Studies in Spanish & Latin American Cinemas (@StudiesinSLAC) header
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The peer-reviewed journal formerly known as Studies in Hispanic Cinemas 🎬🎞️📽️🎥

Joined July 2018
Photo by Studies in Spanish & Latin American Cinemas (@StudiesinSLAC)Photo by Studies in Spanish & Latin American Cinemas (@StudiesinSLAC)Photo by Studies in Spanish & Latin American Cinemas (@StudiesinSLAC)Photo by Studies in Spanish & Latin American Cinemas (@StudiesinSLAC)Photo by Studies in Spanish & Latin American Cinemas (@StudiesinSLAC)Photo by Studies in Spanish & Latin American Cinemas (@StudiesinSLAC)Photo by Studies in Spanish & Latin American Cinemas (@StudiesinSLAC)Photo by Studies in Spanish & Latin American Cinemas (@StudiesinSLAC)Photo by Studies in Spanish & Latin American Cinemas (@StudiesinSLAC)Photo by Studies in Spanish & Latin American Cinemas (@StudiesinSLAC)
In Issue 20.3, Livia Perez retraces the research journey that “outed” Norma Bahia Pontes (1941–2010) as a documentary filmmaker whose work was crucial to anticolonial cinema in France, the Brazilian Cinema Novo movement, and to feminist and lesbian video in the US.
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Article here: doi.org/10.1386/slac_00118_1 Drawing on a fragile, scattered archive—tucked away in closets, in the personal collections of ex-girlfriends and friends, and in institutions across Brazil, France, and the U.S.—Perez reconstructs a long-overlooked legacy in A/V history.
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¡Lee el artículo de Miguel Errazu (@m_errazu) en el número 20.3! doi.org/10.1386/slac_00116_1 Miguel cuenta la historia de La cooperativa de cine marginal, un colectivo militante mexicano activo entre 1971 y 1975, y el papel de cooperativista Guadalupe Ferrer.
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El artículo se centra en Guadalupe Ferrer, una cooperativista, quien guarda en su casa el único archivo conocido de este período. Miguel ofrece una lectura feminista del archivo, que matiza la versión común, la más monopolizada por voces masculinas.
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Check out @LorenaCervera's article in issue 20.3! Lorena outlines the photographic and cinematic production of Franca Donda (1933–2017) and the two Venezuelan film collectives in which she participated. doi.org/10.1386/slac_00117_1
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It covers Cine Urgente (Urgent Cinema, 1968–73) and Grupo Feminista Miércoles (Wednesday’s Feminist Group, 1979–88). It also addresses the physical state of these archives, reflects on issues of positionality, and describes the transmedia project emerging from this research.
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Check out Mónica Ramón Ríos’ article in issue 20.3! Mónica revisits the legacy of the 1917 Chilean film La agonía de Arauco o el olvido de los muertos/Death Throes of Arauco or How to Forget the Dead and its Director Gabriela Bussenius (1889–1975). doi.org/10.1386/slac_00120_1
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Mónica argues that Bussenius has been underappreciated in scholarship despite producing groundbreaking work exploring the struggles of and solidarities between women and the Mapuche. Image courtesy of Anarchivo Chile.
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Fabulous conference being planned at Tulane for this December in honour of our dear Ana Lopez who we all miss. December 4, 5 and 6, Tulane University. More information at: movingmedias.tulane.edu/ Submissions are due by July 15, 2025
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Delighted to present issue 20.3 of Studies in Spanish & Latin American Cinemas, a Special Issue entitled "Guerrilla Archiving: Documents for a Feminist History of Latin American Cinemas." intellectdiscover.com/conten…
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Featuring an introduction by Special Issue Editors Isabel Segui, Nina Tedesco and Elizabeth Ramirez-Soto. Ana Lopez the co-editor of this issue gets a heartfelt shout out. We miss you Ana!
