
R.A. Moulds. Composer (once upon a time), writer (ditto), and #2 dad to the sweetest Frenchie in the world. Transplanted to Lovely Ireland.
Cork, Ireland
Joined May 2010
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A Composer in Cork☘️🎵 retweeted
My latest cartoon for tomorrow's @Telegraph
Buy a print of my cartoons at telegraph.co.uk/mattprints
Original artwork from chrisbeetles.com
A Composer in Cork☘️🎵 retweeted
The correct framing is that burgeoning male writers are not receiving investment - particularly in the literary genre. It is not suppression. It is neglect. Male writers just go Indy. The complaints that 'men don't read' by the Lithub Handwringers, should be understood to actually mean, 'men don't read contemporary authors we think they should read.' Solving the impasse without changing the investment structure would require a concerted effort of male writers to embrace the monoculture and become self-hating woke stenographers, or for men to stop rereading classics and put down the video games and read books that were not written for them, by them, or about them.
"Today, the Big Five publishers are staffed almost entirely by women. According to the most recent data, more than 70 percent of staffers are women. More than 70 percent of editors are women. Even 70 percent of all interns are women. At the executive level, more than 60 percent of leaders are women. In 2026, American publishing looks like lululemon."
A Composer in Cork☘️🎵 retweeted
We introduced William Paquet @PaqWilly in the gallery’s first week. His sculpture "UNTIL DEATH" is a piece that warrants a second, and closer, look.
Bronze sculpture operates on a timeline that is unique to itself, and the tempo of creation is a magnetic force influencing the artist's ultimate vision. The sculptor works in clay for weeks, sometimes months, modeling the form at varying scales and correcting proportions from every angle. When the clay is finished and a full scale model has been completed, a mold is taken (sometimes by the artist, sometimes by the foundry). A wax positive is pulled from that mold — hollow, thin-walled, holding the exact shape of everything the sculptor built by hand. The wax is refined, invested in a ceramic shell, and fired in a kiln until the wax melts out. "Lost Wax Process" is the particular term for this method.
Finally, molten bronze, running above 2,000°F, is poured into the void the wax left behind.
The pour lasts seconds, but the cooling takes hours to ensure the bronze does not crack or deform. The shell is broken away to reveal the raw casting, which then requires weeks of chasing (filing, grinding, welding seams) before the patina is applied. Start to finish, a common timeline is three to six months for a single piece. Each stage is viscerally physical. Each stage is irreversible.
Paquet is self-trained in this tradition, experimenting and learning with the natural intuition that comes from producing piece after piece after piece. "UNTIL DEATH" is a product of that commitment — decades of learning culminating in months of studio and foundry work.
The process cannot be separated from the finished sculpture; every surface is a conscious decision. Taking the time to look and appreciate every detail honors the artist, and feeds your soul.
A Composer in Cork☘️🎵 retweeted
A PLANE IS ON ITS WAY TO TORONTO , WHEN A BLONDE IN ECONOMY CLASS GETS UP AND MOVES TO THE FIRST CLASS SECTION AND SITS DOWN.
THE FLIGHT ATTENDANT WATCHES HER DO THIS AND ASKS TO SEE HER TICKET.
SHE THEN TELLS THE BLONDE THAT SHE PAID FOR ECONOMY CLASS AND THAT SHE WILL HAVE TO SIT IN THE BACK.
THE BLONDE REPLIES, "I'M BLONDE, I'M BEAUTIFUL, I'M GOING TO TORONTO AND I'M STAYING RIGHT HERE."
THE FLIGHT ATTENDANT GOES INTO THE COCKPIT AND TELLS THE PILOT AND THE CO-PILOT THAT THERE IS A BLONDE BIMBO SITTING IN FIRST CLASS, THAT BELONGS IN ECONOMY AND WON'T MOVE BACK TO HER SEAT.
THE CO-PILOT GOES BACK TO THE BLONDE AND TRIES TO EXPLAIN THAT BECAUSE SHE ONLY PAID FOR ECONOMY SHE WILL HAVE TO LEAVE AND RETURN TO HER SEAT.
THE BLONDE REPLIES, "I'M BLONDE, I'M BEAUTIFUL, I'M GOING TO TORONTO AND I'M STAYING RIGHT HERE."
THE CO-PILOT TELLS THE PILOT THAT HE PROBABLY SHOULD HAVE THE POLICE WAITING WHEN THEY LAND TO ARREST THIS BLONDE WOMAN WHO WON'T LISTEN TO REASON.
THE PILOT SAYS, "YOU SAY SHE IS A BLONDE? I'LL
HANDLE THIS, I'M MARRIED TO A BLONDE. I SPEAK BLONDE."
HE GOES BACK TO THE BLONDE AND WHISPERS IN HER EAR, AND SHE SAYS, "OH, I'M SORRY." AND GETS UP AND GOES BACK TO HER SEAT IN ECONOMY.
THE FLIGHT ATTENDANT AND CO-PILOT ARE AMAZED AND ASKED HIM WHAT HE SAID TO MAKE HER MOVE WITHOUT ANY FUSS.
"I TOLD HER, 'FIRST CLASS ISN'T GOING TO TORONTO."
A Composer in Cork☘️🎵 retweeted
In November 1941 the richest man in America drove his twenty-three-year-old daughter to a hospital in Washington without telling her mother, had two surgeons drill holes in her skull and cut into the front of her brain while she sang God Bless America to them, and when the singing stopped she had a mental age of two and the family did not speak her name for twenty years.
Rosemary Kennedy was the third child and the first girl, and she was slow. A nurse at the birth had held Rose Kennedy's legs together for two hours while they waited for the doctor, and the baby had been starved of air. She learned to read and write, but late, and in a family where the boys were being bred for the presidency and the girls for the right marriage, she was the one who could not keep up, the one who had to be coached and watched and given the simpler part in the photograph. She was also, by every account, the prettiest of them, and when the family went to London in 1938 she was presented at court in a white dress and curtsied to the King without a mistake.
