
Home of #MedwayWomensHistoryMonth and #MurderousMedway Patron @LisaCuttsAuthor
Rochester, Kent
Joined July 2011
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Rochester Literature Festival retweeted
Forget all the huge supermarkets and their mawkish Christmas adverts, this was the best Christmas advert - Enniskillen pub Charlie's put out this advert back in 2023. It’s brilliant.
Rochester Literature Festival retweeted
Brilliant!! @thebasecreates
"What happened to theatre? This a question lots of audiences must have asked themselves over the last few years. How did it go from being the envy of the world to a marginal and lame art form? How have we found ourselves with an industry that seems to have no idea what it is supposed to be or do?"
"Good teachers were fired from drama schools for dubious crimes or just because they ‘couldn’t get with the program’. Zoom struggle sessions with teachers and students were described to me as ‘a bloodbath’. One teacher I know threw up in the street afterwards. Documents were circulated about changes demanded to drama school curricula."
Link in 1st reply-
Rochester Literature Festival retweeted
🧵 ARTISTS: there are just days left to have your say on the future of National Lottery arts funding. 🧵
The Government is reviewing how Good Causes funding is distributed for the first time in more than 30 years.
Deadline: midday, 23 September.
1/10
Rochester Literature Festival retweeted
In case anyone needs it, to have the ‘mubble-fubbles’ (16th century) means to have a fit of despondency or low spirits, such as the end-of-summer blues.
Rochester Literature Festival retweeted
In the dead of night at Bergen-Belsen concentration camp, a garbage truck stopped behind a women’s barracks. Its cargo was not trash.
One by one, 54 children were dumped into the freezing mud before the truck drove away, leaving them crying in the darkness.
Inside the barracks, 26-year-old Luba Tryszynska heard the commotion through the thin walls. A former nurse from Kamenets-Litovsk, she had arrived at Bergen-Belsen only weeks earlier. When she stepped outside, she found terrified children between the ages of four and twelve.
Earlier that day, their mothers had been separated from them and transported to another camp near Hamburg. The children had been loaded onto a different vehicle, driven around for hours while officials decided their fate, and ultimately abandoned like unwanted cargo.
For Luba, the sight was unbearable.
Two years earlier, at Auschwitz, she had been forced to watch her own family disappear. During the selection process, an SS guard noticed her young son, Isaac. Knowing mothers with small children were often sent directly to the gas chambers, Luba’s mother-in-law pulled the boy from her arms in a desperate attempt to save her life.
Isaac, her husband Hersch, and her mother-in-law were all taken away. None returned.
Luba survived, but the loss haunted her every day. She often wondered why she had been spared when the people she loved most had not.
That night at Bergen-Belsen, standing before dozens of abandoned children, she finally found a purpose for her survival.
Without hesitation, she gathered the children and brought them inside. The other prisoners were terrified. Sheltering children could have resulted in severe punishment or death for everyone in the barracks.
Luba did it anyway.
She arranged bunks for them, tucked the youngest children into the safest corners, and reassured them with quiet words:
“You’re safe now. Stay quiet, and I’ll take care of you.”
Then she took an even greater risk.
Luba approached Fritz Klein, an SS doctor at the camp, and told him directly that she intended to keep the children hidden and under her care. Against all expectations, Klein agreed and allowed her to use a separate wooden hut.
Why he consented remains unclear.
With that small concession, Luba created something almost unimaginable inside one of the most horrific places on earth: a refuge for children.
Over the next four months, she and a handful of other women worked tirelessly to keep them alive. Hermina Krantz, a Slovak prisoner, helped clean and prepare whatever scraps of food could be found. Dr. Ada Bimko, another prisoner, cared for the sick and injured.
Luba became the heart of the operation.
Every day she searched for food, traded possessions, begged for supplies, and sometimes stole whatever was necessary to feed the children. Bread, water, bits of soup, and occasionally milk became precious treasures.
Remarkably, some German guards even began assisting her. They quietly provided firewood, extra bread, and on one occasion, an entire bucket of fresh milk.
As the months passed, more orphaned children arrived.
By April 1945, Luba was caring for 94 children, including an infant less than a year old.
Then, on April 15, British troops liberated Bergen-Belsen.
The soldiers entered a camp filled with death, disease, and starvation. Everywhere they looked were bodies and prisoners barely clinging to life.
But when they opened the door to Luba’s hut, they encountered something extraordinary.
Inside were dozens of children who had survived.
A British officer reportedly asked who was responsible for them.
Luba stepped forward and answered simply:
“I am.”
Thanks to her determination, nearly all of those children lived through the war.
After liberation, she personally helped return many of the children to their home countries. Some were escorted back to the Netherlands, while others were taken to safety in Sweden.
