
I interview the world's top writers. New episodes every Wednesday, and this is a feed of the very best clips. My personal account: @david_perell
New York, NY
Joined March 2026
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.@david_perell argues Hollywood and the modern world have become boring because we've gotten too good at pricing risk.
"The reason why Hollywood and a lot of the modern world is boring, and I credit @DKThomp with making this observation, is the Moneyball-ification of our world."
"Things are boring now because we've gotten smart. They've gotten good at pricing risk."
"The problem is you end up getting Spider-Man 74 or Lord of the Rings 7 rather than a new show. That's just the state of our world."
How I Write Clips retweeted
Este canal de escritura que es muy bueno. "How I Write" Todos se atañen estrictamente a hablar de como escriben. Cero ideologias, politica, etc Es cierto que el mundo anglosajon es sobre la escritura y el nuestro mas de la lectura, pero algunos revelan metodos sorprendentes...
The one thing you can do to make any kind of writing memorable is to make it more visual.
Steven Pinker explains why:
"Language is a means to an end of getting people to appreciate what the ideas you're trying to convey are, which are not just a string of verbiage. And those ideas very often are visual."
"Allowing your reader to be able to form a mental image based on what you're writing is the next key to good writing."
"Don't talk about a level or a perspective or a framework or a paradigm or a concept, all of which mean a lot to you in your day-to-day work, but no one can form an image of a paradigm in their mind's eye."
How I Write Clips retweeted
The lineup of upcoming podcast guests:
- Andy Weir, Project Hail Mary
- Gillian Flynn, Gone Girl
- Chuck Palahniuk, Fight Club
- Michael Lewis, Moneyball
- Jodi Picoult, Small Great Things
- Jill Lepore, These Truths
- Elif Shafak, There are Rivers in the Sky
- Robert Macfarlane, Is a River Alive?
- Harlan Coben, Fool Me Once
- Michael Arndt, Star Wars: The Force Awakens
- Mark Normand, comedian
- Nihar Malaviya, CEO of Penguin Random House
For any of these writers, if there are questions you'd like me to ask, drop them in the replies.
youtube.com/@DavidPerellChan…
How I Write Clips retweeted
Anytime someone asks why title sequences are so important to motion designers, never forget this Steve Jobs quote talking about his time with Pixar:
"He really put all his eggs in the Pixar basket because he really loved the idea of making something that lasted longer than a computer."
So much of our work disappears in less time than it took to make it, the embodiment of ephemeral.
A tv show or film title has the possibility of making it into the public record.
This is how someone described Steve Jobs to Andrew Stanton when he first got to Pixar:
"If he thinks he can do your job, he's the worst person to work for. If he thinks he can't do your job, he's the greatest boss.
And he didn't think he could do what we did, and so it turned out to be very true."
During meetings, Jobs would ask a question, then sit in silence, and let the room stay quiet for as long as it took.
"He just wanted to get to the core of the issue and not spend a lot of time going down side roads.
He really put all his eggs in the Pixar basket because he really loved the idea of making something that lasted longer than a computer."
He told John Lasseter (Toy Story director) that anything he built in the computer world had a shelf life of about five years. A movie was different.
"He saw that we were making the next, potentially, next Snow White and that people might be watching that movie for decades.
And here we are, Toy Story 5, and people are still watching Toy Story, and he was right."
How I Write Clips retweeted
Brilliant example of how to write well.
Dave Kitson was an ok football player. Yet, his book outsold David Beckham, Frank Lampard, and Steven Gerrard's combined.
Harry Dry on the copywriting principle that explains why:
"I think it's a foundational copywriting principle: what can I do that no one else is doing that people care about?
Kitson had a bad career. All these guys wrote books about their careers playing for England. Kitson didn't have any of that. He thought: 'I've been in the Premier League. So I'll tell some truths. I'll do an undercover. I'll tell you this player's got a gambling addiction. This is what it's like when England go abroad and everyone's going out.'
But no one wants to read a book by Dave Kitson. So instead, he signed it as The Secret Footballer. Kitson's product is objectively so much worse than David Beckham's. But just by positioning it, just by a little bit of storytelling, he could outsell him. That's copywriting."
How I Write Clips retweeted
Suleika Jaouad started writing for The New York Times after being diagnosed with leukemia at age 22. Those articles became the basis for her first book, a memoir called Between Two Kingdoms.
When I asked her what she learned, she said: "If you want to write a good book, write what you don’t want others to know about you. But if you want to write a great book, write what you don’t want to know about yourself.”
For her, creative ideas come from consistent journaling and pushing yourself to pay deeper attention to the world. That's what this conversation is about: how to loosen your grip on the creative process and use prompts to break yourself out of stale thought loops.
