Raven retweeted
Listen closely—this isn’t just a soundtrack; it is the scene itself.
For a Few Dollars More – Ennio Morricone, 1965
Raven retweeted
AVOID renting an apartment directly below or across from wireless antenna arrays (like the ones circled in red) to AVOID dangerously high levels of wireless radiation exposure.
Raven retweeted
Y’all realize Israel 🇮🇱 has never been monitored for how many Nukes they have don’t you? ☢️ 🤔
Raven retweeted
I need these vile goblins to walk the planks into orca, great white + jellyfish infested waters
OR to be pitched off into a lava spewing volcano
OR to be pumpkin chucked into a field of lions 🦁
I won’t be satisfied until they’re all quartered or swinging- neither will you 🤌🏽
Raven retweeted
Bob Seger & The Silver Bullet Band
• Against The Wind
(02•25•1980) 🐎
[02•21•20]
youtu.be/2vRsEC65NTA?si=6XdP…
Raven retweeted
“All governments suffer a recurring problem: Power attracts pathological personalities. It is not that power corrupts but that it is magnetic to the corruptible.”
- Frank Herbert, Chapterhouse: Dune
“All governments suffer a recurring problem: Power attracts pathological personalities. It is not that power corrupts but that it is magnetic to the corruptible.”
- Frank Herbert, Chapterhouse: Dune
In Chapterhouse: Dune, Frank Herbert challenges the familiar belief that power inevitably corrupts those who possess it. Instead, he presents a more unsettling idea: power often attracts individuals who are already inclined toward corruption, manipulation, and domination.
While traditional wisdom suggests that authority gradually transforms good people into corrupt leaders, Herbert argues that systems of concentrated power tend to attract and reward those who desire control above all else. Rather than creating corruption, these institutions can elevate individuals whose ambitions and personalities make them particularly dangerous when given authority.
This interpretation echoes political philosophies that question centralized authority and warn of its tendency to reward ruthless ambition. Herbert’s deeper message is that the greatest threat may not be power corrupting otherwise decent people, but systems that repeatedly place power in the hands of those most eager to exploit it. The real danger lies in structures that reward the pursuit of control while allowing those who crave it to rise to the top.
Raven retweeted
You think they actually care if YOU survive 72 hours or 90 days? These warnings are meant to keep you off balance and afraid.
Raven retweeted
Jethro Tull performing “Bourée” for French Television in 1969 “Bourée” is an instrumental and a flute-based adaptation of Johann Sebastian Bach’s “Bourrée”. The Bach version was written for lute, and is his fifth movement of the Suite in E minor for Lute. Also known as “Aufs Lautenwercke” (works for the Lute), Bach wrote the piece in the early 1700s. In an interview, Ian Anderson explained why he decided to adapt the Bach composition. He said: “I got to the point where I was playing the flute every night on stage in the early part of ‘68, and so by the end of the year, I was casting around for an instrumental piece as a successor to the Roland Kirk piece, ‘Serenade to a Cuckoo,’ which I’d been playing most of 1968. I wanted something that had a syncopated jazzy feel, but a melody that wasn’t associated with the jazz world or the blues world. And ‘Bourée’ was a little bit of music that came to me through the floorboards of my bedsitter in London, because there was a media student in the room below who kept playing over and over again this refrain of the Bach tune “Bourée.” He played it on classical guitar, but he only ever got the one bit, he never progressed beyond that basic thing. So I kept hearing that over and over and over and over again, and decided that I would try to use that little tune some way as a starting point for an instrumental piece. And Martin Barre, who literally at that point in January ‘69 was just kind of auditioning to join the band, said, ‘Oh, I know that. I think I’ve got the sheet music somewhere for Bach’s ‘Bourée.’’ So it was something we could fairly readily embark upon as a variation on a classical piece of music.”



































