CLOCKBATH (@TheClockBath) header
CLOCKBATH (@TheClockBath) profile picture

CLOCKBATH

@TheClockBath

ESP/ENG | anime and manga artist. El manga es épico. CLOSED COMMISSIONS.

yosoyelclockbath.artstation.com/
Joined June 2022
  • Tweets312
  • Following88
  • Followers161
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Photo by CLOCKBATH (@TheClockBath)Photo by CLOCKBATH (@TheClockBath)Photo by CLOCKBATH (@TheClockBath)Photo by CLOCKBATH (@TheClockBath)Photo by CLOCKBATH (@TheClockBath)Photo by CLOCKBATH (@TheClockBath)Photo by CLOCKBATH (@TheClockBath)Photo by CLOCKBATH (@TheClockBath)Photo by CLOCKBATH (@TheClockBath)Photo by CLOCKBATH (@TheClockBath)
¡Llévate una tableta gráfica con pantalla! ¡Sorteamos una diaria, seis en total!✨ ¡La de hoy podría ser tuya! ¡Tan solo síguenos y republica este post para participar! El sorteo termina el 15 de octubre a las 8:00 GMT.  clipstudio.net/promotion/giv…
Image from CLIP STUDIO PAINT (@clipstudiopaint)
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━━━━━━━━━━━━━━━━ TVアニメ「#ブラッククローバー」 　　　　　2nd Season 　　放送直前ビジュアル解禁🍀 ━━━━━━━━━━━━━━━━ 漆黒の三極性（ダークトライアド）の3人、 そして魔神と対峙するアスタが描かれた 激闘を予感させるビジュアルを公開！ 圧倒的な力を持つ 漆黒の三極性（ダークトライアド）に、 アスタたちはどう立ち向かうのか――。 さらなる激闘の行方にぜひご注目ください⚔ 第1話は10月3日(土) 23時から テレ東系列ほかにて放送開始📺 #ブラクロ
Image from TVアニメ「ブラッククローバー」2nd Season【公式】 (@bclover_PR)
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omggg commi
Image from Alex the ferret (COMMS CLOSED) (@AlexartXvi)
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CLOCKBATH retweeted
nihoshi (@nihosi1) profile picture
nihoshi@nihosi1Aug 22
Image from nihoshi (@nihosi1)
Image from nihoshi (@nihosi1)
Image from nihoshi (@nihosi1)
Image from nihoshi (@nihosi1)
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The category is Urana's abrupt style changes
Image from Holly Jollyrant (@bitcrushpoet)
Image from Holly Jollyrant (@bitcrushpoet)
Image from Holly Jollyrant (@bitcrushpoet)
Image from Holly Jollyrant (@bitcrushpoet)
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『ガチアクタ』第2期 ── First Look PV ── 第2期先行シーンをSNS初公開！ 続報をお楽しみに💥 #ガチアクタ #GACHIAKUTA
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お誕生日おめでとう🎈 #ゆめにっき22周年 #yumenikki22nd #indie_anime
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📕『ガチアクタ』19巻 📕 　――7月16日発売―― @KEI_URANA @3aruyanen #ガチアクタ #GACHIAKUTA
Image from TVアニメ『ガチアクタ』公式 (@gachiakuta_PR)
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CLOCKBATH retweeted
生ごミカン (@nmgmkn) profile picture
生ごミカン@nmgmknJun 19
プルクラ🐈とバーニス🍺
Image from 生ごミカン (@nmgmkn)
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🚨 Premier aperçu du tome 19 de GACHIAKUTA
Image from Gachiakuta FR (@GachiakutaFR)
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CLOCKBATH retweeted
KornArt (@KornArt3) profile picture
KornArt@KornArt3May 18
THE CLEANERS
Image from KornArt (@KornArt3)
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Image from Jiwoo🦈ODIA |12코 (@JI_JJI_JI)
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A hot coffee on a cold day is the best . . . . . . Artist: @Hare_Zzv #ZenlessZoneZero #zzzero #miyabi
Image from Daily miyabi (@miyabi_daily)
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K MANGA (@KMANGA_KODANSHA) profile picture
