Irfan Shah (@TheShadowTraps) header
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The story of Louis Le Prince, his mysterious disappearance and the world's first films.

Joined May 2017
Photo by Irfan Shah (@TheShadowTraps)Photo by Irfan Shah (@TheShadowTraps)Photo by Irfan Shah (@TheShadowTraps)Photo by Irfan Shah (@TheShadowTraps)Photo by Irfan Shah (@TheShadowTraps)Photo by Irfan Shah (@TheShadowTraps)Photo by Irfan Shah (@TheShadowTraps)Photo by Irfan Shah (@TheShadowTraps)Photo by Irfan Shah (@TheShadowTraps)Photo by Irfan Shah (@TheShadowTraps)
A great piece for all film detectives out there. And an impassioned defence of a screwed over screenwriter.
Ever wonder how Hollywood big-shots manage to steal credit from nobodies - and never get called out for it? Irfan Shah's devastatingly forensic dissection of arrogant pig™ Richard Curtis and his "cunning plan" might well be the definitive exposé.
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Irfan Shah retweeted
Ever wonder how Hollywood big-shots manage to steal credit from nobodies - and never get called out for it? Irfan Shah's devastatingly forensic dissection of arrogant pig™ Richard Curtis and his "cunning plan" might well be the definitive exposé.
Replying to @SkydMarxx
@SkydMarxx Enter Jack Barth's Misfortunate Universe once more, in a new post on the 'true' story behind Working Title's 'Yesterday'... astudyinlight.substack.com/p…
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The plot thickens…
Replying to @SkydMarxx
@SkydMarxx Enter Jack Barth's Misfortunate Universe once more, in a new post on the 'true' story behind Working Title's 'Yesterday'... astudyinlight.substack.com/p…
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Irfan Shah retweeted
Fantastic analytical piece about the cinematic credit-hoggery of arrogant, superprivileged uberhack Richard Curtis. Best stuff is behind the paywall, so g'wan, treat yourself.
Replying to @screenrant
@screenrant @BFI A celebration/vindication of the work of Jack Barth ( @SkydMarxx ) on Substack: astudyinlight.substack.com/p…
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This is one hell of a story, and if you watch this space, you'll see another article in a few days revealing more of how one person's script (career and life) were misused by the British film industry
Replying to @LoinDuTribu
You can find out more here: astudyinlight.substack.com/p… with more to come in the next few days. @SkydMarxx
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My latest Patreon post. A talk which includes the story of a little known, lost, motion picture sequence by Louis Le Prince (the only published account of it that I know of). patreon.com/theshadowtraps/p…
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LEARN more: 🎞️ The Missing Reel (1990) by Christopher Rawlence 🎞️ Histoire Comparée du Cinéma (1966) by Jaques Deslandes 🎞️ The First Film (2015) by Wilkinson / Shah 🎞️ The Man Who Invented Motion Pictures, Paul Fischer (2022) 🎞️ Or anything by Le Prince biographer Irfan Shah @TheShadowTraps 🎞️ Histoire du Cinéma’ (1967) by Jean Mitry
Compare for yourself, if you think the drowning victim photo of the French Police (found and photographed in 1890) but forgotten until 2003, looks anything like that of Louis Aime Augustin Le Prince. Here’s a comparison of the two photos. I say it's the same man, Le Prince.
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Here are pictured, two frames from the Roundhay Garden Scene film of 1888, from Laurie Snyder, great-great-granddaughter of L. A. A. Le Prince. On the back is found, scribed by son Adolphe who stated that the single-lens camera used for the sequence was the second of two made (Scott, ‘Career of L.A.A. Le Prince Photographic Journal,’ 1931; reprinted in the ‘Journal of the Society of Motion Picture Engineers’ p54). The note reads, with the assistance from biographer Irfan Shah @TheShadowTraps : “Portion of a series taken early in October 188(8) by the second one lens camera. Le Prince's mother in law in this picture died Oct 24th 1888. Le prince's eldest son is also in the picture as is his father in law. Taken from 10 to 12 a second. There was no trial of speed contemplated here. This series was taken at his father in law's home 'Roundhay Cottage, Roundhay Leeds.....”
CINEMA FLOORPLAN BEFORE 1890 Scott also explored the reasons Le Prince slipped into obscurity, and they’re a mix of bad luck, timing, and tragedy. 1. His disappearance halted everything. Le Prince vanished mysteriously in 1890 while travelling in France. Without him, his family had no way to finish the demonstrations, defend his patents, or commercialize his inventions. Scott saw this as the single most devastating blow to Le Prince’s legacy. 2. Patent battles were already brewing. Le Prince was preparing to file additional patents and stage public demonstrations in the United States. His disappearance meant: 🎞️ patents lapsed or were never finalized 🎞️ rivals filled the vacuum 🎞️ the Le Prince family had no inventor to testify in court Scott argued that this allowed others to claim priority over the invention of motion pictures. 3. His materials were lost. Much of Le Prince’s notes that he carried on him were lost forever. 4. He lacked a commercial backer. A screenshot below from ‘the first film’ (2015) Wilkinson / Shah showing a Le Prince sketch of his futuristic vision of a cinema theatre. In the possession of University of Leeds Special Collections, Brotherton Library, donated by the Le Prince estate custodian, great, great granddaughter Laurie Snyder.
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Straying into Bronte country, this forgotten novel contains some of the most beautiful descriptions of Yorkshire we’ve read. @LeedsLit @BradfordLitFest We should bring the work of Halliwell Sutcliffe into the light.
#Yorkshire "A yellow sun rising clear of the flaked strips of cloud that hung about the mid­dle blue of heaven, and a low wind shaking the budding heather-tips and wrinkling the surface of standing pools" Halliwell Sutcliffe amazon.co.uk/Shameless-Wayne…
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Irfan Shah retweeted
Replying to @BDSixsmith
And this is a fascinating but grim tale about Curtis as well: astudyinlight.substack.com/p…
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Irfan Shah retweeted
The Misfortunate Universe of Jack Barth - my substack post and a piece of cinematic investigative journalism. substack.com/@astudyinlight/…
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Irfan Shah retweeted
Replying to @screenrant
@screenrant @BFI A celebration/vindication of the work of Jack Barth ( @SkydMarxx ) on Substack: astudyinlight.substack.com/p…
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The Misfortunate Universe of Jack Barth - my substack post and a piece of cinematic investigative journalism. substack.com/@astudyinlight/…
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The Shadow Traps material on lost film pioneer, Louis Le Prince is always worth a look. Support the project if you can!
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