filmmaker, @JugendohneFilm contributor, lecturer @saewien, soldier of cinema, pacifist https://teapawt.net/t.co/yYG3QNmhec https://teapawt.net/t.co/zJtwNVU0j1…
Vienna, Austria
Joined November 2014
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W.A.B. - A memorial
Three years ago, I made a short film about a man named Wynn Alan Bruce.
On April 22, 2022, he died outside the U.S. Supreme Court in an act that drew attention to the climate crisis.
I’m sharing it today.
vimeo.com/813902321
Sebastian Bobik retweeted
"An essay from Ryûsuke Hamaguchi on why the ascendant filmmaker Sho Miyake is, in his eyes, the young master." metrograph.com/sho-miyake-th…
Sebastian Bobik retweeted
it's time again for this:
youtube.com/watch?v=QXjBqGuQ…
Sebastian Bobik retweeted
In memory of Bill Krohn, wanted to share this discussion about late films he contributes to from the old a_film_by internet group:
the1517tocinema.blogspot.com…
A good conversation itself but also a nice example of Krohn's intellect & unique position in /perspective on film history
Sebastian Bobik retweeted
Finalmente, damos inicio al dossier sobre el cine de Jean-Claude Rousseau con la primera de cuatro publicaciones que van a salir de acá hasta fin de año.
En esta ocasión, 10 textos y entrevistas inéditas en español.
taipeirevista.com/index.php/…
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nw histoire de ma vie racontée par mes photographies (2001). an epic about "mundane" (oc not!) images as proust's invisible madelaine, provoking the gestures of remembrance in it's reverse shots but only through time (3hrs21min) a glimpse of their meaning reveals itself. sublime.
Sebastian Bobik retweeted
Angela Schanelec's Prag, März 92 (Prague march '92).
Short documentary about Prague featuring Bohumil Hrabal himself and The Magic Flute.
transfer.it/t/BMyd8YlVHLhQ
Sebastian Bobik retweeted
Instead of this AI slop, Alfonso Cuaron could have simply linked to Screen Slate's record of BAM's excellent 2013 series "Booed at Cannes"
Sebastian Bobik retweeted
Rhayne Vermette's film Levers is available to watch for free online this month on Equinox Film. It's apocalyptic, enigmatic, and feels relevant to our current times yet somehow exists outside of time. Well worth seeing.
equinox.film/film/levers/
Sebastian Bobik retweeted
humble legend, Mike Kuchar, explaining how “underground film” used to have a real meaning, in regards to clandestine networks of exhibition developed out of necessity against state repression, long before the term lost all meaning in its recuperation by Art World establishments.
Sebastian Bobik retweeted
The compressed and far-reaching Liberté et Patrie, by Jean-Luc Godard and Anne-Marie Miéville—a twenty-minute adaptation of a novel by Ramuz, a feature trying to burst out—at @lallianceny at 4 and (introduced by Michael Witt) at 7, with Kirsanoff's Rapt:
newyorker.com/goings-on-abou…
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Daney in Chahine's BONAPARTE
teapawt.net/theMummyMa/status/1360…
Serge Daney on Youssef Chahine's ADIEU BONAPARTE in a new translation by @laurentktz. A high example of Daney's powers of description as a travel writer, micro/macro historian, and admirer of Chahine. An ode to the production process and the Egyptians...
sergedaney.blogspot.com/2021…
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“Anne-Marie Miéville often answers questions with a hermetic gracious smile, as if everything we need to know about her is in her film. She’s right, of course.” – Danièle Heymann
New on Sabzian: a conversation with Anne-Marie Miéville, published in 1989 sabzian.be/text/%E2%80%9Cwe-…
Sebastian Bobik retweeted
derzeit auf arte: arte.tv/de/videos/116002-000…
rip patricio guzmán. if you haven't seen la batalla de chile yet, you should. fundamental. and here's a good read how this film is still with us: ejumpcut.org/archive//jc61.2…