Book-of-the-Month Club
And Columbia Records
Both had my number
Not to mention loads
Of my part-time job money
During my teen years
I was a child sucker
Of the advertising age,
A marketer’s dream
A magpie on hunt
For the next new shiny thing
That could change my life
I got some pleasure
Out of those books and albums
But were they worth it?
I’m not a good judge,
Being susceptible to
The next big sales pitch
But do I buy that
Capitalism’s evil?
No—also not good
Bank robber embraces
His plight, genuflects and
Chambers a fresh round
Echoes of guns past
Shoot across vaulted ceiling—
Comets crossing sky
Fury’s sirens wail—
Mars flashes red lights, bathing
Dreary scene in blood
Convict wannabe
Clutches tight his rosary,
Asking mom for help
Sniper in dark blue
Sees target appear in scope,
Tightens the trigger
Lake Peigneur’s eddy
A monster whirlpool with a
Salty disposition
Oil drill went somewhere
It shouldn’t—as drillers will—
And punctured a mine
Eleven barges,
A tugboat and 65
Acres of land lost
Sucked into the mine
By the big vortex’s force,
A supreme hickey
A once shallow lake
No longer has fresh water
And boasts hidden depths
Conservation laws?
We don't need no stinking laws!
Who needs oversight?
Choose from our array
Of color choices, plus squid
Or octopus ink
Garamond? Maybe
Baskerville without bringing
That bloody hound dog
Font size? Picas and
Points to consider—make it
Big for the old folks
Glossy stock or bond?
Newsprint if we need to save
On publishing costs
Folio, letter
Foolscap or A4–take chance
On reader preference
Would you like that in
A quire, ream, bundle, bale?
Or paper tiger?
How can spirit bear?
What can the real spirit bear?
Can spirit bear it?
My spirit bear comes
Through the woods on softened steps
Yet breaking branches
Ursine essence spins
Fantasies from wetland webs
Into other worlds
Mysticism lurks
Just beneath root-veined surface
Of the forest floor
Black bear with white coat
Bares its teeth—is it ready
To eat or to smile?
When earth shadows moon
And the dark umbra shines red
Eclipse my old head
Old-time band plays spoons
In a trundle bed of pine
Scents and taste of love
Our senses can’t find
The life we dreamed of when young
Beyond our longings
Can we strive for good
Or are we ever condemned
To settle for less
Striving as we might
To spear that shining brass ring
With our puny lance
Winter’s coming on
Nature’s turning its corner—
Cold will soon descend
But eclipses don’t
Last long and seasons will turn
When earth tilts its head
Boy in iron lung—
View limited to head turn,
Cracks in ceiling tiles
Old man stops walking,
Sits in arm chair watching tube
And birds at feeder
Trailer park children
Running within their ragged
Circle of wagons
Harried mother’s world:
Family and work distilled
In glass of Chablis
Harried father’s world:
Work and family distilled
In glass of whisky
Young woman limits
Herself by never seeing
Beyond basic needs
A young man limits
Himself by never seeing
Beyond his base wants
Some existences
Revolve around just keeping
Ahead of the cops
Some around the next
Bout of community angst
Or moral concerns
Some existences
Revolve around the pursuit
Of yet more dollars
But some people find
A different plane of being
In books and poems
Others get revenge
Through music, dance or sculpture,
Crafting their own worlds
Art is more than joy
Or something to marvel at—
It molds perspectives
And it can create
Alternate universes
In which to survive
Vampire shied away
When I swung garlic garland
Under his nose hairs
Skeleton ran off
After I aimed my shotgun
At his two left feet
Witch watched in horror
As her broom broke in pieces
On gritty sidewalk
Then the three goblins
Tee-peed my front yard and threw
Three rotten pumpkins
I accept these as
My due for not handing out
More sweet cavities
I’ve read several of Kazuo Ishiguro’s books, including The Remains of the Day and Klara and the Sun, but Never Let Me Go had escaped me until now. Wow. Just wow. I wish I had read it before I read Klara and the Sun, because I can just see how one led to the other. Never Let Me Go should be required reading for anyone involved in the A.I. debate. It’s a master class in relying too much on technology — in this case, medical technology, but the lessons are universal. It’s not so much the technology itself that’s the problem, Ishiguro seems to be saying, it’s how humans incorporate it into their society. He’s asking not just what does it mean to be human, but what does it mean to treat others humanely? I also really admire Ishiguro’s ability to tell a truly heartbreaking and disturbing story through a female point of view. That’s not easy to pull off. If he faltered anywhere, I couldn’t spot it. This one’s a keeper.
The first dead body
I saw as a reporter
Was in Virginia
Cloudy afternoon
On cusp of spring in a park
Of rickety homes
On a dirt path lies
Bundle of clothes wrapped around
An empty vessel
Hilt of a small knife
Sticks out of a narrow chest
That no longer breathes
Police stand around
Kicking up dust from the path—
Coroner is late
There are no colors
Everything’s muted—even
Blood is turning black
A cop says victim
Was playing poker with friends
Until they were not
Heads shake at the thought
Of losing your hopes and dreams
Betting on the cards
Not condescending—
Although it would be easy
To see arrogance
In the face of law,
Overseers with badges—
I didn’t sense that
More that the common
Notion of life as precious
Was pierced with knife, too
Walking home from bar
On Halloween’s Eve I chance
Upon a black cat
It passes before me
On a desolate roadway,
A furry omen
It came from a field
Of decaying pumpkins that
Look mauve in the dark
A static spark winks
In fur near the feline’s head
Leaving fetid wake
It scampers toward
An unlit cemetery
And then disappears
An ossuary
With its lid ajar appears,
Gargoyles on its side
Delirium or
Serendipity? Who knows?
