Possibly the most embarrassing sequence I’ve ever seen in @MapleLeafs hockey history . Captain gets laid out and everyone on the ice takes a skate. -50 at the No Balls Open.
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Went to like this post and realized @JDfromNY206 blocked me. What a soft ass pussy.
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WWE post Cena so far so good.
WWE Monday Night RAW
Mon • Dec 29, 2025 • 7:30 PM
Kia Center, Orlando, FL
Available Tickets: 127
Current Setup: 12,823
Tickets Distributed: 12,696
📺 Tonight's TV
📈 +1,830 since the last update (5 days ago)
📊 YTD Show Avg: 11,747
🔢 Total # of seats on map: 16,845
⏮ 9/26/2025: Smackdown 10,641
💰 Resale: 60
💵 Cheapest Ticket Available (Standard Admission): $56.70
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If true, this is a massive value add.
WWE reportedly posting better churn rate than other live sports for Netflix dlvr.it/TNk5GY
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The CyNick retweeted
Get married, have kids, and stop partying into oblivion.
Leave a legacy, be courageous.
Happy Sunday
God Bless all the parents out there
🙏
The CyNick retweeted
I'm not involved with Dynamite, but if I was, yes I would absolutely know the numbers. And the same goes for any other show on any of the major streaming services. Everyone who is involved with any particular show, at a reasonably high level, gets regular updates sometimes multiple updates each day and through the weekend, if it is a new release title. In addition to that, none of the executives and creatives who receive these updates are mouth breathers. We all talk to the execs and platforms to get info and insight, before they even send out updates to a small group (usually 20-30 people). We are all very busy with multiple responsibilities, clients, projects, etc. We all try to get the info and the initial context from speaking with the execs at these platforms immediately, so we can get ahead of what it all means for us or our clients or our stakeholders. That's all that we care about doing this for - we don't care about the daily discourse that goes on here about the ratings or numbers. No one who is in the business in any real way gives one flying fuck about what Dave pushes out to you guys as gospel. No one gives a fuck about the weekly Dynamite numbers or the Raw numbers except @davemeltzerWON and people who incorrectly believe what Dave pushes out to you as being important, except Dave and these people. What really matters to everyone is what the data MEANS and what TRENDS could it indicate? And what is the level of buy-in and excitement from the streaming execs, and how do they view it? So you can adapt and apply this insight in real time to your day to day interests or responsibilities in this food chain, & advocate for them going forward
Replying to @nicklopiccolo
So just trying to clarify.
Dave doesn’t know the numbers.
You don’t know the numbers.
But there are high ranking executives at MAX and possibly other properties involved with MAX that DO know the numbers?
Poor Dave
Replying to @davemeltzerWON
How do you lie this easily?
I work at one of the top full service talent agencies in Hollywood. STRANGER THINGS, OUTER BANKS, THE MASKED SINGER.
These are just a couple of our “packages” before the WGA shut down TV packaging.
Why would you think Hollywood is this stupid?
The major agencies are either majority owned by private equity or sold stakes to firms like Silverlake, TPG, EQT, Crestview, or our backers.
CAA with TPG sold a majority stake to Artemis in 2023 at a $7B valuation, up from $1.1B when TPG first bought in.
Do you think deals of that size happen without anyone knowing the numbers?
I co-head our film sales and financing department with a colleague who came from 15 years at international finance and production companies IM Global (PARANORMAL ACTIVITY, ATOMIC BLONDE, A SINGLE MAN) & Voltage (THE HURT LOCKER, DALLAS BUYERS CLUB, I FEEL PRETTY).
I've sold or arranged financing for 150 to 200 films, including IMMACULATE last year with Black Bear, that went to Neon. All of the streamers run strict retention to cost analytics before making acquisition offers or deciding what they are going to spend on P&A.
I know the metrics because I've made a lot of those deals. I've represented actors, showrunners, athletes, music, docu series like the Janet Jackson one from a few years back, and yes, Paul v Tyson. I've alsorenegotiated in success.
What do you think Hollywood does, guess?
Just because Netflix did not report the theatrical box office for K POP DEMON HUNTERS doesn't mean we don't know it made ~$19-19.2 million 2 weekends ago.
Our owner also owns an NBA team and a minority stake in an NFL franchise. The NBA has a $138B valuation. Do you think that 30 teams, all owned by billionaires, don't know the streaming numbers?
Or that all of them would be OK with Adam Silver, if he told them "Max won't tell me, if Max even knows them at all, so we can't get the upper hand when we need to renegotiate our deal?" In what world could you or anyone live in this much willful ignorance?
Really????
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Now that WrestleTix posted this. Mysterious ticket bump incoming. In what? Two weeks?
AEW Worlds End
Sat • Dec 28, 2024 • 7:00 PM
Addition Financial Arena, Orlando, FL
Available Tickets: 367
Current Setup: 4,577
Tickets Distributed: 4,210
📈 | +134 since the last update (7 days ago)
📅 | Days until show: 31
⏮ | 12/27/2023 Dynamite: 5,729
Last year's Worlds End (Nassau Veterans Memorial Coliseum): 10,093
Scoopz
Replying to @WWEPresser
I don't think it hurts what he's done in WWE. I think it's an odd move to go from 15k people in attendance for his last match to 3k for Dynamite appearances while he works with or against a dinosaur.
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