As Mary Oliver said: “To pay attention... this is our constant work.”
— —
Timestamps:
6:56 Writing from the hospital
9:58 Why Suleika writes by hand
12:29 Making space for writing
14:55 How to write a memoir
21:09 The bed, bath, bus framework
33:16 Suleika's favorite writing prompts
38:29 What to do when you're stuck
42:46 Getting good writing feedback
45:50 The value of daily journals
50:05 Capturing your best ideas
I've shared the full conversation with @SuleikaJaouad below! If you'd rather watch the full thing on YouTube, or listen on Apple / Spotify, check out the reply tweets where I've shared the links.
How I Write Clips retweeted
The best way to deal with your inner critic: Sit them down for a conversation.
Inspired by her husband’s work, Anne Lamott runs through this exercise with her writing students:
"You bring it forward and you have it in your hand and you start to talk to it. You do both voices. I say to it, 'Who hired you?'
And it usually says, 'You did.' 'Why did I hire you?' 'Because you were afraid of looking bad, you're afraid of embarrassing yourself.'"
"Then eventually you say to it, 'I'd like to take over.'"
And then you thank them: "Thank you for keeping me alive as a child. But I won't be needing you right now. I'm in the middle of something."
By talking to your inner critic, you stop fighting it. Instead of pushing back and hoping it never comes back (it always does), you learn to tell it “not now.”
@ANNELAMOTT
How I Write Clips retweeted
A magnificent conversation with one of my favorite writers
"One great detail will do the work of 50 crappy sentences."
Wright Thompson is one of the last great magazine writers in America. He's long been a writer at ESPN, and if you love sports, you've almost definitely read his work. Maybe his profile of Tiger Woods. Or maybe the one about Michael Jordan.
Some highlights:
- "When somebody says something is overwritten, it really just means that the story is underreported."
- Profiles are about figuring out what is a central complication of somebody's life and how, on a daily basis, they go about solving it.
- "All of these stories, the few good ones I've written... I think these stories are like a prayer for empathy, to try to understand each other, to understand another human being a little bit at a time. Then slowly, thread by thread, you understand yourself."
- On writing well: "One of the things that's missing is that nobody wants to hear what I have to say, which is just reps. Zen is a butt in a seat. There's no mystery. It's just reps."
- "I wish someone had told me years ago that if you're going to be a professional writer for decades, writing is not going to be about words, but it's going to be about architecture. Only when you really understand how things fit together and move can you then actually be thinking about the words."
- "All writing is trying to say something new that is true and is both specific and universal and that helps the reader understand something they didn't understand before, preferably about themselves."
And here are the timestamps:
1:50 Writer's vomit vs. writer's block
8:33 The architecture of writing
11:30 What makes for a good story?
15:57 Bringing characters to life
21:11 "The hammer"
26:26 Writing a vivid scene
33:41 How to bring places to life
39:57 Dialogue vs. quotes
45:49 The role of secondary characters
51:44 The problem with "brainstorming"
1:02:13 What makes for a great ending?
I've shared the full conversation with Wright Thompson below.
If you'd rather watch on YouTube, or listen to the full thing on Apple / Spotify, check out the reply tweets.
How I Write Clips retweeted
"One great detail will do the work of 50 crappy sentences."
Wright Thompson is one of the last great magazine writers in America. He's long been a writer at ESPN, and if you love sports, you've almost definitely read his work. Maybe his profile of Tiger Woods. Or maybe the one about Michael Jordan.
Some highlights:
- "When somebody says something is overwritten, it really just means that the story is underreported."
- Profiles are about figuring out what is a central complication of somebody's life and how, on a daily basis, they go about solving it.
- "All of these stories, the few good ones I've written... I think these stories are like a prayer for empathy, to try to understand each other, to understand another human being a little bit at a time. Then slowly, thread by thread, you understand yourself."
- On writing well: "One of the things that's missing is that nobody wants to hear what I have to say, which is just reps. Zen is a butt in a seat. There's no mystery. It's just reps."
- "I wish someone had told me years ago that if you're going to be a professional writer for decades, writing is not going to be about words, but it's going to be about architecture. Only when you really understand how things fit together and move can you then actually be thinking about the words."
- "All writing is trying to say something new that is true and is both specific and universal and that helps the reader understand something they didn't understand before, preferably about themselves."
And here are the timestamps:
1:50 Writer's vomit vs. writer's block
8:33 The architecture of writing
11:30 What makes for a good story?
15:57 Bringing characters to life
21:11 "The hammer"
26:26 Writing a vivid scene
33:41 How to bring places to life
39:57 Dialogue vs. quotes
45:49 The role of secondary characters
51:44 The problem with "brainstorming"
1:02:13 What makes for a great ending?
