Quite pleased with my guesses today (especially the second word). Wordle 1,953 3/6 ⬜🟨⬜⬜⬜ ⬜🟨🟩⬜🟩 🟩🟩🟩🟩🟩

⭐️⭐️⭐️⭐️⭐️ ILFORD BOY at Donmar Warehouse. …chatty, nuanced, playful, crass, foul-mouthed with well-honed, utterly relatable characters thanks to Wynter’s sharp writing and Tim Sheader’s excellent direction. londonboxoffice.co.uk/news/p… @DonmarWarehouse @KMorleyPR @LBO_Theatre

Pre-set and bows for this evening’s West End jaunt for the very stylish ILFORD BOY at the Donmar Warehouse. @KMorleyPR @DonmarWarehouse @LBO_Theatre

⭐️⭐️⭐️⭐️ DERREN BROWN: ONLY HUMAN at Apollo Theatre, Shaftesbury Avenue. People skills and techniques which can be learnt, but are rarely developed and mastered in the way Brown has spent his life honing. londonboxoffice.co.uk/news/p… @NimaxTheatres #DerrenBrown @LBO_Theatre

Derren Brown - Only Human. Opening night in the West End at Apollo Shaftesbury Avenue. @DerrenBrown @LBO_Theatre @storyhousepr

⭐️⭐️⭐️⭐️ MARTIN GUERRE at The Old Vic. Revitalised and stylistically improved version of Boublil & Schönberg’s original, starring diminutive powerhouse Liv Andrusier beautifully paired with Shane O’Riordan. londonboxoffice.co.uk/news/p… @LBO_Theatre @oldvictheatre @LAndrusier

Where was I this evening???

Trump fans everywhere could have some fun with NYT’s Spelling Bee today! @nytimes #MAGA #DonaldTrump #USA #POTUS #SpellingBee

My review from this evening’s jaunt to Southwark Playhouse for DOG MOM. londonboxoffice.co.uk/news/p… @swkplay @LBO_Theatre

⭐️⭐️⭐️⭐️ SOME WOMAN at National Theatre, Dorfman. From this evening’s press night. londonboxoffice.co.uk/news/p… @NationalTheatre @LBO_Theatre @EdmundsonHelen

Pre-set and bows from this evening’s press night for SOME WOMAN at National Theatre Dorfman. Thought provoking and unsettling, with a terrific cast and stunning set design by Rob Jones. @NationalTheatre @LBO_Theatre #SomeWomanPlay @EdmundsonHelen @RobJonesDesign

“CADEL: Lungs On Legs” Simultaneously celebrating its 100th performance and the opening tonight of its 5-week London run at Riverside Studios (after huge success at the Edinburgh Fringe this summer). @RiversideLondon @KevinWilsonPR @LBO_Theatre

Bows from last evening’s performance of THE CHERRY ORCHARD. @HPinterTheatre @LBO_Theatre @EmmaHollandPR

⭐️⭐️⭐️⭐️ THE CHERRY ORCHARD @HPinterTheatre A smorgasbord of semi-likeable, oft-irritating, occasionally amusing family members, household familiars and those merely with a vested interest in hanging about for so long as it is expedient. londonboxoffice.co.uk/news/p… @LBO_Theatre

⭐️⭐️⭐️⭐️ FENCES at @LyricHammer August Wilson’s FENCES is one of a handful of truly great, late 20th century plays, due to its ability to capture and convey the bitter disappointment which underpins “The American Dream”. londonboxoffice.co.uk/news/p… @LBO_Theatre @breadbutterpr

August Wilson would be very proud. Great job. I’m in agreement with @alunjohnhood - Madeline Appiah was made to play the part of Rose. #FENCES @LBO_Theatre @LyricHammer @breadbutterpr #AugustWilson

This evening to Hammersmith (second time this week) for FENCES press night @LyricHammer @LBO_Theatre @breadbutterpr

⭐️⭐️⭐️⭐️ RENT at Tom Stoppard Theatre. Is it as good as the Broadway original or the late 90s transfer to the Shaftesbury Theatre? Debatable. Is it a terrific piece with notable performances from a talented cast? Hell yeah! londonboxoffice.co.uk/news/p… @LBO_Theatre @stoppardtheatre

In the West End for RENT at The Tom Stoppard Theatre. Expecting great things. @LBO_Theatre @RawPRTweets

⭐️⭐️⭐️⭐️ BLOOD OF MY BLOOD at Royal Court. Tilda Swinton’s star billing may be pulling ‘em in at the bigger space but with humanity and supernatural edginess in plentiful supply, this proved genuinely compelling. londonboxoffice.co.uk/news/p… @LBO_Theatre @breadbutterpr @royalcourt