xmas tree with messages from around the world. Thank you friends ♥️🇧🇷. Brazil has just told bolsonarismo, today’s grotesque voter suppression, election meddling from US big techs, Brazilian legacy media and Trumpism a huge FUCK OFF. What we have accomplished is historic. Lula, 80 years old, elected 4 times democratically, by the people. What a giant.
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The spy drama “Slow Horses” has never reached the breakout status of fellow Apple TV series “Ted Lasso” or “Severance,” despite being, in Inkoo Kang’s estimation, the streaming site’s best offering by a mile. newyorker.com/culture/on-tel…
Er verwechselt die Unzugänglichkeit einer Figur mit der Unbeweglichkeit eines Films und übersieht dabei, dass gerade Manns Entzug das historische und politische Geschehen in Bewegung setzt. Und historische Veränderung ist noch lange kein Beleg für historische Verarmung.
Word on why the oh-so-neat Fatherland is Masterpiece Theatre for intellectual types:
newyorker.com/culture/the-fr…
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'YOU CAN SEE EVERYTHING' adds 5 new countries to its release schedule:
• Turkey on October 30 🇹🇷
• New Zealand & Portugal on November 12 🇳🇿 🇵🇹
• Russia on November 19 🇷🇺
• Romania on December 18 🇷🇴
Well, she is the best anyway
Chief international anchor Christiane Amanpour announces that she will leave CNN next June after a 43-year career at the network cnn.it/4hY7PDe
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Lumière Award Winners Joel and Ethan Coen Praise Cinema-Going : ‘The Joy of Sitting in a Movie Theater with a Crowd of People, There’s No Substitute for That’ variety.com/2026/film/global…
Autobiography of Red !
BREAKING NEWS
The 2026 #NobelPrize in Literature is awarded to the Canadian author Anne Carson, “for her bold and inventive oeuvre that, in playful dialogue with the classical tradition, has created new forms for contemporary literature.”
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