I've shared the full conversation with Wright Thompson below.
If you'd rather watch on YouTube, or listen to the full thing on Apple / Spotify, check out the reply tweets.
How I Write Clips retweeted
Replying to @PerellClips
"The human memory is a better prose editor than most editors. We remember things not as they were said, but as they should have been said. If a quote is famous and 'wrong' it’s usually because the public fixed the rhythm of the original."
— Mark Forsyth
xitter.cf/david_perell/status/18…
What does the writing of Katy Perry, Hemingway, and The Bible have in common?
Mark Forsyth has the answer. He studied history's greatest writers and noticed how they used the same rhetorical formulas.
Here's what you need to know:
1. The formulas are timeless (and still work).
2. Where to begin? Try taking the last word of one sentence and repeating it as the first word in the next. It gives the illusion of logic. Like this one from Yoda: "Fear leads to anger. Anger leads to hatred. Hatred leads to suffering."
3. An example from Malcolm X: "Once you change your philosophy, you change your thought pattern. Once you change your thought pattern, you change your attitude. Once you change your attitude, it changes your behavior pattern and then you go on into some action."
4. It's a mystery why, but people love to hear a string of words that begins with the same letter. "Two to Tango" is a heck of a lot more memorable than "Two to Waltz."
5. From his book, Elements of Eloquence: "Adjectives in English absolutely have to be in this order: opinion-size-age-shape-colour-origin-material-purpose Noun."
6. People will tell you to write only what's necessary, but endless repetition can be a way to emphasize something. Katy Perry's repetition of opposites is logically unnecessary, but it works: "'Cause you're hot then you're cold, You're yes then you're no, You're in then you're out, You're up then you're down, You're wrong when it's right, It's black and it's white, We fight, we break up, We kiss, we make up."
7. Wedding vows have the same kind of repetition: "For better or for worse, for richer or poorer, in sickness and in health..."
8. JFK leaned on a rhetorical device called a Chiasmus, where you take the first half of a sentence and say it backward. You see it in sentences like "Mankind must put an end to war—or war will put an end to mankind" and "Ask not what your country can do for you—ask what you can do for your country."
9. I like the Chiasmus because it's so easy to implement. Here's another example of a Chiasmus, like when Cormac McCarthy wrote: "You forget what you want to remember, and you remember what you want to forget."
10. Language is ruled by the mob. Doesn't matter what the committees think. If everybody uses a word in a certain way, then that's what it means.
11. Most of Shakespeare's famous lines are simply examples of famous formulas.
12. Shakespeare often "stole" content from other people, but he improved what he stole by using rhetorical formulas and figures of speech. Mark insists that he had Thomas North’s translation of Plutarch open while writing Julius Caesar.
13. Write two things that connect, then add a twist for the third thing. The magic comes from the surprise. An example is: "Lies, damned lies, and statistics." Another is: "Life, liberty, and the pursuit of happiness."
14. Sometimes, the things that stick will simply surprise you. One of the most famous lines in film history only has three words: "Bond. James Bond."
15. The James Bond-style line is called a Diacope. Other examples are "Burn, baby, burn" and "Zed’s dead, baby, Zed’s dead."
If nerding out on beautiful writing is your thing, you will love this episode. By the time you're done listening, you'll have X-ray vision for the English language.
I've shared the full interview with @Inkyfool below.
You can also listen on Apple or Spotify, or watch on YouTube. Check the links in the reply tweets.
How I Write Clips retweeted
Did phones kill reading?
"The data shows that both boys and girls are reading less, and they're both saying they like reading less, and it's way worse for boys.
And that's existential. If people don't read as kids, the chance of them reading as adults goes way down.
It also has a huge impact on our society because there's no better way to develop analytical skills than reading. And the research shows that kids who aren't reading at grade level by the 3rd or 4th grade have less successful life outcomes, too."
— Jon Yaged, CEO of Macmillan
(And the quote is lightly edited)
How I Write Clips retweeted
This is 100% correct. Use AI to deepen research, not replace it. If you’re not working through ideas in your own mind, you will not be able to access and use them to the extent your work and life deserve. There’s no shortcut for understanding.
How I Write Clips retweeted
Sam Altman on the biggest mistake talented and hard-working people often make
“You should have a very high bar for doing anything but thinking about what to work on… Of course that doesn’t work all of the time. At some point, you actually have to go execute. But I often see people who I think are really talented, work super hard, and are super product, not spend any time thinking about what they’re going to work on.”
He believes that writing is the best tool for this:
“If I have a very hard problem or I’m a little confused about something, I still have not found anything better to do than sit down and make myself write it out… It is a super powerful thinking tool.”
Video source: @david_perell (2024)















