I love mangas. #ThankYouKentaroMiura Editor 🎞️🎥 Metal Lover🎸🖤🔥 Priv @Syalfe5

Mountain
Joined December 2024
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To those who keep correcting me by saying that Tetsuya Chiba was merely the artist behind Ashita no Joe, and that Ikki Kajiwara was its true creator, I'd like to share a few thoughts on the matter. - The reality is that both men are officially recognized as the co-creators of Ashita no Joe. The manga was born from a collaboration between Ikki Kajiwara, who wrote the story under the pen name Asao Takamori, and Tetsuya Chiba, who brought it to life through his artwork. - However, in Japan and throughout the manga industry, there is a deeply rooted perception of Tetsuya Chiba as the true father of Joe Yabuki. And this perception is far from baseless. There are compelling reasons behind it, rooted in the very creation and development of the manga. - Ikki Kajiwara was widely known for writing raw, aggressive, and melodramatic stories filled with blood, sweat, and tears, such as Kyojin no Hoshi (Star of the Giants). In his original vision, Joe Yabuki was portrayed as a violent, unpleasant delinquent with little emotional depth or redeeming qualities. The overall tone of the story was intended to be considerably darker and more cynical. Tetsuya Chiba, however, did far more than simply illustrate Kajiwara's words. He gave Joe his humanity. - Chiba continually reshaped elements of the script because he wanted readers to connect emotionally with the protagonist and with the children growing up in Japan's impoverished neighborhoods. If Joe ultimately became a tragic hero and a symbol of Japan's postwar working class, much of that transformation can be attributed to the emotional sensitivity and humanity that Chiba brought to the character. - Some of the most legendary moments in Ashita no Joe were also born from Chiba's improvisation, creative decisions, or insistence on taking the story in a particular direction. Take Tōru Rikiishi, for example. Joe's legendary rival was originally intended to be a relatively minor character, roughly the same size and weight as Joe himself. However, Chiba accidentally drew Rikiishi considerably taller and more physically imposing. - To make this visual difference work within the story, Kajiwara had to develop the brutal and now-iconic extreme weight-cutting storyline, which ultimately became one of the most unforgettable arcs in manga history. - Then there is the ending. The famous final image of Joe sitting in the corner of the boxing ring, completely white, was a visual interpretation conceived by Chiba himself. It brought the story to a poetic and deeply symbolic conclusion, moving beyond the purely tragic tone that Kajiwara often favored in his storytelling. - Another important detail is that Ikki Kajiwara originally published the story under the pseudonym Asao Takamori, which somewhat diminished the direct association between his real name and this particular manga. - Over the years, Kajiwara also became involved in personal scandals and legal troubles, eventually passing away at a relatively young age in 1987. Tetsuya Chiba, on the other hand, remained active for decades as one of the most respected, admired, and beloved figures in the manga industry. Sadly, he passed away in October 2026 at the age of 87. - Having served as the most recognizable public face of Ashita no Joe for more than half a century, Chiba became so closely associated with the work that, in Japan's collective cultural memory, the manga and his name became almost inseparable. - And that brings me to my final point. Recognizing Tetsuya Chiba's enormous contribution does not mean denying Ikki Kajiwara's authorship or diminishing his importance. Both men were essential to the creation of this masterpiece, and neither contribution should be overlooked. - But their roles went far beyond the simple distinction between writer and illustrator. - Kajiwara laid the structural foundations and established the boxing premise, but Tetsuya Chiba gave Ashita no Joe its soul, its heart, and the visual identity that transformed it from a boxing manga into the cultural legend it remains today. #TetsuyaChiba #AshitaNoJoe #JoeYabuki #TomorrowJoe #LegendaryMangaka #MangaMasterpiece #AnimeShindeiru #あしたのジョー
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『あしたのジョー2』劇場版 ホセ・メンドーサとの壮絶な15ラウンドを戦い抜いた矢吹丈。判定では敗れたものの、ジョーは血と汗にまみれたグローブを葉子に託し、静かに目を閉じる。 ジョーの顔に浮かぶ穏やかな微笑み。
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In terribly sad news, Tetsuya Chiba (1939-2026) has passed away. Best known for "Ashita no Joe" (あしたのジョー), "Notari Matsutaro" (のたり松太郎), "Akane-chan" (あかねちゃん) and many other shonen and shojo series. His death is an astronomical loss to the manga world.