Not me, I’m obtuse
I lay down in it
And curl up into a tight ball
For sleep of the dead
Spotted lanternflies
Invaded with a vengeance,
Attacking trees, crops
Milkweed can mislead,
Drawing them off their mission—
Its sap makes them ill
Monarchs, however,
Turn milkweed’s toxins into
Their own defenses
Oft looked down upon,
Milkweed dons its cape and mask
To become Nature Man
I stumbled across a post on Facebook about a feud between Kurt Russell and Barbra Streisand that caught my eye because it involved the First Amendment, a subject near and dear to my heart. The “article” didn’t involve many specifics — it was mostly about people’s reactions to this supposed incident. I wanted to know what set the whole thing off, and found other sources but they were all relying on the same material. I asked Yahoo AI as a last resort and at first it answered relying on the same bullshit I had been reading. But when I asked it specifically what Russell said that precipitated the dispute, Yahoo AI admitted it was all “social media mythology,” which is an interesting way to put it. Let’s be careful out there, especially in an election season. Not everything you read or see is true. Ask questions, especially if you find holes in what you’re consuming. We’re weaving a web of lies that are going to cocoon us in ignorance if we aren’t careful.
Have you ever been
Lost in a cold sea of words,
Fingers miss right one
Then you play the chat
Over and over in your
Indulgent manner
Substituting just
The right word to tip balance
And make her sing out
With joy at your feat
But instead you used wrong word,
Ending in whimpers
Thousands of replays
Aren’t enough to overcome
Reality’s miss
If only we could
Go back and edit remarks
To delete the pain
It’d be nice if
My ego stepped in to help
And would stop heckling
Digging up glad bulbs
To keep them warm for winter—
It makes them happy
My old trowel makes
A satisfying sucking
Sound breaking the dirt
Something more needed,
So I drop the trowel and
Dig in with fingers
Shoving the dirt up
Under my clean fingernails—
Soon my hands covered
Why do I so like
Playing with the earth’s pieces
And getting dirty?
Likely a vestige
Of my early sandbox days
In kindergarten
Or could it be a
Lingering affinity
For farming the soil?
Like my ancestors
Did in the not-so-distant
Truck farms of the past
Puttering about
In the garden is a chore
But not a burden
It’s a sign of hope,
Knowing that today’s work won’t
Show until next year
I learned the hard way
With a Dahlia bulb I left
In its cellar box
Poor thing tried to grow
In the dark, dry conditions—
I didn’t do my part
I’m glad the glads are
Glad, safe in their cardboard box
Sheltering from cold
Gardening may seem
Like a dull game, but it’s a
True survival class
Just saw a PAC ad that ends with “Liberals are the new racists.” What a load of gaslighting bullcarp. Liberals aren’t trying to whitewash history, pretend Columbus and Lee are still heroes, or upend years of historical scholarship. Not to mention screw up the Smithsonian and whatever other historical archives they can screw with. This isn’t about racism. It’s about a political movement trying to get you to vote for its false ideology and its illiberal, ignorant policies. Don’t fall for it.
Triskelion riffs:
Throughout history, we’ve known
The power of three
That length, width and height
Define space—if you discount
Imagination
Red, yellow and blue—
Basic participants in
Art’s complexity
Bee Gees brought house down
With harmonic convergence
Of falsetto tones
Moe, Larry, Curly
Hurled pies with a nyuk here
And a nyuk, nyuk there
Wolf scrambled after
Those pigs, huffing and puffing
‘Til houses collapsed
Three Musketeers fought
All for one and one for all—
Except the peasants
World’s weirdest flag:
Isle of Man’s three armored legs—
A Daliesque dream
Magi brought their three
Gifts to swaddled Christ-to-be—
Pious bribery?
Worship trinity:
Father, Son and Holy Ghost—
Did they start it all?
But ménage a trois—
Polite society frowns
Upon that threesome
Checks and balances
of the U.S. government
When they deign to be
Three strikes and you’re out,
Three outs to a half inning—
Three hundred is good
Three on a match and
You’re tempting fate in the form
Of sniper’s bullet
Macbeth’s Weird Sisters
Wail round a boiling cauldron,
Cooking up hubris
While the three monkeys
Will not see, hear or speak ill
Of emperor’s clothes
Fates of Grecian myths
Spin the yarns of future tales
Into tapestries
While Scrooge’s three ghosts
Plot a change in attitude
And path for escape
Dance of three Graces
Provides triple counterpoint
To the Fates’ dark plans
Three-headed watchdog
Keeps the dead from escaping —
No electric fence
Tritone’s strange trick
Can fool a musical ear—
Power to confuse?
When the evening light
Turns sepia and leaves brown—
Crunching under foot
When the pumpkins stretch
Across the fields and corn stalks
Turn a golden hue
When masks give way to
Tables of harvest’s bounty,
Then carols in snow
That’s when I forget
My poor track record buying
Presents and buy more
Expecting something
Different to occur this time
When you open it
I always expect
Glee and I always get—did
You keep a receipt?


