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Announcing 19.3, a special issue on Mobilizing Affect in Spanish film and screen media from the Great Recession to the present, ed. Bryan Cameron Read the special issue's introduction (free!) here: doi.org/10.1386/slac_00091_2
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QEPD Carlos Saura - recommending today Stuart Davis's "The time of the (orphan)" that reads Cría cuervos (Saura, 1976) alongside Catalan film Estiu 1993 (Carla Simón, 2017) doi.org/10.1386/slac_00014_1
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Anyone else starting syllabi? Consider including work from the latest SLAC 18.3: • @devorahshawa on Central American/Mexican migration films (SIN NOMBRE, LA JAULA DE ORO) via political theory • @josediazza on Building Muxeninity in 3 docs via queer theory
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Shaw: "The Right to Rights and Central American/Mexican migration films" - doi.org/10.1386/slac_00056_1 Diaz Zanelli: "Building Muxeninity: Identity, gender/native performance and family in three documentaries" - doi.org/10.1386/slac_00057_1
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Here's a link to the SLAC Extras page that @AnaLopez1956 plugged: slacextras.com/18-3/ Trust us, you don't want to miss these PEMEX didactic melodramas!
✨ Excited to announce that Issue 18.3 with Special Dossier: New Approaches to Mexican 🇲🇽 Cinema, edited by @adepinedafranco (with contributions from @thomas_matusiak @TormosEdgardo @occosentino @c4noff) is now available! ingentaconnect.com/content/i…
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Happening TODAY (Tues. April 5) at 3P CDT / 2P 🇲🇽 Get a sneak preview of soon-to-be-published Special Dossier 18.3! bit.ly/Mexican-Cinema
New Approaches to Mexican Cinema Join us on Tuesday, April 5 | 3:00pm CDT \ 2:00pm 🇲🇽 Livestream: facebook.com/events/10888400…
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Don't miss this roundtable on Mexican 🇲🇽🎞️ Cinema that draws from our special dossier in issue 18.3!
New Approaches to Mexican Cinema Join us on Tuesday, April 5 | 3:00pm CDT \ 2:00pm 🇲🇽 Livestream: facebook.com/events/10888400…
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A special 🇪🇸 edition of #theTuesdayReview Check out reviews of the latest books on Spanish Cinema in SLAC 18.2: THE SPANISH QUINQUI FILM (@SusaLarson), THE TWO CINES CON NIÑO (@rachbeanz), & THE MAKING AND UNMAKING OF FRANCOIST KITSCH CINEMA (@scotlandspain)
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Mark your calendar! Contributors to the Studies in Spanish & Latin American Cinemas Special Dossier 18.3 will discuss New Approaches to Mexican Cinema on April 5, 3PM CDT bit.ly/Mexican-Cinema
Colleagues, Please join us #llilasbenson on April 5 to celebrate the publication of New Approaches in Mexican Cinema in SLAC. Thank you to the amazing contributors. Here is the link to the dossier slacextras.com/18-3/
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In 18.2, check out Susanne Hackett’s award-winning (@scmsLatinx) essay on DE CIERTA MANERA, which reads the classic Cuban film in the context of Afro-Cuban patakí (myth) doi.org/10.1386/slac_00046_1
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In 18.2, Walfrido Dorta reads CORAZÓN CUBANO (Valdés, 2014) as “an example of amateur, alternative and informal media within the Paquete [Semanal]”; a must read article for Cuban media scholars & those interested in exploitation cinema & narcocinema.
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#theTuesdayReview - CIUDAD Y FANTASMAGORÍA, Editorial Cuarto Propio, 2019; "Rueda's book stands out for discerning and thorough analyses of contemporary Latin American urban films," largely through the framework of Walter Benjamin
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Scholars of Argentine cinema: have you read Nicolás Suárez’s “Del mito gaucho al mito peronista: la decadencia del cine criollista en La cabalgata del circo (Soffici 1945)” in 18.2? Suárez spills the tea 🍵 on Eva Duarte v. Libertad Lamarque doi.org/10.1386/slac_00042_1
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