A scripted podcast that showcases the work of screenwriters.
Joined January 2018
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This week we sat down with screenwriter Belinda Lees to discuss The Clearing and the challenges of writing a social cause story. It’s a fascinating insight into the true story which inspired Belinda’s writing as well as her process as a screenwriter.
Make sure to check out episode 2 of Desert Rose: West in the East out now! Available on all podcast platforms - search for The Script Department (or hit the link below!)
open.spotify.com/episode/0WY…
Another great script breakdown from one of our producers and screenwriters, Laura Owen. If you’re a fan of Drive (2011), give it a look.
New episode coming this Sunday from @FalmouthUni student Lorna Riley. Subscribe wherever you get your podcasts!
Part 2 of The Clearing is out this Sunday. Make sure to check out P1 in the meantime if you haven't. You can listen below or wherever you get your podcasts!
open.spotify.com/episode/3Zb…
A great write up about The Script Department and our podcast on the latest Screen International. Cinema for your ears!
Can't wait to share Belinda Lees' The Clearing, coming this Sunday. Available wherever you get your podcasts. Search for The Script Department.
youtu.be/YnFpVNigJkk
Type your name in the GIFs. The third one is when you’re drunk.
Not really drunk, more every day annoyed. But I'll take it.
Based on true events. Some context around what inspired Belinda Lees upcoming 4-part story, The Clearing.
bbc.co.uk/news/world-austral…
Coming March 7th! THE CLEARING. A 4-part script reading written and read by Belinda Lees. Listen to the trailer below:
open.spotify.com/episode/2ZC…
Our environmental thriller, The Dead Cry Out, written by @MichelaCortese is now playing on @BBCCornwall
TheScriptDepartment retweeted
Tune into @TheScriptDept to hear a reading of "A Ball in the Brain", an exciting new drama from director and Directors UK member @Stuart_Urban!
Make sure to tune in for this! It’s a good one. And if you’re a fan of The Crown or Preacher, be sure to check out Pip Torrens’ incredible reading of the piece.
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