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La double page d’ouverture du chapitre 197 du tome 22. Kaioh et Kenshiro, en noir et blanc, puis en couleur, dans deux versions différentes. #hokutonoken #北斗の拳 #fistofthenorthstar
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Tetsuya Chiba nous a quittés le 22 octobre, à 87 ans. L’auteur d’Ashita no Joe, premier mangaka décoré de l’ordre de la Culture au Japon, a marqué des générations de dessinateurs. Tetsuo Hara en fait partie, il le cite parmi les auteurs qu’il imitait à ses débuts, et Ashita no Joe parmi les lectures de ses années de collège et de lycée. Merci, Chiba sensei. 🙏 #ちばてつや #あしたのジョー #原哲夫
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Tetsuya Chiba, the legendary manga artist and creator of Ashita no Joe, has passed away at the age of 87. The legendary creator passed away on October 22. Having overcome war, poverty, and countless hardships, he went on to create Ashita no Joe, a masterpiece that revolutionized the history of sports manga through its extraordinary emotional depth and expressive storytelling. He became the first manga artist to receive Japan's Order of Culture and devoted considerable efforts to mentoring future generations of artists. On October 27, it was announced that Tetsuya Chiba, the manga artist behind numerous masterpieces, including Ashita no Joe, widely regarded as one of the greatest works in the history of boxing manga, had passed away on the afternoon of October 22, at the age of 87. Since December 2015, Chiba had been serializing Hinemosu Notari Nikki in Big Comic magazine. However, in September of this year, it was announced that the series would be put on hiatus due to health issues. His final personal blog entry was published on August 17. The boy who had experienced the horrors of war and poverty dedicated his life to portraying, through manga, the joys and sorrows of humanity, as well as the strength to rise again after defeat, hardship, and disappointment. Having become one of the most influential figures in Japanese sports manga, in 2024 he made history as the first manga artist ever to receive Japan's Order of Culture. Beyond his remarkable creative career, he devoted much of his life to nurturing new generations of manga artists and contributing to the development of manga culture. We have lost one of the greatest masters of Japanese manga. It is especially moving to realize how his experiences of suffering and survival ultimately found their way into characters such as Joe Yabuki. Tetsuya Chiba didn't simply draw boxing. He portrayed the dignity of those who keep fighting, even when life itself seems to have defeated them. I always tell you: Watch Ashita no Joe. Today and forever, it remains a timeless legacy and a living reflection of its creator's enduring spirit. Farewell, Tetsuya-sensei. #TetsuyaChiba #AshitaNoJoe #JoeYabuki #TomorrowJoe #LegendaryMangaka #MangaMasterpiece #AnimeShindeiru #あしたのジョー
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Syalfe retweeted
あしたのジョー2 OP1「傷だらけの栄光」 ED1「果てしなき闇の彼方に」(おぼたけし) OP2「MIDNIGHT BLUES」 ED2「果てしなき闇の彼方に」(荒木一郎)
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【訃報】「あしたのジョー」漫画家のちばてつやさん死去 87歳 news.livedoor.com/article/de… 「あしたのジョー」「おれは鉄兵」などのヒット作で知られ、文化勲章を受章した漫画家、ちばてつやさんが死去したことがわかった。
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あしたのジョー2の好きな場面 ウルフ金串がホセとの世界戦前夜にこっそりジョーに借りた金を返しに来てからの降りが昭和の良き時代感が出ていてたまらなく好きです。
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『あしたのジョー2』の名シーン パンチドランカーとなったカーロス・リベラがジョーの試合会場に現れる。クリスマスの輝かしい思い出とは裏腹に、シャツのボタンさえ留められない変わり果てた姿。かつて拳で語り合ったライバルの悲惨な現実に、ジョーの胸は深くえぐられる。
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『あしたのジョー』をはじめ、ちばてつや先生の作品がこれからも多くの人に愛されいつまでも読み続けらますよう心から願っております。
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Syalfe retweeted
【追悼】ちばてつや先生 『あしたのジョー』OP ♪あしたのジョー  歌:尾藤イサオ  作詞:寺山修司  作曲編曲:八木正生
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Descanse em paz, Tetsuya Chiba. Tetsuya e Ishinomori eram grandes amigos que sempre estavam lado a lado se ajudando. Tetsuya Chiba é um dos mangakás mais influentes de todos os tempos, dono de um traço único e de um coração enorme, seu legado jamais será esquecido.
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RIP TETSUYA
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Queria um anime de Violence Jack sem ser feito pela Netflix
What is even this animation?
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George Miller said he was influenced by comics when making Mad Max, though it's unlikely he had access to Violence Jack in 1970s Australia. I think the similarities between the two come down to parallel evolution. Go Nagai & George Miller independantly nurtured the same ideas!🧵
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Mad Max RULES, but please know that Go Nagai's Violence Jack (1973) is the originator of the "grizzled hero saves innocents from insane biker gangs in a post apocalptic wasteland" genre. It predates both Max Max (1979) & A Boy and His Dog (1975) and also HUGELY influenced HnK!🧵
"Mad Max" director George Miller presenting an illustration of Furiosa by "Fist of the North Star" artist Tetsuo Hara. "Mad Max" was the inspiration for Tetsuo's manga and they met for the first time over 40 years after the release of their works. wwws.warnerbros.co.jp/madmax…
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