Eventually, Luba married fellow survivor Sol Frederick and settled in Washington, D.C., where she built a new life far from the horrors she had endured.
Yet the children never forgot her.
In 1995, fifty years after the war, many of those she had saved gathered in Amsterdam for a reunion. They arrived as adults—doctors, teachers, engineers, parents, and grandparents.
One after another, they embraced the woman who had protected them when no one else would.
The child Luba lost at Auschwitz could never be replaced. The pain of that loss stayed with her forever.
But through her courage, compassion, and refusal to look away, nearly one hundred other children were given the chance to grow up, build families, and live full lives.
Luba Tryszynska passed away in 2009 at the age of 91.
Her story remains one of the most powerful reminders that even in humanity’s darkest moments, a single act of love can become a lifeline for countless others.
Rochester Literature Festival retweeted
HEREFORD — please come!
5 SOLDIERS receives its world premiere at Hereford Military Festival on Sunday 27 September.
Given Hereford’s military links, this feels like the right place to open the film’s public life.
A film about service, training, injury, recovery, comradeship and the soldier’s body, followed by a live conversation with Andrew Fox.
Rochester Literature Festival retweeted
Dolly Parton’s Imagination Library was the best contribution to child literacy ever made by a celebrity. Our paths crossed once, in the 90s, backstage at a talk show, and I was completely tongue-tied and starstruck. RIP Dolly. You were a complete, irreplaceable one-off.
Rochester Literature Festival retweeted
One day I’ll be vindicated not for my words, not for my writing, but for my work.
And there will be a gap in that work.
Due to the violent regime of the silencers. When I couldn’t make freely.
But my work, over my life, will tell the history of these times, and my life, and my art.
Rochester Literature Festival retweeted
This is one of my favorite watercolor teachers on the tube that is you. He rivals Bob Ross in his demeanor. His art is out of this world incredible. He explains everything so well. I HIGHLY recommend him!!
Rochester Literature Festival retweeted
I agree with every word of Anne Fine’s introduction to this report.👇
The new report from SEEN in Publishing @biologyinmed @Transgendertrd transgendertrend.com/wp-cont…
Key takeaways 🧵
Rochester Literature Festival retweeted
A small public service announcement from the Department of Things That You Should Know…
It has not “peeked” your interest.
Nor has it “peaked” your interest.
…It has piqued your interest.
You are not “phased” by something.
You are fazed by it.
If you’ve had a long day, you are weary.
If you suspect someone is an idiot, you are wary.
It is “due course”, not “do course”.
“Per se”, not “per say”.
And while we’re here, it’s “could have”, not “could of”, but that particular battle may already be lost.
Thank you for your attention during this brief outbreak of grammatical housekeeping.
This has been a @LairdofthManor announcement.🎩💙
Rochester Literature Festival retweeted
I want to introduce you to Steve. He’s 83. His wife died a few months ago and he comes to this lodge in Spring Mill, Indiana and draws. He taught art in Terre Haute, IN his whole life. He also did courtroom sketches in court cases. In the comments I’ll share some pics from his sketchbook. He was excited when I said I was going to share his sketches with the world.
Rochester Literature Festival retweeted
We stand with @jan_murray. @scope should reconsider their decision, which was based on 2 complaints, abide by UK equality law, and apologise to Jan
Rochester Literature Festival retweeted
My novel OCEAN is published in paperback May 7th.
I wrote it after crossing the Bay of Biscay as the worst crew member ever on a beautiful yacht, trying to understand what happens to a family under pressure.
"A propulsive, visceral, gasp inducing page-turner" - Sunday Post
Rochester Literature Festival retweeted
Author copies of OCEAN paperback have arrived.
Beautifully produced, and, after all this time, so happy to hold it in my hands.
Out May 7.
“Strange, wonderful and compelling” — Louis de Bernières
#MedwayWomensHistoryMonth is at an end 😭
Just one final post in celebration and then we’ll start thinking about next year!
Sign up to the Substack to get all the news straight to your inbox: open.substack.com/pub/whmmed……
#MedwayWomensHistoryMonth is at an end 😭
Just one final post in celebration and then we’ll start thinking about next year!
Sign up to the Substack to get all the news straight to your inbox: open.substack.com/pub/whmmed……
Rochester Literature Festival retweeted
Morning all. I’ve done lots of thinking this week & decided I don’t think I can carry on with my business anymore.
It’s always been hard, but it’s so much harder to keep my head above water now which is not only bad for me mentally, it’s affecting my physical health too (1/4)
Rochester Literature Festival retweeted
English stained glass artist Ann Sotheran, 'Isa's hare' (2011) #WomensArt


