Then she was twenty-one, and the trouble started. Moods. Rages. Slipping out of the convent school at night and coming back in the morning and not saying where. The nuns said she might be meeting men. For Joseph Kennedy, who was managing his sons towards the White House and could not have a daughter who might get pregnant or get talked about, that was the end of it. He had read about a new operation. Walter Freeman had promised the newspapers it calmed the agitated, and Joe Kennedy had never in his life been told that a thing he could pay for would not work.
Rosemary was given a mild sedative and kept awake. Freeman and his surgeon, James Watts, opened the skull on both sides and Watts pushed a blade into the frontal lobes and swept, while Freeman asked her to recite the Lord's Prayer and sing, and count backwards, so they would know how far to go. They went until she was incoherent. Then they stopped.
She came out of it unable to walk or speak. Years of therapy got her a few words and a limp. Joe moved her to a private hospital in New York and then to a convent school in Wisconsin, told the family she was teaching the retarded in the Midwest, and never went to see her. Rose, her mother, was not told what had been done until long after, and did not visit for twenty years. The brothers and sisters, including the one who became President, were told she was away. When Joe had his stroke in 1961 and could no longer manage the story, Eunice went to Wisconsin and found a woman of forty-three who did not know her, and came home and started the Special Olympics.
Rosemary lived to eighty-six, in the convent, and died in 2005 with her surviving sisters at the bed. The brother who became President had signed the first federal mental health law in 1963, and the family has said she was the reason.
Freeman kept operating for another twenty-six years. His notes on Rosemary have never been released.
That is what the expert's confidence looks like when it meets a powerful man with an inconvenient child. The science was published. The father was certain. The daughter sang to the surgeon until she could not.
Every institution that has ever decided it knows what is wrong with you and how to tidy it has the same two ingredients in the room, and the person on the table is still the only one who pays.
A Composer in Cork☘️🎵 retweeted
The thing is, Mike, we aren't that fussed when we are in the queue at Tesco. We are a bit more worried if the person with a penis is in the locked female psychiatric ward, prison, changing room.
I KNOW! Context is really hard to understand.
A Composer in Cork☘️🎵 retweeted
STEVE MARTIN appearing as Bachelor #1 on ‘The Dating Game’ in 1968.
He won a date with Marsha Walker, who happened to be the twin sister of one of his childhood crushes.
Martin occasionally worked behind the scenes as a writer for the show too.
A Composer in Cork☘️🎵 retweeted
Janice Turner in the Times, serves it cold to Sally Rooney.
"Rooney’s work brims with jaded ennui: achievement is empty, love problematic, sex just a serotonin blip before postcoital gloom. Beautiful World, Where Are You? whines the title of her third novel. I’ve met young Ukrainians under nightly Russian drone attack who find more laughter and joy in life than her privileged, Mogadoned nihilists.
The longing to feel something — anything — defines her characters and her own life. But now, at 35, Rooney has found meaning at last. The cause of Palestine is “to join in something greater than our selves, to participate in some small way in a struggle for human liberation”. Gaza is not about the suffering of a people but Rooney’s self-realisation."
thetimes.com/comment/columni…
If you are an acclaimed, voice-of-a-generation novelist there are infinite practical ways to deploy your fame and money to aid Gaza’s hungry, injured and displaced. But Rooney has chosen one that gives her the ultimate prize: pain-free public martyrdom.
A Composer in Cork☘️🎵 retweeted
📺On October 25, 1975, ‘The Mary Tyler Moore Show’ aired ‘Chuckles Bites the Dust,’ one of television’s most iconic sitcom episodes. When Chuckles the Clown dies in a bizarre parade accident, Mary Richards is appalled by her coworkers’ jokes, until she attends his funeral and finds herself unable to stop laughing.
The episode won an Emmy for Outstanding Writing in a Comedy Series and was ranked #1 on TV Guide’s 1997 list of the 100 Greatest TV Episodes of All Time
A Composer in Cork☘️🎵 retweeted
Another happy reader! So lovely to receive these comments by email.
More about Facing the Music here ninebarrowpress.co.uk/facing…
A Composer in Cork☘️🎵 retweeted
Enjoy this beloved song performed by Judy Garland in the classic film "Meet Me in St. Louis" (1944).
Starring Judy Garland and Margaret O’Brien, this heartwarming musical tells the story of a lively St. Louis family in the early 20th century whose lives are turned upside down when they learn that their father has been transferred to New York and the entire family will have to leave their beloved hometown behind.
A Composer in Cork☘️🎵 retweeted
Please do come to this event on Thursday, 29 October, at 19:00 at Conway Hall. A mixture of comedy, music, drama and spoken word celebrating Jewish culture. I will be playing Stefan Wolpe’s Palästina-Notenbuch and also accompanying wonderful soprano Ilona Domnich in some songs of Rachmaninoff (who did much to support Jewish musicians). And please RT!
bloomsburyfestival.org.uk/wh…
A Composer in Cork☘️🎵 retweeted
For all the hand wringing about the ‘far right’, it turns out the far left is a real danger to society. This week’s @Independent_ie column
independent.ie/comment/eoin-…
A Composer in Cork☘️🎵 retweeted
People in Ireland are very foolish if they cannot see that everything we hold dear, the bonds that make us human.
These things and more are all under siege by a a force that is in control of our politics.
It's called 'evil' and here is its ugly face:
Video on hugging consent taken down after criticism share.google/ch55bIg3ObAZi0Z…






