K MANGA
@KMANGA_KODANSHAApr 14
GACHIAKUTA, CHAPTER 165 A NAME is now available! 💥Read: s.kmanga.kodansha.com/ldg?t=… New simulpub chapters update every Tuesday, only on K MANGA! Catch up to the latest three chapters of #GACHIAKUTA manga for FREE on the app!
Image from K MANGA (@KMANGA_KODANSHA)
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CLOCKBATH retweeted
이빈LeeVin (@Lee_Vin_) profile picture
이빈LeeVin@Lee_Vin_Apr 11
✒️ 출판만화 하시려는 분들을 위한 모아레 현상을 피하기 위한 팁 :여기에서도 60L이상은 쓰지 않으시는걸 권해드립니다. 아미(점)톤도 그라데이션 톤도 60L이상 70L 80L은 모아레가 생길 확률이 높아요 굳이 쓰고 싶다면 제가 올린 예시처럼 눈동자나 얼굴의 음영처럼 '작은'부분에 쓰면 괜찮습니다 톤을 쓸때는 기본적으로 *넓은 부분-30L 40L(넓은 배경같은 곳) *중간 부분-50L 60L(인물의 피부나 그림자(큰 인물은 50 작은 인물은 60을 씁니다) *작은 부분(굳이 쓰고 싶다면:인물의 눈동자나 눈코입 부분의 작은 그림자 같은 곳)-70L 80L 이렇게 쓰시면 모아레 현상을 피하실수 있을 거예요
Image from 이빈LeeVin (@Lee_Vin_)
🎨익명의 자료계 (@bottari_asset) profile picture🎨익명의 자료계
@bottari_assetApr 11
러프톤 텍스쳐 그라데이션 rough tone texture-gradation ver (10cp) by Peonbaek assets.clip-studio.com/ko-kr…
Image from 🎨익명의 자료계 (@bottari_asset)
Image from 🎨익명의 자료계 (@bottari_asset)
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기존 톤레이어가 남는 그런지톤 오토액션 Grunge tone auto action (무료 free) by 계차백 assets.clip-studio.com/ko-kr…
Image from 🎨익명의 자료계 (@bottari_asset)
Image from 🎨익명의 자료계 (@bottari_asset)
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Image from Jiwoo🦈ODIA |12코 (@JI_JJI_JI)
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CLOCKBATH retweeted
Elon Musk (@elonmusk) profile picture
Elon Musk
@elonmuskApr 7
NASA Artemis passing close to the Moon
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Only three types of manga tones are used.
Image from とらじろう (@torazirou7)
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NASA (@NASA) profile picture
NASA
@NASAApr 3
Good morning, world! 🌎 We have spectacular new high-resolution images of our home planet, all of us looking back through the Orion capsule window at our Artemis II astronauts as they continue their journey to the Moon.
One-third of Earth peeking through the window of the Orion capsule. The planet is a dreamy pale blue, swirling with white clouds and reflected sunlight. Although Earth only fills a fraction of the image it is the brightest object in the image by far. The capsule window is surrounded by a thick frame held in place with bolts, reminiscent of a heavy duty airplane window. It is dark in the capsule, but the outlines of straps and various components of the capsule are visible. Brighter white components are visible in the upper right corner. Credit: NASA/Reid Weisman

ALT One-third of Earth peeking through the window of the Orion capsule. The planet is a dreamy pale blue, swirling with white clouds and reflected sunlight. Although Earth only fills a fraction of the image it is the brightest object in the image by far. The capsule window is surrounded by a thick frame held in place with bolts, reminiscent of a heavy duty airplane window. It is dark in the capsule, but the outlines of straps and various components of the capsule are visible. Brighter white components are visible in the upper right corner. Credit: NASA/Reid Weisman

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