作家の村上龍さん死去　74歳 『カンブリア宮殿』司会を約20年担当 oricon.co.jp/news/2488333/fu… ⠀ 1952年生まれ、長崎県佐世保市出身。76年、「限りなく透明に近いブルー」で芥川賞などを受賞、ほか代表作に「コインロッカー・ベイビーズ」「13歳のハローワーク」「五分後の世界」などがある。 2006年からはテレビ東京の長寿番組『カンブリア宮殿』でMCをつとめ、今年3月に小池栄子とともにMCを卒業した。

This is just my observation with this discourse but I think because of how rich the arcade Tekken culture was in Japan and Korea, most of the old heads here don’t really care for the preservation of older Tekken as they treat it as the past and sort of this “let’s just focus on the current one” way of thinking. Past is the past and probably a lot of old heads are satisfied enough with the past series. However in the west, a lot of us were influenced by Tekken crash/MainStreetRyu especially ones that are young but we never got to experience green arcade or real arcade Tekken culture and kinda stuck with the shitty t6 console version at home. Which is probably why we tend to be a lot more vocal and wanting to relive something we never got to experience by trying to bring back older Tekken to replace this current version despite the legality of it.